Thyrsis (Matthew Arnold)

How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks -
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!
Here came I often, often, in old days -
Thyrsis and I; we still had Thyrsis then.

Runs it not here, the track by Childsworth Farm,
Past the high wood, to where the elm-tree crowns
The hill behind whose ridge the sunset flames?
The signal-elm, that looks on Ilsley Downs,
The Vale, the three lone weirs, the youthful Thames? -
This winter-eve is warm,
Humid the air! leafless, yet soft as spring,
The tender purple spray on copse and briers!
And that sweet city with her dreaming spires,
She needs not June for beauty's heightening,

Lovely all times she lies, lovely to-night! -
Only, methinks, some loss of habit's power
Befalls me wandering through this upland dim.
Once passed I blindfold here, at any hour;
Now seldom come I, since I came with him.
That single elm-tree bright
Against the west - I miss it! is it gone?
We prized it dearly; while it stood, we said,
Our friend, the Gipsy-Scholar, was not dead;
While the tree lived, he in these fields lived on.

Too rare, too rare, grow now my visits here,
But once I knew each field, each flower, each stick;
And with the country-folk acquaintance made
By barn in threshing-time, by new-built rick.
Here, too, our shepherd-pipes we first assayed.
Ah me! this many a year
My pipe is lost, my shepherd's holiday!
Needs must I lose them, needs with heavy heart
Into the world and wave of men depart;
But Thyrsis of his own will went away.

It irked him to be here, he could not rest.
He loved each simple joy the country yields,
He loved his mates; but yet he could not keep,
For that a shadow loured on the fields,
Here with the shepherds and the silly sheep.
Some life of men unblest
He knew, which made him droop, and fill'd his head.
He went; his piping took a troubled sound
Of storms that rage outside our happy ground;
He could not wait their passing, he is dead.

So, some tempestuous morn in early June,
When the year's primal burst of bloom is o'er,
Before the roses and the longest day -
When garden-walks and all the grassy floor
With blossoms red and white of fallen May
And chestnut-flowers are strewn -
So have I heard the cuckoo's parting cry,
From the wet field, through the vext garden-trees,
Come with the volleying rain and tossing breeze:
The bloom is gone, and with the bloom go I!

Too quick despairer, wherefore wilt thou go?
Soon will the high Midsummer pomps come on,
Soon will the musk carnations break and swell,
Soon shall we have gold-dusted snapdragon,
Sweet-William with his homely cottage-smell,
And stocks in fragrant blow;
Roses that down the alleys shine afar,
And open, jasmine-muffled lattices,
And groups under the dreaming garden-trees,
And the full moon, and the white evening-star.

He hearkens not! light comer, he is flown!
What matters it? next year he will return,
And we shall have him in the sweet spring-days,
With whitening hedges, and uncrumpling fern,
And blue-bells trembling by the forest-ways,
And scent of hay new-mown.
But Thyrsis never more we swains shall see;
See him come back, and cut a smoother reed,
And blow a strain the world at last shall heed -
For Time, not Corydon, hath conquered thee!

Alack, for Corydon no rival now! -
But when Sicilian shepherds lost a mate,
Some good survivor with his flute would go,
Piping a ditty sad for Bion's fate;
And cross the unpermitted ferry's flow,
And relax Pluto's brow,
And make leap up with joy the beauteous head
Of Proserpine, among whose crowned hair
Are flowers first opened on Sicilian air,
And flute his friend, like Orpheus, from the dead.

O easy access to the hearer's grace
When Dorian shepherds sang to Proserpine!
For she herself had trod Sicilian fields,
She knew the Dorian water's gush divine,
She knew each lily white which Enna yields
Each rose with blushing face;
She loved the Dorian pipe, the Dorian strain.
But ah, of our poor Thames she never heard!
Her foot the Cumner cowslips never stirr'd;
And we should tease her with our plaint in vain!

Well! wind-dispersed and vain the words will be,
Yet, Thyrsis, let me give my grief its hour
In the old haunt, and find our tree-topp'd hill!
Who, if not I, for questing here hath power?
I know the wood which hides the daffodil,
I know the Fyfield tree,
I know what white, what purple fritillaries
The grassy harvest of the river-fields,
Above by Ensham, down by Sandford, yields,
And what sedged brooks are Thames's tributaries;

I know these slopes; who knows them if not I? -
But many a tingle on the loved hillside,
With thorns once studded, old, white-blossom'd trees,
Where thick the cowslips grew, and far descried
High towered the spikes of purple orchises,
Hath since our day put by
The coronals of that forgotten time;
Down each green bank hath gone the ploughboy's team,
And only in the hidden brookside gleam
Primroses, orphans of the flowery prime.

Where is the girl, who by the boatman's door,
Above the locks, above the boating throng,
Unmoored our skiff when through the Wytham flats,
Red loosestrife and blond meadow-sweet among
And darting swallows and light water-gnats,
We tracked the shy Thames shore?
Where are the mowers, who, as the tiny swell
Of our boat passing heaved the river-grass,
Stood with suspended scythe to see us pass? -
They all are gone, and thou art gone as well!

Yes, thou art gone! and round me too the night
In ever-nearing circle weaves her shade.
I see her veil draw soft across the day,
I feel her slowly chilling breath invade
The cheek grown thin, the brown hair sprent with grey;
I feel her finger light
Laid pausefully upon life's headlong train; -
The foot less prompt to meet the morning dew,
The heart less bounding at emotion new,
And hope, once crush'd, less quick to spring again.

And long the way appears, which seem'd so short
To the less practised eye of sanguine youth;
And high the mountain-tops, in cloudy air,
The mountain-tops where is the throne of Truth,
Tops in life's morning-sun so bright and bare!
Unbreachable the fort
Of the long-batter'd world uplifts its wall;
And strange and vain the earthly turmoil grows,
And near and real the charm of thy repose,
And night as welcome as a friend would fall.

But hush! the upland hath a sudden loss
Of quiet! - Look, adown the dusk hill-side,
A troop of Oxford hunters going home,
As in old days, jovial and talking, ride!
From hunting with the Berkshire hounds they come.
Quick! let me fly, and cross
Into yon farther field! - 'Tis done; and see,
Backed by the sunset, which doth glorify
The orange and pale violet evening-sky,
Bare on its lonely ridge, the Tree! the Tree!

I take the omen! Eve lets down her veil,
The white fog creeps from bush to bush about,
The west unflushes, the high stars grow bright,
And in the scatter'd farms the lights come out.
I cannot reach the signal-tree to-night,
Yet, happy omen, hail!
Hear it from thy broad lucent Arno-vale
(For there thine earth forgetting eyelids keep
The morningless and unawakening sleep
Under the flowery oleanders pale),

Hear it, O Thyrsis, still our tree is there! -
Ah, vain! These English fields, this upland dim,
These brambles pale with mist engarlanded,
That lone, sky-pointing tree, are not for him;
To a boon southern country he is fled,
And now in happier air,
Wandering with the great Mother's train divine
(And purer or more subtle soul than thee,
I trow, the mighty Mother doth not see)
Within a folding of the Apennine,

Thou hearest the immortal chants of old! -
Putting his sickle to the perilous grain
In the hot cornfield of the Phrygian king,
For thee the Lityerses-song again
Young Daphnis with his silver voice doth sing;
Sings his Sicilian fold,
His sheep, his hapless love, his blinded eyes -
And how a call celestial round him rang,
And heavenward from the fountain-brink he sprang,
And all the marvel of the golden skies.

There thou art gone, and me thou leavest here
Sole in these fields! yet will I not despair.
Despair I will not, while I yet descry
'Neath the mild canopy of English air
That lonely tree against the western sky.
Still, still these slopes, 'tis clear,
Our Gipsy-Scholar haunts, outliving thee!
Fields where soft sheep from cages pull the hay,
Woods with anemonies in flower till May,
Know him a wanderer still; then why not me?

A fugitive and gracious light he seeks,
Shy to illumine; and I seek it too.
This does not come with houses or with gold,
With place, with honour, and a flattering crew;
'Tis not in the world's market bought and sold -
But the smooth-slipping weeks
Drop by, and leave its seeker still untired;
Out of the heed of mortals he is gone,
He wends unfollowed, he must house alone;
Yet on he fares, by his own heart inspired.

Thou too, O Thyrsis, on like quest wast bound;
Thou wanderedst with me for a little hour!
Men gave thee nothing; but this happy quest,
If men esteem'd thee feeble, gave thee power,
If men procured thee trouble, gave thee rest.
And this rude Cumner ground,
Its fir-topped Hurst, its farms, its quiet fields,
Here cams't thou in thy jocund youthful time,
Here was thine height of strength, thy golden prime!
And still the haunt beloved a virtue yields.

What though the music of thy rustic flute
Kept not for long its happy, country tone;
Lost it too soon, and learnt a stormy note
Of men contention-tost, of men who groan,
Which tasked thy pipe too sore, and tired thy throat -
It failed, and thou wage mute!
Yet hadst thou always visions of our light,
And long with men of care thou couldst not stay,
And soon thy foot resumed its wandering way,
Left human haunt, and on alone till night.

Too rare, too rare, grow now my visits here!
'Mid city-noise, not, as with thee of yore,
Thyrsis! in reach of sheep-bells is my home.
Then through the great town's harsh, heart-wearying roar,
Let in thy voice a whisper often come,
To chase fatigue and fear:
Why faintest thou! I wander'd till I died.
Roam on! The light we sought is shining still.
Dost thou ask proof? Our tree yet crowns the hill,
Our Scholar travels yet the loved hill-side.

Adlestrop (Edward Thomas)

Yes. I remember Adlestrop —
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.

The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop — only the name

And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.

And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.

'If truth in hearts that perish' (A.E. Housman)

If truth in hearts that perish
Could move the powers on high,
I think the love I bear you
Should make you not to die.

Sure, sure, if stedfast meaning,
If single thought could save,
The world might end to-morrow,
You should not see the grave.

This long and sure-set liking,
This boundless will to please,
— Oh, you should live for ever
If there were help in these.

But now, since all is idle,
To this lost heart be kind,
Ere to a town you journey
Where friends are ill to find.

from Good Wives, chapter 1, Gossip (Louisa M. Alcott)

'Do you know I like this room best of all in my baby-house,' added Meg, a minute after, as they went upstairs, and she looked into her well-stored linen closet.

Beth was there, laying the snowy piles smoothly on the shelves, and exulting over the goodly array. All three laughed as Meg spoke; for that linen closet was a joke. You see, having said that if Meg married `that Brooke' she shouldn't have a cent of her money, Aunt March was rather in a quandary, when time had appeased her wrath and made her repent her vow. She never broke her word, and was much exercised in her mind how to get round it, and at last devised a plan whereby she could satisfy herself. Mrs Carrol, Florence's mamma, was ordered to buy, have made and marked a generous supply of house and table linen, and send it as her present. All of which was faithfully done, but the secret leaked out, and was greatly enjoyed by the family; for Aunt March tried to look utterly unconscious, and insisted that she could give nothing but the old-fashioned pearls, long promised to the first bride.

'That's a housewifely taste, which I am glad to see. I had a young friend who set up housekeeping with six sheets, but she had finger bowls for company, and that satisfied her,' said Mrs. March, patting the damask tablecloths with a truly feminine appreciation of their fineness.

