from The Diary of a Provincial Lady and its sequels (E.M. Delafield)

Letter by second post from my dear old school-friend Cissie Crabbe, asking if she may come here for two nights or so on her way to Norwich. (Query: Why Norwich? Am surprised to realise that anybody ever goes to, lives at, or comes from, Norwich, but quite see that this is unreasonable of me. Remind myself how very little one knows of the England one lives in, which vaguely suggests a quotation. This, however, does not materialise.)

-

Find it difficult to get 'Oranges and Lemons' going, whilst at same time appearing to give intelligent attention to remarks from visiting mother concerning Exhibition of Italian Pictures at Burlington House. Find myself telling her how marvellous I think them, although in actual fact have not yet seen them at all. Realise that this mis-statement should be corrected at once, but omit to do so, and later find myself involved in entirely unintentional web of falsehood. Should like to work out how far morally to blame for this state of things, but have not time.

-

Cocktails, and wholly admirable dinner, further brighten the evening. I sit next Editor and she rather rashly encourages me to give my opinion of her paper. I do so freely, thanks to cocktail and Editor's charming manners, which combine to produce in me the illusion that my words are witty, valuable and thoroughly well worth listening to. (Am but too well aware that later in the night I shall wake up in cold sweat, and view this scene in retrospect with very different feelings as to my own part in it.)

-

Barbara weeps. I kiss her. Howard Fitzsimmons selects this moment to walk in with the tea, at which I sit down again in confusion and begin to talk about the Vicarage daffodils being earlier than ours, just as Barbara launches into the verdict in the Podmore Case. We gyrate uneasily in and out of these topics while Howard Fitzsimmons completes his preparations for tea. Atmosphere ruined, and destruction completed by my own necessary enquiries as to Barbara's wishes in the matter of milk, sugar, bread-and-butter, and so on.

-

Arrival of Time and Tide, find that I have been awarded half of second prize for charming little effort that in my opinion deserves better. Robert's attempt receives an honourable mention. Recognise pseudonym of first-prize winner as being that adopted by Mary Kellway. Should like to think that generous satisfaction envelops me, at dear friend's success, but am not sure. This week's competition announces itself as a Triolet - literary form that I cannot endure, and rules of which I am totally unable to master.

-

Decide definitely on joining Rose at Ste. Agathe, and write and tell her so. Die now cast, and Rubicon crossed - or rather will be, on achieving further side of the Channel. Robert, on the whole, takes lenient view of entire project, and says he supposes that nothing else will satisfy me, and better not count on really hot weather promised by Rose but take good supply of woollen underwear. Mademoiselle is sympathetic, but theatrical, and exclaims C'est la Ste. Vierge qui a tout arrangé! which sounds like a travel agency, and shocks me.

-

Photographs taken at Ste. Agathe arrive, and I am - perhaps naturally - much more interested in them than anybody else appears to be. (Bathing dress shows up as being even more becoming than I thought it was, though hair, on the other hand, not at its best - probably owing to salt water.) Notice, regretfully, how much more time I spend in studying views of myself, than on admirable group of delightful friends, or even beauties of Nature, as exemplified in camera studies of sea and sky.

-

At last we separate, and I tell Rose that this has been the most wonderful evening I have known for years, and she says that champagne often does that, and we go to our respective rooms.

Query presents itself here: Are the effects of alcohol always wholly to be regretted, or do they not sometimes serve useful purpose of promoting self-confidence? Answer, to-night, undoubtedly Yes, but am not prepared to make prediction as to tomorrow's reactions.

-

Pamela receives me in small room - more looking-glass, but fewer pouffes, and angular blocks are red with blue zigzags - and startles me by kissing me with utmost effusion. This very kind, and only wish I had been expecting it, as could then have responded better and with less appearance of astonishment amounting to alarm.

-

Bell rings again, and fails to leave off. I am filled with horror, and look up at it - inacessible position, and nothing to be seen except two mysterious little jam-jars and some wires. Climb on a chair to investigate, then fear electrocution and climb down again without having done anything. Housekeeper from upstairs rushes down, and unknown females from basement rush up, and we all look at the ceiling and say Better fetch a Man. This is eventually done, and I meditate ironical article on Feminism, while bell rings on madly. Man, however, arrives, says Ah, yes, he thought as much, and at once reduces bell to order, apparently by sheer power of masculinity.

Am annoyed, and cannot settle down to anything.

-

Evening at Institute reasonably successful - am much impressed by further display of efficiency from niece, as President - I speak about Books, and obtain laughs by introduction of three entirely irrelevant anecdotes, am introduced to felt hat and fur coat, felt hat and blue jumper, felt hat and tweeds, and so on. Names of all alike remain impenetrably mysterious, as mine no doubt to them.

(Flight of fancy here as to whether this deplorable, but customary, state of affairs is in reality unavoidable? Theory exists that it has been completely overcome in America, where introductions always entirely audible and frequently accompanied by short biographical sketch. Should like to go to America.)