'I haven't a single finger bowl, but this is a "set out" that will last me all my days, Hannah says;" and Meg looked quite contented, as well she might.

from The Duchess of Bloomsbury Street (Helene Hanff)

We went outside and saw the playing fields where all those wars were supposedly won. Boys were playing cricket, a few strolled by swinging tennis rackets. On Saturdays the boys are allowed to wear ordinary sports clothes but we saw several in the Eton uniform: black tail coat, white shirt, striped trousers. PB says they don't wear the top hat any more except on state occasions. (Those top hats kept the boys out of trouble. If an Eton boy tried to sneak into an off-limits pub or movie, the manager could spot that top hat from anywhere in the house and throw him out.)

The faces of the boys are unbelievably clean and chiseled and beautiful. And the tail coats - which must have looked outlandish in the 1940's and 50's - look marvelously appropriate with the long hair the boys wear now. What with the cameo faces, the long hair brushed to a gleam and the perfectly cut tails, they looked like improbable Edwardian princes.

from The Lord of the Rings, book 6, chapter 4, The Field of Cormallen (J.R.R. Tolkien)

'Noon?' said Sam, trying to calculate. 'Noon of what day?'

'The fourteenth of the New Year,' said Gandalf; 'or if you like, the eighth day of April in the Shire-reckoning. But in Gondor the New Year will always now begin upon the twenty-fifth of March when Sauron fell, and when you were brought out of the fire to the King.'

The Annunciation and Passion (John Donne)

Tamely, frail body, abstain to-day; to-day
My soul eats twice, Christ hither and away.
She sees Him man, so like God made in this,
That of them both a circle emblem is,
Whose first and last concur; this doubtful day
Of feast or fast, Christ came, and went away;
She sees Him nothing, twice at once, who's all;
She sees a cedar plant itself, and fall;
Her Maker put to making, and the head
Of life at once not yet alive, yet dead;
She sees at once the Virgin Mother stay
Reclused at home, public at Golgotha;
Sad and rejoiced she's seen at once, and seen
At almost fifty, and at scarce fifteen;
At once a son is promised her, and gone;
Gabriell gives Christ to her, He her to John;
Not fully a mother, she's in orbity;
At once receiver and the legacy.
All this, and all between, this day hath shown,
Th' abridgement of Christ's story, which makes one —
As in plain maps, the furthest west is east —
Of th' angel's Ave, and Consummatum est.
How well the Church, God's Court of Faculties,
Deals, in sometimes, and seldom joining these.
As by the self-fix'd Pole we never do
Direct our course, but the next star thereto,
Which shows where th'other is, and which we say —
Because it strays not far — doth never stray,
So God by His Church, nearest to him, we know,
And stand firm, if we by her motion go.
His Spirit, as His fiery pillar, doth
Lead, and His Church, as cloud; to one end both.
This Church by letting those days join, hath shown
Death and conception in mankind is one;
Or 'twas in Him the same humility,
That He would be a man, and leave to be;
Or as creation He hath made, as God,
With the last judgment but one period,
His imitating spouse would join in one
Manhood's extremes; He shall come, He is gone;
Or as though one blood drop, which thence did fall,
Accepted, would have served, He yet shed all,
So though the least of His pains, deeds, or words,
Would busy a life, she all this day affords.
This treasure then, in gross, my soul, uplay,
And in my life retail it every day.

from The Wind in the Willows, chapter I, The River Bank (Kenneth Grahame)

The Mole had been working very hard all the morning, spring-cleaning his little home. First with brooms, then with dusters; then on ladders and steps and chairs, with a brush and a pail of whitewash; till he had dust in his throat and eyes, and splashes of whitewash all over his black fur, and an aching back and weary arms. Spring was moving in the air above and in the earth below and around him, penetrating even his dark and lowly little house with its spirit of divine discontent and longing. It was small wonder, then, that he suddenly flung down his brush on the floor, said 'Bother!' and 'O blow!' and also 'Hang spring-cleaning!' and bolted out of the house without even waiting to put on his coat. Something up above was calling him imperiously, and he made for the steep little tunnel which answered in his case to the gravelled carriage-drive owned by animals whose residences are nearer to the sun and air. So he scraped and scratched and scrabbled and scrooged and then he scrooged again and scrabbled and scratched and scraped, working busily with his little paws and muttering to himself, 'Up we go! Up we go!' till at last, pop! his snout came out into the sunlight, and he found himself rolling in the warm grass of a great meadow.

'This is fine!' he said to himself. 'This is better than whitewashing!' The sunshine struck hot on his fur, soft breezes caressed his heated brow, and after the seclusion of the cellarage he had lived in so long the carol of happy birds fell on his dulled hearing almost like a shout. Jumping off all his four legs at once, in the joy of living and the delight of spring without its cleaning, he pursued his way across the meadow till he reached the hedge on the further side.

Dust of Snow (Robert Frost)

The way a crow
Shook down on me
The dust of snow
From a hemlock tree

Has given my heart
A change of mood
And saved some part
Of a day I had rued.

Freshen the Flowers, She Said (Mary Oliver)

So I put them in the sink, for the cool porcelain
was tender,
and took out the tattered and cut each stem
on a slant,
trimmed the black and raggy leaves, and set them all -
roses, delphiniums, daisies, iris, lilies,
and more whose names I don't know, in bright new water -
gave them

a bounce upward at the end to let them take
their own choice of position, the wheels, the spurs,
the little sheds of the buds. It took, to do this,
perhaps fifteen minutes.
Fifteen minutes of music
with nothing playing.

'O God of earth and altar' (G.K. Chesterton)

O God of earth and altar,
Bow down and hear our cry,
Our earthly rulers falter,
Our people drift and die;
The walls of gold entomb us,
The swords of scorn divide,
Take not thy thunder from us,
But take away our pride.

From all that terror teaches,
From lies of tongue and pen,
From all the easy speeches
That comfort cruel men,
From sale and profanation
Of honour and the sword,
From sleep and from damnation,
Deliver us, good Lord.

Tie in a living tether
The prince and priest and thrall,
Bind all our lives together,
Smite us and save us all;
In ire and exultation
Aflame with faith, and free,
Lift up a living nation,
A single sword to thee.

'For Life I had never cared greatly' (Thomas Hardy)

For Life I had never cared greatly,
As worth a man's while;
Peradventures unsought,
Peradventures that finished in nought,
Had kept me from youth and through manhood till lately
Unwon by its style.

In earliest years - why I know not -
I viewed it askance;
Conditions of doubt,
Conditions that leaked slowly out,
May haply have bent me to stand and to show not
Much zest for its dance.

With symphonies soft and sweet colour
It courted me then,
Till evasions seemed wrong,
Till evasions gave in to its song,
And I warmed, until living aloofly loomed duller
Than life among men.

Anew I found nought to set eyes on,
When, lifting its hand,
It uncloaked a star,
Uncloaked it from fog-damps afar,
And showed its beams burning from pole to horizon
As bright as a brand.

And so, the rough highway forgetting,
I pace hill and dale
Regarding the sky,
Regarding the vision on high,
And thus re-illumed have no humour for letting
My pilgrimage fail.

The Green Eye of the Yellow God (J. Milton Hayes)

There's a one-eyed yellow idol
To the north of Kathmandu;
There's a little marble cross below the town;
And a brokenhearted woman
Tends the grave of 'Mad' Carew,
While the yellow god for ever gazes down.

He was known as 'Mad' Carew
By the subs at Kathmandu,
He was hotter than they felt inclined to tell,
But, for all his foolish pranks,
He was worshipped in the ranks,
And the Colonel's daughter smiled on him as well.

He had loved her all along
With the passion of the strong,
And that she returned his love was plain to all.
She was nearly twenty-one,
And arrangements were begun
To celebrate her birthday with a ball.

He wrote to ask what present
She would like from 'Mad' Carew;
They met next day as he dismissed a squad:
And jestingly she made pretence
That nothing else would do ...
But the green eye of the little yellow god.

On the night before the dance
'Mad' Carew seemed in a trance,
And they chaffed him as they pulled at their cigars,
But for once he failed to smile,
And he sat alone awhile,
Then went out into the night ... beneath the stars.

He returned, before the dawn,
With his shirt and tunic torn,
And a gash across his temples ... dripping red.
He was patched up right away,
And he slept all through the day
While the Colonel's daughter watched beside his bed.

He woke at last and asked her
If she'd send his tunic through.
She brought it and he thanked her with a nod.
He bade her search the pocket,
Saying, 'That's from "Mad" Carew,'
And she found ... the little green eye of the god.

She upbraided poor Carew,
In the way that women do,
Although her eyes were strangely hot and wet,
But she would not take the stone,
And Carew was left alone
With the jewel that he'd chanced his life to get.

When the ball was at its height
On that still and tropic night,
She thought of him ... and hastened to his room.
As she crossed the barrack square
She could hear the dreamy air
Of a waltz tune softly stealing thro' the gloom.

His door was open wide,
With silver moonlight shining through;
The place was wet and slippery where she trod;
An ugly knife lay buried
In the heart of 'Mad' Carew ...
'Twas the vengeance of the little yellow god.

There's a one-eyed yellow idol
To the north of Kathmandu;
There's a little marble cross below the town;
And a brokenhearted woman
Tends the grave of 'Mad' Carew,
While the yellow god for ever gazes down.

'Alleluia, dulce carmen' (anonymous, trans. J.M. Neale)

Alleluia, dulce carmen,
Vox perennis gaudii,
Alleluia laus suavis
Est choris coelestibus,
Quam canunt Dei manentes
In domo per saecula.

Alleluia laeta mater
Concivis Jerusalem:
Alleluia vox tuorum
Civium gaudentium:
Exsules nos flere cogunt
Babylonis flumina.

Alleluia non meremur
In perenne psallere;
Alleluia nos reatus
Cogit intermittere;
Tempus instat quo peracta
Lugeamus crimina.

Unde laudando precamur
Te beata Trinitas,
Ut tuum nobis videre
Pascha des in aethere,
Quo tibi laeti canamus
Alleluia perpetim.


Alleluya, song of sweetness,
Voice of joy, eternal lay;
Alleluya is the anthem
Of the quires in heavenly day,
Which the Angels sing, abiding
In the house of God alway.

Alleluya thou resoundest,
Salem, Mother ever blest;
Alleluyas without ending
Fit yon place of gladsome rest;
Exiles we, by Babel’s waters
Sit in bondage and distrest.

Alleluya we deserve not
Here to chant for evermore:
Alleluya our transgressions
Make us for awhile give o’er;
For the holy time is coming
Bidding us our sins deplore.

Trinity of endless glory,
Hear thy people as they cry;
Grant us all to keep thine Easter
In our home beyond the sky;
There to thee our Alleluya
Singing everlastingly. Amen.

from Busman's Honeymoon, chapter VI, Back to the Army Again (Dorothy L. Sayers)

'Do,' said Harriet. 'I'll come in a moment.'

She let them go and turned to Peter, who stood motionless, staring down at the table. Oh, my God! she thought, startled by his face, he's a middle-aged man — the half of life gone — he mustn't —

'Peter, my poor dear! And we came here for a quiet honeymoon!'

He turned at her touch and laughed ruefully.

'Damn!' he said. 'And damn! Back to the old grind. Rigor mortis and who-saw-him-last, blood-prints, finger-prints, footprints, information received and it-is-my-dooty-to-warn-you. Quelle scie, mon dieu, quelle scie!'

A young man in a blue uniform put his head in at the door.

'Now then,' said Police-constable Sellon, 'wot's all this?'

from Der Rosenkavalier, Act Three (Hugo von Hofmannsthal)

Marschallin:

Hab' mir's gelobt, ihn lieb zu haben in der richtigen Weis',
daß ich selbst sein Lieb' zu einer andern
noch lieb hab! Hab' mir freilich nicht gedacht,
daß es so bald mir auferlegt sollt' werden!

(seufzend)

Es sind die mehreren Dinge auf der Welt,
so daß sie ein's nicht glauben tät',
wenn man sie möcht' erzählen hör'n.
Alleinig wer's erlebt, der glaubt daran und weiß nicht wie -
Da steht der Bub' und da steh' ich, und mit dem fremden Mädel dort
wird er so glücklich sein, als wie halt Männer
das Glücklichsein versteh'n.

(I chose to love him in the right way,
so that I would love even his love for another!
I truly didn't believe
that I would have to bear it so soon!

(sighing)

Most things in this world
are unbelievable
when you hear about them.
But when they happen to you, you believe them, and don't know why -
There stands the boy and here I stand, and with that strange girl
he will be as happy as any man
knows how to be.)

List of Illustrations from The Great Book of True Stories (London 1936)

IN BOUNDED THE LIONS by Dudley Cowes Frontispiece

AFTER AN INTIMATE MINUTE WITH HIM I GOT THE DAGGER by H. G. Fairbairn 23

ON THE FILTHY FLOOR OF THE CAVE SAT HALF A DOZEN ENORMOUS RATS by Clark Fay 41

THERE HE STOOD SILENT AND SOLITARY by Norman Keen 73

THE BARREL MOVED OVER THEM, PRESENTING ITS BLACK THREATFUL MOUTH by R. Cleaver 101

MY FATHER WAS SWINGING CRAZILY IN MID-AIR by E. B. Thurstan 133

I SAW THE STREET SPLIT OPEN by J. Nicolle 207

I HEARD THE WILD CRIES AND SAW THEIR DARK GLEAMING BODIES by Jack Faulkes 245

THE SIAMESE WAS IN THE TOILS OF A QUICKSAND by T. Grainger Jeffrey 289

HE WAS FIVE YARDS AWAY by S. Tresilian 313

THE ABLE SEAMAN MADE A FLYING LEAP by Norman Hepple 331

HE STAGGERED OUT OF THE KNEE-DEEP SAND WITH HIS FIND by Edward Osmond 369

WE JAMMED ON OUR BRAKES IN HORROR by Clive Uptton 387

HE GLARED AT ME WITH BLOODSHOT EYES by Alfred Sindall 493

THE PRESSURE OF THE GUN WAS NOTICEABLY STRONGER by J. Greenup 539

IT IS EASY TO IMAGINE HOW UNPLEASANT THE TUNNEL WAS by Norman Howard 565

HER HAND CLUTCHED AT MINE by Cyril Holloway 661

from Winter Holiday, chapter XI, Cragfast Sheep (Arthur Ransome)

He remembered then that, after the sheep was lowered, one of the others would have to go all the way back and down into the gully to untie it before they could let him have the rope for the return journey. All that time he would have to sit on the ledge there, with his back against the face of the rock, and wait, and wait, and not look down at his feet. Well, those buzzards were still there.

And then, suddenly, he was startled by a shout from Roger, out of sight above him.

'Here come the dogs!'

And away to the left, far below him, he saw the sledge party coming up the gully, and knew that they had seen him.

John would be there to undo the sheep. It was too late now to try again, but he did wish he had been able to manage a rather more seamanlike knot.

from The Invention of Love, Act Two (Tom Stoppard)

Housman (watching the runners) What do I want?

Chamberlain Nothing which you'd call indecent, though I don't see what's wrong with it myself. You want to be brothers-in-arms, to have him to yourself ... to be shipwrecked together, (to) perform valiant deeds to earn his admiration, to save him from certain death, to die for him - to die in his arms, like a Spartan, kissed once on the lips ... or just run his errands in the meanwhile. You want him to know what cannot be spoken, and to make the perfect reply, in the same language. (Pause. Still without inflection) He's going to win it. (Finally he warms into excitement as the race passes in front of them.) By God, he is! Come on, Jackson! Up the Patent Office! ... He's won it!

Machines (Michael Donaghy)

Dearest, note how these two are alike:
This harpsichord pavane by Purcell
And the racer's twelve-speed bike.

The machinery of grace is always simple.
This chrome trapezoid, one wheel connected
To another of concentric gears,
Which Ptolemy dreamt of and Schwinn perfected,
Is gone. The cyclist, not the cycle, steers
And in the playing, Purcell's chords are played away.

So this talk, or touch if I were there,
Should work its effortless gadgetry of love,
Like Dante's heaven, and melt into the air.

If it doesn't, of course, I've fallen. So much is chance,
So much agility, desire, and feverish care,
As bicyclists and harpsichordists prove

Who only by moving can balance,
Only by balancing move.

from Brideshead Revisited, chapter IV (Evelyn Waugh)

'But my dear Sebastian, you can't seriously believe it all.'

'Can't I?'

'I mean about Christmas and the star and the three kings and the ox and the ass.'

'Oh yes, I believe that. It's a lovely idea.'

'But you can't believe things because they're a lovely idea.'

'But I do. That's how I believe.'

Lesbia in Orco (David Vessey)

Reading Catullus on the Northern Line
in Fordyce's edition (which omits the obscene),
I wondered if Lesbia would have got out at Hampstead
or come on with me to Golders Green.

Somehow I don't picture her
on the platform at Bank,
jostled in a smoking carriage
by a man who stank

of 'The Daily Telegraph' and Players plain.
Perhaps I am wrong
there may be somewhere a Lesbia
worthy of song

from Gaius Valerius Catullus, who
counts her kisses like stars in the sky:
but for some reason
she escapes my eye

as I read his carmina on the Underground.
She must be as rare
as the nymph who picked up Peleus
near Weston-super-Mare

as he sailed in the Argo on a virgin sea.
(But isn't that Attis in a shiny suit
asking a dame to dance with him
to the sound of dinning cymbal and of shrilling flute?)

Who? Lesbia? I know her: she went to Leicester Square
and hurried through to Soho in the evening rain,
where she helps the sons of Romulus
drink Japanese champagne.

The Oracles (A.E. Housman)

'Tis mute, the word they went to hear on high Dodona mountain
When winds were in the oakenshaws and all the cauldrons tolled,
And mute's the midland navel-stone beside the singing fountain,
And echoes list to silence now where gods told lies of old.

I took my question to the shrine that has not ceased from speaking,
The heart within, that tells the truth and tells it twice as plain;
And from the cave of oracles I heard the priestess shrieking
That she and I should surely die and never live again.

Oh priestess, what you cry is clear, and sound good sense I think it;
But let the screaming echoes rest, and froth your mouth no more.
'Tis true there's better boose than brine, but he that drowns must drink it;
And oh, my lass, the news is news that men have heard before.

The King with half the East at heel is marched from lands of morning;
Their fighters drink the rivers up, their shafts benight the air,
And he that stands will die for nought, and home there's no returning.
The Spartans on the sea-wet rock sat down and combed their hair.

O Captain! My Captain! (Walt Whitman)

O Captain! my Captain! our fearful trip is done;
The ship has weather’d every rack, the prize we sought is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:
But O heart! heart! heart!
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

O Captain! my Captain! rise up and hear the bells;
Rise up — for you the flag is flung — for you the bugle trills;
For you bouquets and ribbon’d wreaths — for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head;
It is some dream that on the deck
You’ve fallen cold and dead.

My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor’d safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won;
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.

from Uncle Vanya, Act Two (Anton Chekhov, trans. Michael Frayn)

ASTROV. A woman can become a man's friend only through the following progression: first - acquaintance; then - mistress; thereafter, certainly - friend.

from How to be Topp, 8, Extra Tew (Geoffrey Willans)

RUSIAN

How many days till the end of term, o molesvitch 2? Some say 20, others 90, little bro, is the fruit upon the aple tree in the orchard? Only the blosom so you will hav to wait a month or two before you can pinch them o measly weed it is 2006 miles to Moscow. Who cares sa fotherington tomas from a corner of the room where he hav been trussed up who cares a row of butons. i love only robins. Unless you love robins father christmas will not bring you any presents. A volley of shots rings out. WAM! 900 robins bite the dust. That only leaves father christmas, i sa, how flat life is . . . . . .

The swots tell me that rusian used to be like that chiz but it is all different now everybode is joly.

from The Competition Wallah (G.O. Trevelyan), Letter XII and last, Education in India since 1835

The natives of India have, with marvellous eagerness and unanimity, abandoned the dead or effete learning of the East for the living and vigorous literature of England. Whoever can spare the time and money greedily avails himself of the instruction which we offer. 'To such an extent, indeed, is this the case' (I quote the Report on Public Instruction for Bengal Proper) 'that many of our best native scholars can write English and even speak it with greater facility than their mother-tongue'. Interest and ambition, the instinct of imitation and the thirst for knowledge, urge on the students; and, by the aid of a delicate taste, and a strong power of assimilation, their progress is surpassing to one accustomed to the very slender proficiency in the classical tongues obtained by the youth of England after a boyhood devoted almost exclusively to Xenophon and Cicero. Of two hundred scholars who leave Eton in the course of a year, it is much if some three or four can construe a chorus of Euripides without the aid of a translation, or polish up with infinite pains a piece of Latin prose which a Roman might possibly have mistaken for a parody of the 'De Officiis', composed by a Visigoth in the time of Diocletian.

Epitaph to A.E. Housman, in the antechapel, Trinity College, Cambridge

HOC TITVLO COMMEMORATVR
ALFRED EDWARD HOVSMAN
PER XXV ANNOS LINGVAE LATINAE PROFESSOR KENNEDIANVS
ET HVIVS COLLEGII SOCIVS
QVI BENTLEII INSISTENS VESTIGIIS
TEXTVM TRADITVM POETARVM LATINARVM
TANTO INGENII ACVMINE TANTIS DOCTRINAE COPIIS
EDITORVM SOCORDIAM
TAM ACRI CAVILLATIONE CASTIGAVIT
VT HORVM STVDIORVM PAENE REFORMATOR EXSTITERIT
IDEM POETA
TENVI CARMINVM FASCICVLO
SEDEM SIBI TVTAM IN HELICONE NOSTRO VINDICAVIT
OBIIT PRID. KAL. MAI.
A.S. MDCCCCXXXVI AETATIS SVAE LXXVII

from Winnie the Pooh, Chapter Eight, in which Christopher Robin leads an expotition to the North Pole

'Hush!' said Christopher Robin, turning round to Pooh, 'we're just coming to a Dangerous Place.'

'Hush!' said Pooh, turning round quickly to Piglet.

'Hush!' said Piglet to Kanga.

'Hush!' said Kanga to Owl, while Roo said 'Hush!' several times to himself very quietly.

'Hush!' said Owl to Eeyore.

'Hush!' said Eeyore in a terrible voice to all Rabbit's friends-and-relations, and 'Hush!' they said hastily to each other all down the line, until it got to the last one of all. And the last and smallest friend-and-relation was so upset to find that the whole Expotition was saying 'Hush!' to him, that he buried himself head downwards in a crack in the ground, and stayed there for two days until the danger was over, and then went home in a great hurry, and lived quietly with his Aunt ever-afterwards. His name was Alexander Beetle.

from Middlemarch, chapter LXXXIII (George Eliot)

Will looked doubtfully at Dorothea, but his manner was gathering some of the defiant courage with which he always thought of this fact in his destiny. He added, 'You know that it must be altogether painful to me.'

'Yes - yes - I know,' said Dorothea, hastily.

'I did not choose to accept an income from such a source. I was sure that you would not think well of me if I did so,' said Will. Why should he mind saying anything of that sort to her now? She knew that he had avowed his love for her. 'I felt that' - he broke off, nevertheless.

'You acted as I should have expected you to act,' said Dorothea, her face brightening and her head becoming a little more erect on its beautiful stem.

'I did not believe that you would let any circumstance of my birth create a prejudice in you against me, though it was sure to do so in others,' said Will, shaking his head backward in his old way, and looking with a grave appeal into her eyes.

'If it were a new hardship it would be a new reason for me to cling to you,' said Dorothea, fervidly. 'Nothing could have changed me but -' her heart was swelling, and it was difficult to go on; she made a great effort over herself to say in a low tremulous voice, 'but thinking that you were different - not so good as I had believed you to be.'

'You are sure to believe me better than I am in everything but one,' said Will, giving way to his own feeling in the evidence of hers. 'I mean, in my truth to you. When I thought you doubted of that, I didn't care about anything that was left. I thought it was all over with me, and there was nothing to try for - only things to endure.'

'I don't doubt you any longer,' said Dorothea, putting out her hand; a vague fear for him impelling her unutterable affection.

He took her hand and raised it to his lips with something like a sob. But he stood with his hat and gloves in the other hand, and might have done for the portrait of a Royalist. Still it was difficult to loose the hand, and Dorothea, withdrawing it in a confusion that distressed her, looked and moved away.

In Wokingham on Boxing Day at The Edinburgh Woollen Mill (Sophie Hannah)

Two earnest customers compare
a ribbed and unribbed sleeve.
I wonder what I'm doing here
and think I ought to leave,
get in my car and drive away.
I stand beside the till
in Wokingham on Boxing Day
at The Edinburgh Woollen Mill.

All of the other shops are closed.
Most people are in bed.
Somehow I know that I'm supposed
to find an A-Z.
Somehow I sense I must obey
an unfamiliar will
in Wokingham on Boxing Day
at The Edinburgh Woollen Mill.

I parked in a disabled space
so either I'm a cheat
or a debilitating case
of searching for your street
has started to erode away
my locomotive skill,
in Wokingham on Boxing Day
at The Edinburgh Woollen Mill,

somewhere perhaps you've never been.
I doubt you're into wool.
Even if mohair's not your scene
the atmosphere is full
of your proximity. I sway
and feel a little ill
in Wokingham on Boxing Day
at The Edinburgh Woollen Mill.

The sales assistants wish me luck
and say they hope I find
the place I want. I have been stuck
with what I left behind,
with what I've been too scared to say,
too scared to say until
in Wokingham on Boxing Day
at The Edinburgh Woollen Mill

I tell myself the time is now;
willingly I confess
my love for you to some poor cow
in an angora dress
whose get lost loony eyes convey
her interest, which is nil,
in Wokingham on Boxing Day
at The Edinburgh Woollen Mill.

I find your house. You're still in bed.
I leave my gift and flee,
pleased with myself, not having said
how you can contact me,
driven by fears I can't allay,
dreams I did not fulfil
in Wokingham on Boxing Day
at The Edinburgh Woollen Mill.

Chains are the most distressing shops.
The crop up everywhere.
The point at which the likeness stops
squeezes my lungs of air.
When I see jumpers on display
I wish that I was still
in Wokingham on Boxing Day
at The Edinburgh Woollen Mill.

2 Kings 4.8-10 (NRSV)

One day Elisha was passing through Shunem, where a wealthy woman lived, who urged him to have a meal. So whenever he passed that way, he would stop there for a meal. She said to her husband, 'Look, I am sure that this man who regularly passes our way is a holy man of God. Let us make a small roof chamber with walls, and put there for him a bed, a table, a chair, and a lamp, so that he can stay there whenever he comes to us.'

from Pride and Prejudice, chapter 55 (Jane Austen)

It was an evening of no common delight to them all; the satisfaction of Miss Bennet's mind gave a glow of such sweet animation to her face, as made her look handsomer than ever. Kitty simpered and smiled, and hoped her turn was coming soon. Mrs. Bennet could not give her consent or speak her approbation in terms warm enough to satisfy her feelings, though she talked to Bingley of nothing else for half an hour; and when Mr. Bennet joined them at supper, his voice and manner plainly showed how really happy he was.

Not a word, however, passed his lips in allusion to it, till their visitor took his leave for the night; but as soon as he was gone, he turned to his daughter, and said:

'Jane, I congratulate you. You will be a very happy woman.'

Jane went to him instantly, kissed him, and thanked him for his goodness.

'You are a good girl;' he replied, 'and I have great pleasure in thinking you will be so happily settled. I have not a doubt of your doing very well together. Your tempers are by no means unlike. You are each of you so complying, that nothing will ever be resolved on; so easy, that every servant will cheat you; and so generous, that you will always exceed your income.'

from 'Are Women Human?' (Dorothy L. Sayers)

Let me give one simple illustration of the difference between the right and the wrong kind of feminism. Let us take this terrible business - so distressing to the minds of bishops - of the women who go about in trousers. We are asked: 'Why do you want to go about in trousers? They are extremely unbecoming to most of you. You only do it to copy the men.' To this we may very properly reply: 'It is true that they are unbecoming. Even on men they are remarkably unattractive. But, as you men have discovered for yourselves, they are comfortable, they do not get in the way of one's activities like skirts and they protect the wearer from draughts about the ankles. As a human being, I like comfort and dislike draughts. If the trousers do not attract you, so much the worse; for the moment I do not want to attract you. I want to enjoy myself as a human being, and why not? As for copying you, certainly you thought of trousers first and to that extent we must copy you. But we are not such abandoned copy-cats as to attach these useful garments to our bodies with braces. There we draw the line. These machines of leather and elastic are unnecessary and unsuited to the female form. They are, moreover, hideous beyond description. And as for indecency - of which you sometimes accuse the trousers - we at least can take our coats off without becoming the half-undressed, bedroom spectacle that a man presents in his shirt and braces.'

So that when we hear that women have once more laid hands upon something which was previously a man's sole privilege, I think we have to ask ourselves: is this trousers or is it braces? Is it something useful, convenient and suitable to a human being as such? Or is it merely something unnecessary to us, ugly, and adopted merely for the sake of collaring the other fellow's property? These jobs and professions, now. It is ridiculous to take on a man's job just in order to be able to say that 'a woman has done it - yah!' The only decent reason for tackling any job is that it is your job, and you want to do it.

from The Hitchhiker's Guide to the Galaxy, The Primary Phase (Douglas Adams)

ZAPHOD: Trillian, the ship picked them up all by itself, right?

TRILLIAN: Right.

ZAPHOD: Right. So, that already gives us a high improbability factor. It picked them up in that particular space sector, which gives us another high improbability factor. Plus, they were not wearing spacesuits, so we picked them up during a crucial thirty-second period.

TRILLIAN: I’ve got a note for that factor here.

ZAPHOD: Yeah, put it all together and we have a total improbability of … yeah, well it’s pretty vast, but it’s not infinite. At what point did we actually pick them up?

TRILLIAN: At Infinite Improbability level.

ZAPHOD: Which leaves a very large improbability gap still to be filled. Look, they’re on their way up here now, aren’t they?

TRILLIAN: Uh-huh.

ZAPHOD: With that bloody robot. Can we pick them up on any monitor cameras?

TRILLIAN: I should think so.

[Camera is turned on]

MARVIN: … and then of course I’ve got this terrible pain in all the diodes down my left side.

ARTHUR: Is that so?

MARVIN: Oh yes. I mean I’ve asked for them to be replaced, but no one ever listens.

ARTHUR: I can imagine.

TRILLIAN: Oh God, I don’t believe it!

FORD: Well, well, well. Zaphod Beeblebrox.

ZAPHOD: Faaaaaa!

[Camera is turned off]

ZAPHOD: I don’t believe it! This is just toooo amazing. Look, Trillian, I’ll just, er, handle this. Is anything wrong?

TRILLIAN: I think I’ll just wait in the cabin. I’ll be back in a minute.

ZAPHOD: Oh, this is gonna be great! I’m going to be so unbelievably cool about it, it would flummox a Vagan snow lizard. This is ter-rific! What will you call? Several out of ten million points for style!

TRILLIAN: Well, you enjoy yourself, Zaphod. I don’t see what’s so great myself. I’ll go and listen for the police on the sub-ether waveband.

ZAPHOD: Right. Which is the most nonchalant chair to be discovered working in? Yeah … OK.

DOOR: [Opens] Hummmm-yummm … Glad to be of service.

[MARVIN walks in]

MARVIN: I suppose you’ll want to see the aliens now. Do you want me to sit in a corner and rust, or just fall apart where I’m standing?

ZAPHOD: Show them in, please, Marvin!

[FORD and ARTHUR enter]

ZAPHOD: Ford. Hi. How are you? Glad you could drop in.

FORD: Zaphod, great to see you. You’re looking well … the extra arm suits you. Nice ship you’ve stolen.

ARTHUR: You mean you know this guy?!

FORD:
Know him? He’s …! Oh Zaphod, this is a friend of mine, Arthur Dent. I saved him when his planet blew up.

ZAPHOD: Oh sure. Hi, Arthur. Glad you could make it.

FORD: And Arthur, this is my –

ARTHUR: We’ve met.

FORD: What?!

ZAPHOD: Oh, er … have we? Hey …

FORD: What do you mean you’ve met?! This is Zaphod Beeblebrox from Betelgeuse Five, you know, not, not bloody Martin Smith from Croydon!

ARTHUR: I don’t care; we’ve met. Haven’t we, Zaphod? Or should I say Phil?

FORD: What?!

ZAPHOD: Er ... y-you’ll have to remind me. I have a terrible memory for species.

ARTHUR: It was at a party.

ZAPHOD: I rather doubt it.

FORD: Cool it, will you, Arthur.

ARTHUR: A party six months ago … on Earth … England … London …

ZAPHOD: Er …

ARTHUR: Islington!

ZAPHOD: Oh – hey, that party…

FORD: Zaphod, you don’t mean to say you’ve been on that miserable little planet as well?

ZAPHOD: No, of course not. W-well, I may have just dropped in briefly... on my way somewhere…

FORD: What is all this Arthur?

ARTHUR: At this party there was a girl. I had my eye on her for weeks. Beautiful, charming, devastatingly intelligent, everything I’d been saving myself up for. And just when I’d finally managed to get her for myself for a few tender moments, this friend of yours barges up and says, ‘Hey doll, is this guy boring you? Come an’ talk to me. I’m from a different planet.’ I never saw her again.

FORD: Zaphod?!

ARTHUR: Yes. He only had the two arms and the one head and he called himself Phil, but –

TRILLIAN: But, you must admit that he did actually turn out to be from a different planet, Arthur.

ARTHUR: Good God, it’s her! Tricia McMillan! What are you doing here?

TRILLIAN: Same as you, Arthur. I hitched a ride. After all, with a degree in maths and another in astrophysics, it was either that or back to the dole queue on Monday. Oh, I’m sorry I missed that Wednesday lunch date, but I was in a black hole all morning.

ZAPHOD: Oh God! Ford this is Trillian. Hi. Trillian, this is my semi-cousin Ford who shares three of the same mothers as me. Hiii. Trillian, is this sort of thing gonna happen every time we use the Infinite Improbability Drive?

TRILLIAN: Very probably, I’m afraid.

ZAPHOD: Zaphod Beeblebrox, this is a very large drink ... Hi.

from Medea, Bacchae etc. [probably] (Euripides)

καὶ τὰ δοκηθέντ’ οὐκ ἐτελέσθη,
τῶν δ’ ἀδοκήτων πόρον ηὗρε θεός.

from 'Hamlet' (T.S. Eliot)

The only way of expressing emotion in the form of art is by finding an 'objective correlative'; in other words, a set of objects, a situation, a chain of events which shall be the formula of that particular emotion; such that when the external facts, which must terminate in sensory experience, are given, the emotion is immediately evoked. If you examine any of Shakespeare's more successful tragedies, you will find this exact equivalence; you will find that the state of mind of Lady Macbeth walking in her sleep has been communicated to you by a skilful accumulation of imagined sensory impressions; the words of Macbeth on hearing of his wife's death strike us as if, given the sequence of events, these words were automatically released by the last event in the series. The artistic 'inevitability' lies in this complete adequacy of the external to the emotion; and this is precisely what is deficient in Hamlet. Hamlet (the man) is dominated by an emotion which is inexpressible, because it is in excess of the facts as they appear. And the supposed identity of Hamlet with his author is genuine to this point: that Hamlet's bafflement at the absence of objective equivalent to his feelings is a prolongation of the bafflement of his creator in the face of his artistic problem. Hamlet is up against the difficulty that his disgust is occasioned by his mother, but that his mother is not an adequate equivalent for it: his disgust envelops and exceeds her. It is thus a feeling which he cannot understand: he cannot objectify it, and it therefore remains to poison life and obstruct action. None of the possible actions can satisfy it; and nothing that Shakespeare can do with the plot can express Hamlet for him. And it must be noticed that the very nature of the données of the problem precludes objective equivalence. To have heightened the criminality of Gertrude would have been to provide the formula for a totally different emotion in Hamlet; it is just because her character is so negative and insignificant that she arouse in Hamlet the feeling which she is incapable of representing.

from Jane Eyre, chapter 23 (Charlotte Brontë)

'It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can’t do better, how is it to be helped? Are you anything akin to me, do you think, Jane?'

I could risk no sort of answer by this time: my heart was still.

'Because,' he said, 'I sometimes have a queer feeling with regard to you — especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous Channel, and two hundred miles or so of land come broad between us, I am afraid that cord of communion will be snapt; and then I’ve a nervous notion I should take to bleeding inwardly. As for you, - you’d forget me.'

'That I never should, sir: you know —' Impossible to proceed.

from Gaudy Night, chapter 1 (Dorothy L. Sayers)

The room allotted to her she recognised, after a little calculation, as one that had been occupied in her day by a woman she particularly disliked, who had married a missionary and gone to China. The present owner's short gown hung behind the door; judging by the bookshelves, she was reading History; judging by her personal belongings, she was a Fresher with an urge for modernity and very little natural taste. The narrow bed, on which Harriet flung down her belongings, was covered with drapery of a crude green colour and ill-considered Futuristic pattern; a bad picture in the neo-archaic manner hung above it; a chromium-plated lamp of angular and inconvenient design swore acidly at the table and wardrobe provided by the college, which were of a style usually associated with the Tottenham Court Road; while the disharmony was crowned and accentuated by the presence, on the chest of drawers, of a curious statuette or three-dimensional diagram carried out in aluminium, which resembled a gigantic and contorted corkscrew, and was labelled upon its base: ASPIRATION. It was with surprise and relief that Harriet discovered three practicable dress-hangers in the wardrobe. The looking-glass, in conformity with established college use, was about a foot square, and hung in the darkest corner of the room.

She unpacked her bag, took off her coat and skirt, slipped on a dressing-gown and set out in search of a bathroom. She had allowed herself three-quarters of an hour for changing, and Shrewsbury's hot-water system had always been one of its most admirable minor efficiencies. She had forgotten exactly where the bathrooms were on this floor, but surely they were round here to the left. A pantry, two pantries, with notices on the doors: NO WASHING-UP TO BE DONE AFTER 11 p.m.; three lavatories, with notices on the doors: KINDLY EXTINGUISH THE LIGHT WHEN LEAVING; yes, here she was - four bathrooms, with notices on the doors: NO BATHS TO BE TAKEN AFTER 11 p.m., and, underneath, an exasperated addendum to each: IF STUDENTS PERSIST IN TAKING BATHS AFTER 11 p.m. THE BATHROOMS WILL BE LOCKED AT 10.30 p.m. SOME CONSIDERATION FOR OTHERS IS NECESSARY IN COMMUNITY LIFE. Signed: L. MARTIN, DEAN. Harriet selected the largest bathroom. It contained a notice: REGULATIONS IN CASE OF FIRE, and a card printed in large capitals: THE SUPPLY OF HOT WATER IS LIMITED. PLEASE AVOID UNDUE WASTE. With a familiar sensation of being under authority, Harriet pushed down the waste-plug and turned on the tap. The water was boiling, though the bath badly needed a new coat of enamel and the cork mat had seen better days.

from Culture and Anarchy, chapter 1, Sweetness and Light (Matthew Arnold)

Oxford, the Oxford of the past, has many faults; and she has heavily paid for them in defeat, in isolation, in want of hold upon the modern world. Yet we in Oxford, brought up amidst the beauty and sweetness of that beautiful place, have not failed to seize one truth, - the truth that beauty and sweetness are essential characters of a complete human perfection. When I insist on this, I am all in the faith and tradition of Oxford. I say boldly that this our sentiment for beauty and sweetness, our sentiment against hideousness and rawness, has been at the bottom of our attachment to so many beaten causes, of our opposition to so many triumphant movements. And the sentiment is true, and has never been wholly defeated, and has shown its power even in its defeat. We have not won our political battles, we have not carried our main points, we have not stopped our adversaries' advance, we have not marched victoriously with the modern world; but we have told silently upon the mind of the country, we have prepared currents of feeling which sap our adversaries' position when it seems gained, we have kept up our own communications with the future. Look at the course of the great movement which shook Oxford to its centre some thirty years ago! It was directed, as anyone who reads Dr. Newman's Apology may see, against what in one word may be called 'Liberalism.' Liberalism prevailed; it was the appointed force to do the work of the hour; it was necessary, it was inevitable that it should prevail. The Oxford movement was broken, it failed; our wrecks are scattered on every shore:-

Quae regio in terris nostri non plena laboris?

But what was it, this liberalism, as Dr. Newman saw it, and as it really broke the Oxford movement? It was the great middle-class liberalism, which had for the cardinal points of its belief the Reform Bill of 1832, and local self-government, in politics; in the social sphere, free-trade, unrestricted competition, and the making of large industrial fortunes; in the religious sphere, the Dissidence of Dissent and the Protestantism of the Protestant religion. I do not say that other and more intelligent forces than this were not opposed to the Oxford movement: but this was the force which really beat it; this was the force which Dr. Newman felt himself fighting with; this was the force which till only the other day seemed to be the paramount force in this country, and to be in possession of the future; this was the force whose achievements fill Mr. Lowe with such inexpressible admiration, and whose rule he was so horror-struck to see threatened. And where is this great force of Philistinism now? It is thrust into the second rank, it is become a power of yesterday, it has lost the future. A new power has suddenly appeared, a power which it is impossible yet to judge fully, but which is certainly a wholly different force from middle-class liberalism; different in its cardinal points of belief, different in its tendencies in every sphere. It loves and admires neither the legislation of middle-class Parliaments, nor the local self-government of middle-class vestries, nor the unrestricted competition of middle-class industrialists, nor the dissidence of middle-class Dissent and the Protestantism of middle-class Protestant religion. I am not now praising this new force, or saying that its own ideals are better; all I say is, that they are wholly different. And who will estimate how much the currents of feeling created by Dr. Newman's movement, the keen desire for beauty and sweetness which it nourished, the deep aversion it manifested to the hardness and vulgarity of middle-class liberalism, the strong light it turned on the hideous and grotesque illusions of middle-class Protestantism, - who will estimate how much all these contributed to swell the tide of secret dissatisfaction which has mined the ground under the self-confident liberalism of the last thirty years, and has prepared the way for its sudden collapse and supersession? It is in this manner that the sentiment of Oxford for beauty and sweetness conquers, and in this manner long may it continue to conquer!

from Northanger Abbey, chapter 14 (Jane Austen)

'Consider - if reading had not been taught, Mrs Radcliffe would have written in vain - or perhaps might not have written at all.'

Catherine assented - and a very warm panegyric from her on that lady's merits closed the subject. The Tilneys were soon engaged in another on which she had nothing to say. They were viewing the country with the eyes of persons accustomed to drawing, and deciding on its capability of being formed into pictures, with all the eagerness of real taste. Here Catherine was quite lost. She knew nothing of drawing - nothing of taste: and she listened to them with an attention which brought her little profit, for they talked in phrases which conveyed scarcely any idea to her. The little which she could understand, however, appeared to contradict the very few notions she had entertained on the matter before. It seemed as if a good view were no longer to be taken from the top of an high hill, and that a clear blue sky was no longer a proof of a fine day. She was heartily ashamed of her ignorance. A misplaced shame. Where people wish to attach, they should always be ignorant. To come with a well-informed mind is to come with an inability of administering to the vanity of others, which a sensible person would always wish to avoid. A woman especially, if she have the misfortune of knowing anything, should conceal it as well as she can.

from The Lord of the Rings, book 6, chapter 5, The Steward and the King (J.R.R. Tolkien)

Then Frodo came forward and took the crown from Faramir and bore it to Gandalf; and Aragorn knelt, and Gandalf set the White Crown upon his head, and said:

'Now come the days of the King, and may they be blessed while the thrones of the Valar endure!'

But when Aragorn arose all that beheld him gazed in silence, for it seemed to them that he was revealed to them now for the first time. Tall as the sea-kings of old, he stood above all that were near; ancient of days he seemed and yet in the flower of manhood; and wisdom sat upon his brow, and strength and healing were in his hands, and a light was about him. And then Faramir cried:

'Behold the King!'

And in that moment all the trumpets were blown, and the King Elessar went forth and came to the barrier, and Húrin of the Keys thrust it back; and amid the music of harp and of viol and of flute and the singing of clear voices the King passed through the flower-laden streets, and came to the Citadel, and entered in; and the banner of the Tree and the Stars was unfurled upon the topmost tower, and the reign of King Elessar began, of which many songs have told.

from Jane and Prudence, chapter 16 (Barbara Pym)

'Have the Clevelands a young child?' the Canon asked his wife as they drove away.

'I believe their daughter is about eighteen. She is at Oxford, I think.'

'A strange thing that,' said the Canon, changing gear. 'One would have thought there was a child about the place. The soap in the wash-basin was modelled in the form of a rabbit, and there were other animals too, a bear and an elephant.'

'And you washed your hands with a soap rabbit?' asked his wife seriously.

'Certainly. There was no other soap. I wonder if Mrs Cleveland put them there; she seems rather an unusual woman.'

'Yes, there is something strange about her.'

'I think Cleveland is quite sound,' went on the Canon. 'None of this Modern Churchman's Union or any of that dangerous stuff ...' He hesitated, perhaps meditating on the soap animals and what they could signify.

Jane and Mrs Glaze were also talking about them. Jane had thanked her for bringing in the coffee and biscuits at such an opportune time and for providing the clean towel.

'Oh, madam,' said Mrs Glaze, 'but I couldn't find a new tablet of soap.'

'Wasn't there any in the cloakroom?'

'Only the animals, madam.'

'Well, I believe it's quite good soap. I expect the Canon would enjoy using them. Men are such children in many ways.' Though perhaps not all in the same way, Jane thought. He may have regarded them as some dangerous form of idolatry.

'I was hoping he might think they belonged to Miss Flora,' said Mrs Glaze.

'Yes, he might have thought that. After all she is still a child, really.' And yet even she was old enough to enjoy doing Milton with Lord Edgar Ravenswood and to fall in love with a young man called Paul who was reading Geography. Could children do these things?

Nicholas appeared just before lunch and Jane told him of her eventful morning. They had a good laugh about the soap animals.

'I wonder if he will tell the Bishop,' said Nicholas.

'It would be rather ominous if he kept it to himself,' said Jane; 'it would seem as if he considered it rather important, not a matter for joking.'

from Going Solo, 'The Voyage Out' (Roald Dahl)

Dressing? Oh yes, indeed. We all dressed for dinner every single evening on board that ship. The male species of the Empire-builder, whether he is camping in the jungle or is at sea in a rowing-boat, always dresses for dinner, and by that I mean white shirt, black tie, dinner-jacket, black trousers and black patent-leather shoes, the full regalia, and to hell with the climate.

from Boy, 'Goodbye school' (Roald Dahl)

I was still living in Bexley, Kent, with my mother and three sisters, and every morning, six days a week, Saturdays included, I would dress neatly in a sombre grey suit, have breakfast at seven forty-five and then, with a brown trilby on my head and a furled umbrella in my hand, I would board the eight-fifteen train to London together with a swarm of other equally sombre-suited businessmen. I found it easy to fall into their pattern. We were all very serious and dignified gents taking the train to our offices in the City of London where each of us, so we thought, was engaged in high finance and other enormously important matters. Most of my companions wore hard bowler hats, and a few like me wore soft trilbys, but not one of us on that train in the year of 1934 went bareheaded. It wasn’t done. And none of us, even on the sunniest days, went without his furled umbrella. The umbrella was our badge of office. We felt naked without it. Also it was a sign of respectability. Road-menders and plumbers never went to work with umbrellas. Businessmen did.

from Cranford, chapter V, Old Letters (Elizabeth Gaskell)

I have often noticed that almost every one has his own individual small economies - careful habits of saving fractions of pennies in some one peculiar direction - any disturbance of which annoys him more than spending shillings or pounds on some real extravagance. [...] I am not above owning that I have this human weakness myself. String is my foible. My pockets get full of little hanks of it, picked up and twisted together, ready for uses that never come. I am seriously annoyed if any one cuts the string of a parcel instead of patiently and faithfully undoing it fold by fold. How people can bring themselves to use india-rubber rings, which are a sort of deification of string, as lightly as they do, I cannot imagine. To me an india-rubber ring is a precious treasure. I have one which is not new - one that I picked up off the floor nearly six years ago. I have really tried to use it, but my heart failed me, and I could not commit the extravagance.

from The Function of Criticism at the Present Time (Matthew Arnold)

It is because criticism has so little kept in the pure intellectual sphere, has so little detached itself from practice, has been so directly polemical and controversial, that it has so ill accomplished, in this country, its best spiritual work; which is to keep man from a self-satisfaction which is retarding and vulgarising, to lead him towards perfection, by making his mind dwell upon what is excellent in itself, and the absolute beauty and fitness of things. A polemical practical criticism makes men blind even to the ideal imperfection of their practice, makes them willingly assert its ideal perfection, in order the better to secure it against attack; and clearly this is narrowing and baneful for them. If they were reassured on the practical side, speculative considerations of ideal perfection they might be brought to entertain, and their spiritual horizon would thus gradually widen. Sir Charles Adderley says to the Warwickshire farmers:-

'Talk of the improvement of breed! Why, the race we ourselves represent, the men and women, the old Anglo-Saxon race, are the best breed in the whole world. ... The absence of a too enervating climate, too unclouded skies, and a too luxurious nature, has produced so vigorous a race of people, and has rendered us so superior to all the world.'

Mr. Roebuck says to the Sheffield cutlers:-

'I look around me and ask what is the state of England? Is not property safe? Is not every man able to say what he likes? Can you not walk from one end of England to the other in perfect security? I ask you whether, the world over or in past history, there is anything like it? Nothing. I pray that our unrivalled happiness may last.'

Now obviously there is a peril for poor human nature in words and thoughts of such exuberant self-satisfaction, until we find ourselves safe in the streets of the Celestial City.

'Das wenige verschwindet leicht dem Blicke
Der vorwärts sieht, wie viel noch übrig bleibt-'

says Goethe; 'the little that is done seems nothing when we look forward and see how much we have yet to do.' Clearly this is a better line of reflection for weak humanity, so long as it remains on this earthly field of labour and trial.

But neither Sir Charles Adderley nor Mr. Roebuck is by nature inaccessible to considerations of this sort. They only lose sight of them owing to the controversial life we all lead, and the practical form which all speculation takes with us. They have in view opponents whose aim is not ideal, but practical; and in their zeal to uphold their own practice against these innovators, they go so far as even to attribute to this practice an ideal perfection. Somebody has been wanting to introduce a six-pound franchise, or to abolish church-rates, or to collect agricultural statistics by force, or to diminish local self-government. How natural, in reply to such proposals, very likely improper or ill-timed, to go a little beyond the mark, and to say stoutly, 'Such a race of people as we stand, so superior to all the world! The old Anglo-Saxon race, the best breed in the whole world! I pray that our unrivalled happiness may last! I ask you whether, the world over or in past history, there is anything like it? And so long as criticism answers this dithyramb by insisting that the old Anglo-Saxon race would be still more superior to all others if it had no church-rates, or that our unrivalled happiness would last yet longer with a six-pound franchise, so long will the strain, 'The best breed in the whole world!' swell louder and louder, everything ideal and refining will be lost out of sight, and both the assailed and their critics will remain in a sphere, to say the truth, perfectly unvital, a sphere in which spiritual progression is impossible. But let criticism leave church-rates and the franchise alone, and in the most candid spirit, without a single lurking thought of practical innovation, confront with our dithyramb this paragraph on which I stumbled in a newspaper immediately after reading Mr. Roebuck:-

'A shocking child murder has just been committed at Nottingham. A girl named Wragg left the workhouse there on Saturday morning with her young illegitimate child. The child was soon afterwards found dead on Mapperly Hills, having been strangled. Wragg is in custody.'

Nothing but that; but, in juxtaposition with the absolute eulogies of Sir Charles Adderley and Mr. Roebuck, how eloquent, how suggestive are those few lines! 'Our old Anglo-Saxon breed, the best in the whole world!' - how much that is harsh and ill-favoured there is in this best! Wragg! If we are to talk of ideal perfection, of 'the best in the whole world,' has any one reflected what a touch of grossness in our race, what an original shortcoming in the more delicate spiritual perceptions, is shown by the natural growth amongst us of such hideous names, - Higginbottom, Stiggins, Bugg! In Ionia and Attica they were luckier in this respect than 'the best race in the world;' by the Ilissus there was no Wragg, poor thing! And 'our unrivalled happiness,' - what an element of grimness, bareness, and hideousness mixes with it and blurs it; the workhouse, the dismal Mapperly Hills, - how dismal those who have seen them will remember; - the gloom, the smoke, the cold, the strangled illegitimate child! 'I ask you whether, the world over or in past history, there is anything like it?' Perhaps not, one is inclined to answer; but at any rate, in that case, the world is very much to be pitied. And the final touch, - short, bleak, and inhuman: Wragg is in custody. The sex lost in the confusion of our unrivalled happiness; or (shall I say?) the superfluous Christian name lopped off by the straight-forward vigour of our old Anglo-Saxon breed! There is profit for the spirit in such contrasts as this; criticism serves the cause of perfection by establishing them. By eluding sterile conflict, by refusing to remain in the sphere where alone narrow and relative conceptions have any worth and validity, criticism may diminish its momentary importance, but only in this way has it a chance of gaining admittance for those wider and more perfect conceptions to which all its duty is really owed. Mr. Roebuck will have a poor opinion of an adversary who replies to his defiant songs of triumph only by murmuring under his breath, Wragg is in custody; but in no other way will these songs of triumph be induced gradually to moderate themselves, to get rid of what in them is excessive and offensive, and to fall into a softer and truer key.

It will be said that it is a very subtle and indirect action which I am thus prescribing for criticism, and that, by embracing in this manner the Indian virtue of detachment and abandoning the sphere of practical life, it condemns itself to a slow and obscure work. Slow and obscure it may be, but it is the only proper work of criticism. The mass of mankind will never have any ardent zeal for seeing things as they are; very inadequate ideas will always satisfy them. On these inadequate ideas reposes, and must repose, the general practice of the world. That is as much as saying that whoever sets himself to see things as they are will find himself one of a very small circle; but it is only by this small circle resolutely doing its own work that adequate ideas will ever get current at all. The rush and roar of practical life will always have a dizzying and attracting effect upon the most collected spectator, and tend to draw him into its vortex; most of all will this be the case where that life is so powerful as it is in England. But it is only by remaining collected, and refusing to lend himself to the point of view of the practical man, that the critic can do the practical man any service; and it is only by the greatest sincerity in pursuing his own course, and by at last convincing even the practical man of his sincerity, that he can escape the misunderstandings which perpetually threaten him.

For the practical man is not apt for fine distinctions, and yet in these distinctions truth and the highest culture greatly find their account. But it is not easy to lead a practical man, - unless you reassure him as to your practical intentions, you have no chance of leading him, - to see that a thing which he has always been used to look at from one side only, which he greatly values, and which, looked at from that side, quite deserves, perhaps, all the prizing and admiring which he bestows upon it, - that this thing, looked at from another side, may appear much less beneficent and beautiful, and yet retain all its claims to our practical allegiance. Where shall we find language innocent enough, how shall we make the spotless purity of our intentions evident enough, to enable us to say to the political Englishman that the British Constitution itself, which, seen from the practical side, looks such a magnificent organ of progress and virtue, seen from the speculative side, - with its compromises, its love of facts, its horror of theory, its studied avoidance of clear thoughts, - that, seen from this side, our august Constitution sometimes looks, - forgive me, shade of Lord Somers! - a colossal machine for the manufacture of Philistines?

from Miss Pettigrew Lives for a Day, chapter six, 3.13pm-3.44pm (Winifred Watson)

Miss Dubarry stood up abruptly. She circled Miss Pettigrew, eyes intent, expression concentrated. Miss Pettigrew sat petrified. Miss Dubarry frowned. She held her chin between thumb and forefinger. She shook her head. Suddenly she barked,

'You shouldn't wear those muddy browns. They're not your colour.'

'Oh!' Miss Pettigrew jumped.

'Certainly not. Where's your taste? Where's your artistic discrimination?'

'I haven't any,' said Miss Pettigrew meekly.

'And your make-up's wrong.'

'Make-up!' gasped Miss Pettigrew.

'Make-up.'

'Me?' said Miss Pettigrew faintly.

'You.'

'I haven't any.'

'No make-up,' said Miss Dubarry shocked. 'Why? It's indecent, walking around naked.'

Miss Pettigrew stared at her blankly. Her mind was whirling: her thoughts chaotic. A mental upheaval rendered her dizzy. Yes, why? All these years and she had never had the wicked thrill of powdering her nose. Others had experienced that joy. Never she. And all because she lacked courage. All because she had never thought for herself. Powder, thundered her father the curate, the road to damnation. Lipstick, whispered her mother, the first step on the downward path. Rouge, fulminated her father, the harlot's enticement. Eyebrow pencil, breathed her mother, no lady ...!

Miss Pettigrew's thoughts ran wildly, chaotically, riotously. A sin to make the best of the worst? She sat up. Her eyes began to shine. All her feminine faculties intent on the important, earnest, serious, mighty task of improving on God's handiwork. Then she remembered. She sat back. Her face clouded.

'Oh!' said Miss Pettigrew in a flat voice. 'My dear ... at my age. With my complexion.'

'It's a beautiful complexion.'

'Beautiful?' said Miss Pettigrew incredulously.

'Not a mark, not a spot, not a blemish. Colour! Who wants natural colour? It's always wrong. A perfect background. No base to prepare. No handicaps to overcome. Blonde, brunette, pink and white, tanned, creamy pallor. Anything you like.'

Miss Dubarry leaned forward intent. She tipped Miss Pettigrew's face this way: she tipped it that way. She patted the skin. She felt the texture of her hair.

'Hmn! A good cleansing cream. A strong astringent to tone up the muscles. Eyebrows definitely darkened. Can't make up my mind about the hair yet. Nut-brown, I think. Complexion needs colour. Definitely colour. Brings out the blue of the eyes. Whole face needs a course of treatment. Shockingly neglected.'

She stopped abruptly and looked apologetic.

'Oh dear! You must excuse me. Here I am, forgetting myself again. I'm in the trade, you see, and I can't help taking a professional interest.'

'Don't mind me,' breathed Miss Pettigrew. 'Please don't mind me. I love it. No one's ever taken an interest in my face before.'

'Obviously not,' said Miss Dubarry sternly. 'Not even yourself.'

'I've never had any time,' apologized Miss Pettigrew.

'Nonsense. You've had time to wash, haven't you? You've time to get a bath. You've time to cut your nails. A woman's first duty is to her face. I'm surprised at you.'

'Ah well!' sighed Miss Pettigrew hopelessly. 'I'm long past the age now ...'

'No woman,' said Miss Dubarry grimly, 'is ever past the age. The more years that pass the more reason for care. You should be old enough to know better.'

'I've never had any money.'

'Ah!' said Miss Dubarry with understanding. 'That's different. You wouldn't believe the amount it costs even me to keep my face fixed, and I'm in the trade and that means nearly ninety-nine per cent off.'

She found her handbag and opened it.

'Here's my card. You bring that any time you like and you shall have the best of everything. Any friend of Delysia's is a friend of mine. If I'm at liberty I'll do you myself. If not, I'll get you the best left.'

'How wonderful,' gasped Miss Pettigrew. She took the card with trembling fingers.

'Edythe Dubarry,' she read, thrilled.

'It's well seen you're no Londoner,' said Miss Dubarry. 'That name stands for something. It's the best beauty parlour in London, though it is my own.'

Miss Pettigrew's face began to shine.

'Tell me,' she begged, 'is it true? Is it really true? I mean, can these places improve your looks?'

Miss Dubarry sat down. She hesitated. She hitched her chair closer.

'Look at me.'

Miss Pettigrew looked. Miss Dubarry gave a friendly chuckle.

'I like you. There's something about you ... well! What do you think of me?'

'Oh dear!' said Miss Pettigrew, much embarrassed. 'What have I to say to that?'

'Just what you like. I don't mind. But the truth.'

'Well,' said Miss Pettigrew, taking the plunge, 'I think you have very ... very startling looks.'

Miss Dubarry looked immensely pleased.

'There you are then.'

Miss Pettigrew warmed to her task. If Miss Dubarry could be frank, so could she.

'You're not exactly beautiful, like Miss LaFosse, but you catch the eye. When you come into a room, every one will notice you.'

'There,' said Miss Dubarry proudly. 'What did I tell you?'

'What?' asked Miss Pettigrew.

'What I've been telling you.'

'What's that?'

'You and I,' said Miss Dubarry, 'are exactly alike.'

'Oh ... how can you say it!' said Miss Pettigrew unbelievingly.

'You don't look like the kind of woman to give away secrets,' said Miss Dubarry recklessly.

'I'm not,' said Miss Pettigrew.

'And when I see such a perfect lay figure as you, I can't help spreading the glad tidings.'

'No?' said Miss Pettigrew, bewildered.

Miss Dubarry leaned closer.

'My hair,' stated Miss Dubarry, 'is mouse coloured ... like yours.'

'No!' gasped Miss Pettigrew. 'Not really.'

'A fact. I thought black suited me better.'

'Undoubtedly.'

'My eyebrows,' continued Miss Dubarry, 'and eyelashes are sandy-coloured. I have plucked my eyebrows and pencilled in new ones. My eyelashes, as well as being such a damnable shade, are short. I have had new ones fixed. Black, long and curly.'

'Marvellous,' whispered Miss Pettigrew, at last realizing the reason for Miss Dubarry's surprising eyes.

'I have the insipid, indeterminate complexion that goes with that stupid colouring. I thought a creamy pallor a great deal more interesting.'

'Absolutely,' breathed Miss Pettigrew.

'My nose was a difficulty. You score over me there. But McCormick is a marvellous surgeon. He gave me a new one.'

'No,' gasped Miss Pettigrew.

'My teeth were the greatest trouble,' confessed Miss Dubarry. 'They weren't spaced evenly. Fifty pounds that cost me. But it was worth it.'

Miss Pettigrew leaned back.

'It's unbelievable,' she said faintly, 'quite unbelievable.'

'I forgot the ears,' said Miss Dubarry. 'They stood out too much, but, as I say, McCormicks's a marvellous surgeon. He soon put that right.'

'It can't be possible.' Miss Pettigrew was almost beyond words. 'I mean, you're not you.'

'Just a little care,' said Miss Dubarry. 'It does wonders.'

'Miracles,' articulated Miss Pettigrew, 'miracles; I'll never believe a woman again when I see her.'

'Why!' said Miss Dubarry. 'Would you have us all go naked and unashamed? Must we take off the powder with the petticoat, and discard the eyeblack with the brassiere? Must we renounce beauty and revert to the crudities of nature?'

'All but Miss LaFosse,' continued Miss Pettigrew faintly but loyally. 'I saw her straight ... out ... of ... the ... bath.'

'Oh, Delysia!' said Miss Dubarry. 'She's different. She was blessed at birth.'

from Tristan und Isolde, act 2 scene 2 (Richard Wagner)

Isolde:
Doch unsre Liebe,
heißt sie nicht Tristan
und – Isolde?
Dies süße Wörtlein: und,
was es bindet,
der Liebe Bund,
wenn Tristan stürb’,
zerstört’ es nicht der Tod?

Tristan:
Was stürbe dem Tod,
als was uns stört,
was Tristan wehrt,
Isolde immer zu lieben,
ewig ihr nur zu leben?

Isolde:
Doch dieses Wörtlein: und –
wär’ es zerstört,
wie anders als
mit Isoldes eignem Leben
wär’ Tristan der Tod gegeben?

Tristan:
So starben wir,
um ungetrennt,
ewig einig,
ohne End’,
ohn’ Erwachen,
ohn’ Erbangen,
namenlos in Lieb’ umfangen,
ganz uns selbst gegeben,
der Liebe nur zu leben!

from unspecified music reviews (George Bernard Shaw)

At Bayreuth, the highly esteemed ladies are requested by public notice to remove their hats, and those who have innocent little bonnets, which would not obstruct a child's view, carefully remove them. The ladies with the Eiffel hats, regarding them as objects of public interest not second to any work of Wagner's, steadfastly disregard the notice; and Germany, with all its martinets, dare not enforce the discipline.

It must take something like a lion-tamer's nerve to be a man of genius. And when the man of genius is timid, he must suffer more than the ordinary coward. I have seen Richard Wagner, who was so vehemently specialised by nature as a man of genius that he was totally incapable of anything ordinary. He fought with wild beasts all his life; and when you saw him coming through a crowded cage, even when they all felt about him as the lions felt about Daniel, he had an air of having his life in his hand, and of wandering in search of his right place and his own people, if any such there might be. He would wander away to the walls and corners, apparently in search of some door or stairway or other exit from this world, not finding which he would return disconcerted and - being a most humane man - sit down and pet one of the animals with a little conversation.

from The Sorrows of Young Werther (J.W. von Goether, trans. Michael Hulse)

Book One, 8 August

For goodness' sake, dear Wilhelm, I did not mean you when I complained that people who urge us to be resigned to inevitable fate are unbearable. It truly did not enter my head that you might be of such an opinion. Basically you are right, of course. But, dear friend, with this one proviso: things in this world seldom come down to an either-or decision, and possible courses of action, and feelings, are as infinitely various as kinds of noses on the gamut from hooked to snub.

The Editor to the Reader

The lack of communication which had recently prevailed between them lay heavily upon her now, though she was not fully aware of it at that moment. People as understanding and good as they turned to mutual silence on account of some inner differences, each though himself in the right and the other in the wrong and brooded on it, and things became so complicated and volatile that it proved impossible to untie the knot at that critical moment on which everything depended. If they had been brought closer again at some earlier stage, in a spirit of happy intimacy, a mutual love and consideration would have arisen between them, and would have opened their hearts; and perhaps our friend might yet have been saved.

The Destruction of Sennacherib (George Gordon, Lord Byron)

The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming in purple and gold;
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on deep Galilee.

Like the leaves of the forest when Summer is green,
That host with their banners at sunset were seen:
Like the leaves of the forest when Autumn hath blown,
That host on the morrow lay withered and strown.

For the Angel of Death spread his wings on the blast,
And breathed in the face of the foe as he passed;
And the eyes of the sleepers waxed deadly and chill,
And their hearts but once heaved, and for ever grew still!

And there lay the steed with his nostril all wide,
But through it there rolled not the breath of his pride;
And the foam of his gasping lay white on the turf,
And cold as the spray of the rock-beating surf.

And there lay the rider distorted and pale,
With the dew on his brow, and the rust on his mail:
And the tents were all silent, the banners alone,
The lances unlifted, the trumpet unblown.

And the widows of Ashur are loud in their wail,
And the idols are broke in the temple of Baal;
And the might of the Gentile, unsmote by the sword,
Hath melted like snow in the glance of the Lord!

The Empty Pew (John Betjeman)

In the perspective of Eternity
The pain is nothing, now you go away
Above the steaming thatch how silver-grey
Our chiming church-tower, calling 'Come to me,

My Sunday-sleeping villagers!' And she,
Still half my life, now kneels with those who say
'Take courage, daughter. Never cease to pray
God's grace will break him of his heresy.'

I, present with our Church of England few
At the dear words of Consecration see
The chalice lifted, hear the sanctus chime
And glance across to that deserted pew.
In the Perspective of Eternity
The pain is nothing - but, ah God, in Time.

from War and Peace, volume I, part III, chapter 8 (Leo Tolstoy, trans. Anthony Briggs)

The deathly stillness was broken only by the clip-clop of hooves. It was the Emperors and their suite. As the two monarchs rode up to one flank, the trumpets of the first cavalry regiment struck up a military march. The sound appeared not to come from the buglers but as a spontaneous burst of music from the army itself, delighted at the Emperors' arrival. Through the music only one voice could be heard clearly, the genial, youthful tones of Emperor Alexander. He gave a few words of greeing, and the first regiment roared out, 'Hurrah!' The sound was so deafening, so prolonged and ecstatic that the men themselves felt a great shock, realizing the strength and enormity of their mass.

Rostov was standing in the front ranks of Kutuzov's army, those which the Tsar approached first, and he was seized by the same feeling as every other soldier in the army, a feeling of utter self-forgetfulness, a proud sense of mighty power and a passionate devotion to the man who was the cause of this sensation of solemn triumph.

Feeling as he did that at a single word from this man the entire vast mass of them (including him, no more than a grain of sand) would go through fire and water, commit any crime, face death or fight on to glory, he could not suppress a shivering thrill at the immanency of that word.

'Hurrah! Hurrah! Hurrah!' thundered on all sides, and one regiment after another greeted the Tsar with the strains of the march followed by another 'Hurrah!' ... then the music again, then more and more hurrahs surging louder and expanding until they merged into one solid, deafening roar.

Waiting for the Tsar, each regiment in its rigid silence seemed like a lifeless body. But once the Tsar reached them each regiment erupted in new life and further clamour, joining in unison with the general roar from all down the line where the Tsar had been. And to the dreadful sound of these shattering cheers, moving in and out among the great rectangles of massed troops standing rigidly to attention as if turned to stone, some hundreds of men rode about casually, freely, defying all symmetry. These were the officers in the royal suite, and ahead of them road two men, the Emperors, on whom the uncontainable passion of all that mass of men was focused.

It was Emperor Alexander, young and handsome in the uniform of the horse guards with a cocked hat, who attracted most of the attention because of his pleasant face and his soft rich voice.

Rostov was standing near the buglers, and with his keen eyes he spotted the Tsar a long way off and watched him approaching. When the Tsar was only twenty paces away and Nikolay could clearly see every detail of Alexander's handsome, young and happy face, he experienced a surge of emotion and ecstasy such as he had never known before. Everything about the Tsar - every feature, every movement - seemed to him utterly captivating.

Coming to a halt before the Pavlograd regiment, the Tsar said something in French to the Austrian Emperor and smiled. Seeing him smile, Rostov automatically began to smile himself and felt an even stronger spasm of love for his Emperor. He longed for some means of expressing his love for the Tsar. His eyes watered from knowing it was impossible. The Tsar called up the colonel of the regiment and said a few words to him.

'My God! What would I do if the Emperor spoke to me?' thought Rostov. 'I think I'd die of happiness.'

The Tsar addressed the officers, too.

'I thank you all, gentlemen,' he said, every word sounding to Rostov like music from heaven. 'I thank you from the bottom of my heart.'

Rostov would gladly have died then and there for his Emperor.

'You have won the colours of St. George and you will be worthy of them.'

'Oh, if only I could die for him, die for him!' thought Rostov.

The Tsar said something else that Rostov couldn't hear, and the men, lungs bursting, roared their hurrah.

Rostov, too, thrusting forward in his saddle, roared with all his might, willing to do himself an injury cheering, as long as he could give full voice to his zeal for the Tsar.

The Tsar stood for a few seconds facing the hussars as if wondering what to do next.

'How could the Emperor wonder what to do next?' Rostov asked himself, but then sure enough, even this hesitation seemed to him majestic and enchanting, like everything the Tsar did.

The Tsar's hesitation lasted only an instant. Then the royal foot in its fashionable narrow-pointed boot touched the belly of his bobtailed chestnut mare. The royal hand in its white glove gathered up the reins, and he moved off, accompanied by a sea of aides bobbing up and down. He moved further and further away, stopping at other regiments, until eventually all that Rostov could see of him through the suite surrounding the Emperors was the white plume of his cocked hat.

Among the gentlemen of the suite, Rostov noticed Bolkonsky, sitting in a slack, indolent pose. Rostov remembered yesterday's quarrel and again wondered whether or not to challenge him. 'Of course not,' Rostov reflected. 'How could anyone even think or talk about such things at a time like this? A time of such love, such bliss, such self-sacrifice, what do our insults and squabbles matter? This is a time when I love everybody and forgive everybody,' thought Rostov.

When the Tsar had inspected almost all the regiments, the troops began their march past, and Rostov, bringing up the rear on Bedouin, so recently bought from Denisov, was the last rider in his squadron, and completely exposed to the Tsar's view.

Still some distance away from him, Rostov, a first-class horseman, twice put his spurs to Bedouin, urging him into the frenzied, eye-catching trot which Bedouin always fell into when he was worked up. Bending his foaming nose down to his chest, arching his tail, virtually floating in mid-air without touching the ground, Bedouin seemed no less conscious of the Tsar's eye upon him as he lifted his legs in a graceful high action, trotting past in superb style.

Rostov himself drew his legs back and sucked his stomach in, very much at one with his horse, and rode past the Tsar with a frowning but ecstatic face, looking a 'wight devil', as Denisov would have said.

'Bravo, Pavlograds!' shouted the Tsar.

'My God! I'd be so happy if he ordered me to go through fire here and now,' thought Rostov.

When the review was over the officers of both groups, the reinforcements and Kutuzov's men, began to break down into little clusters. The talk was of honours won, the Austrians and their uniforms, their front line, Napoleon and the trouble in store for him one Essen's corps arrived and Prussia came in on our side. But the main topic of conversation in every circle was Emperor Alexander, his every word and gesture recalled with huge delight.

They were united in a single desire: under the Emperor's leadership to march on the enemy at the earliest opportunity. With the Emperor himself in command they could not fail to conquer any foe - this was the opinion of Rostov and most of the officers after the review. After the review they all felt more confident of victory than they would have done if they'd had a couple of victories behind them.

from Peter Duck (Arthur Ransome)

book II, chapter 20, Blazed Trail

'Who blazed that tree?' said Titty.

'What tree? Where?' cried Captain Flint and a moment later was scrambling and slipping down over a slope of rock to a ragged pine-like tree, one of the forest's outposts on the mountainside, to look at a large scar where the rough bark had been sliced away.

'It wasn't a woodman did that,' said Captain Flint eagerly. 'He took two blows at it from above.'

Titty found herself wondering who it was who asked the executioner to sharpen his axe and cut boldly, when the clumsy fellow got nervous and took three blows to lop off a head of English chivalry or something like that. It was queer the way things came shooting into your mind just when you were really thinking of something quite different.

'It might be a ship's carpenter,' said Peter Duck, picking his way carefully down.

book II, chapter 32, Whose Steps in the Dark?

Nancy and John, pulling short, hard strokes, and lifting their oars well clear of the water between them, drove the Swallow shorewards. There was very much less swell than on that evening when he had sailed round here with Captain Flint, but there was still enough to break on the low reef outside Duckhaven. As they came nearer, John, when he glanced over his shoulder, could see the white splash of the spray over the rocks, and was glad to see it, because it gave him something to steer for. He was rowing with a bow oar and keeping time with Nancy. Now giving a harder pull or two, now easing a little, he was able to keep Swallow heading for the end of the reef. Nancy left the steering to John. She set herself only to pull as steady a stroke as she could, and did not allow herself even once to look over her shoulder.

'Is he there already?' she asked breathlessly, for they were putting all they could into their rowing.

'I can't see anybody,' John panted back.

They plugged on. Even for Nancy's lurid taste things had been happening too fast. Besides, it was all very well to be the Terror of the Seas, but real pirates, like Black Jake and his friends, were altogether different. Bullies. Cowards and bullies, five of them together going for an old man and a boy. Nancy clenched her teeth and dug in so hard with her oar that she all but made John get out of time with her. She did, indeed, feel his oar just touch her back.

'Sorry,' said John.

'My fault,' said Nancy.

They would have said just that if they had got out of time while rowing together on the lake at home. They said it now, though they were rowing in at dusk to an island of landslide and earthquake and half-mad pirates roaming about with stolen guns. Still, some things were the same as usual. Wherever you were you said 'Sorry' if you bumped 'stroke' in the back with the bow oar, and you said it was your fault if you had happened to change the time unexpectedly because you were thinking of something else.

They plugged on.

To Mr. Rowland Woodward (John Donne)

Like one who in her third widdowhood doth professe,
Her selfe a Nunne, tyed to retirednesse,
So affects my muse now, a chast fallownesse.

Since shee to few, yet to too many hath showne
How love-song weeds, and Satyrique thornes are growne
Where seeds of better Arts, were early sown.

Though to use, and love Poëtrie, to mee,
Betroth'd to no one Art, be no adulterie;
Omissions of good, ill, as ill deeds bee.

For though to us it seeme, and be light and thinne,
Yet in those faithfull scales, where God throwes in
Mens workes, vanity weighs as much as sinne.

If our Soules have stain'd their first white, yet wee
May cloth them with faith, and deare honestie,
Which God imputes, as native puritie,

There is no Vertue, but Religion,
Wise, valiant, sober, just, are names, which none
Want, which want not Vice-covering discretion.

Seeke wee then our selves in our selves; for as
Men force the Sunne with much more force to passe,
By gathering his beames with a christall glasse;

So wee, if wee into ourselves will turne,
Blowing our sparkes of vertue, may outburne
The straw, which doth about our hearts sojourne.

You know, Physitians, when they would infuse
Into any oyle, the Soules of Simples, use
Places, where they may lie still warme, to chuse.

So workes retirednesse in us; to rome
Giddily and bee every where, but at home,
Such freedome doth a banishment become.

Wee are but termers of our selves, yet may,
If we can stocke our selves, and thrive, uplay
Much, much deare treasure for the great rent day.

Manure thy selfe then, to thy selfe be approv'd,
And with vaine outward things be no more mov'd,
But to know, that I love thee and would be lov'd.