-

On the whole, am definitely relieved when emerald-brooch owner says that It is too, too sad, but she must fly, as she really is responsible for the whole thing, and it can't begin without her - which might mean a new Permanent Wave, or a command performance at Buckingham Palace, but shall never know now which, as she departs without further explanation.

Make very inferior exit of my own, being quite unable to think of any reason for going except that I have been wanting to almost ever since I arrived - which cannot, naturally, be produced.

-

Rose's Viscountess - henceforth Anne to me - rings up, and says that she has delightful scheme by which Rose is to motor me on Sunday to place - indistinguishable on telephone - in Buckinghamshire, where delightful Hotel, with remarkably beautiful garden, exists, and where we are to meet Anne and collection of interesting literary friends for lunch. Adds flatteringly that it will be so delightful to meet me again - had meant to say this myself about her, but must now abandon it, being unable to think out paraphrase in time. Reply that I shall look forward to Sunday, and we ring off.

-

Become surprisingly sleepy at ten o'clock - although this never happened to me in London - and go up to bed.

Extraordinary and wholly undesirable tendency displays itself to sit upon window-seat and think about Myself - but am well aware that this kind of thing never a real success, and that it will be part of wisdom to get up briskly instead and look for shoe-trees to insert in evening-shoes - which I accordingly do; and shortly afterwards find myself in bed and ready to go to sleep.

Whalesong (Sophie Stephenson-Wright)

I boom-mumble I bass-blow
I hull-heavy I big/slow
I boat-bump I limpet-skin
I soft-sink I sky-swim
I sea-search I salt-swallow
I bone-backed I fluke-follow
I gulf-cross I listen-talk
I moon-map I wave-walk
I tail-turn I time-keep
I ship-wreck I song-seek
I blue-blood I grumble-sing
I fish-heart I dream king

from Silas Marner, chapter 10 (George Eliot)

Dolly was much puzzled at this new world, but she was rather afraid of inquiring further, lest 'chapel' meant some haunt of wickedness. After a little thought, she said:

'Well, Master Marner, it's niver too late to turn over a new leaf, and if you've niver had no church, there's no telling the good it'll do you. For I feel so set up and comfortable as niver was, when I've been and heard the prayers, and the singing to the praise and glory o' God, as Mr Macey gives out - and Mr Crackenthorp saying good words, and more partic' lar on Sacramen' Day; and if a bit o' trouble comes, I feel as I can put up wi' it, for I've looked for help i' the right quarter, and gev myself up to Them as we must all give ourselves up to at the last; and if we'n done our part, it isn't to be believed as Them as are above us 'ull be worse nor we are, and come short o' Theirn.'

Poor Dolly's exposition of her simple Raveloe theology fell rather unmeaningly on Silas' ears, for there was no word in it that could rouse a memory of what he had known as religion, and his comprehension was quite baffled by the plural pronoun, which was no heresy of Dolly's, but only her way of avoiding a presumptuous familiarity.

from Linnets and Valerians, chapter 2, Where they went (Elizabeth Goudge)

'Betsy never takes cold,' she reassured him. 'Timothy does, but I'll make him keep his combinations on.'

'Combinations of what?' asked the elderly gentleman.

'Just combinations,' said Nan. 'What we wear next to our skins.'

'Ah,' said the elderly gentleman. 'Combinations. I must behold them at some future and more suitable occasion, for the extension of knowledge has always been of prime importance to me. Good night.'

from Period Piece, chapter IV, Education (Gwen Raverat)

School upset me very much at first, and I did not think that I could survive it, when the poison gas of homesickness settled down over my head, with its indescribably nausea. Though it was not really home-sickness, for I did not want to go home, only to escape into an air which I could breathe. I remember the first morning, kneeling at prayers (an alarming rite to me), and staring out of the window, when my eyes ought to have been tight shut, and thinking: 'If only I could get out into that garden, perhaps I might feel better; anyhow there are some quite ordinary trees there, and some real grass' - for everything inside the house seemed to be tainted with a nightmare horror.

'For on þhat is so feir ant brist' (anonymous, thirteenth century)

For on þhat is so feir ant brist

Velud maris stella,

Bristore þen þe daiis list,

Parens et puella,

I crie þe grace of þe,

Levedi, priie þi sone for me,

Tam pia,

Þat I mote come to þe,

Maria.

Levedi, best of alle þing,

Rosa sine spina,

Þou bere Jhesu, hevene King,

Gratia divina.

Of alle þou berest þat pris,

Heie quen in Parais

Electa,

Moder milde ant maidan ec

Effecta.

In car ant consail þou art best

Felix fecundata,

To alle weri þou art rest,

Mater honorata.

Bihold tou him wid milde mod

Þat for us alle scedde is blod

In cruce,

Bidde we moten come to him

In luce.

Al þe world it wes furlorn

Þoru Eva peccatrice

Toforn þat Jhesu was iborn

Ex te genitrice;

Þorou Ave e wende awei

Þe þestri nist ant come þe dai

Salutis.

Þe welle springet out of þe

Virtutis.

Wel þou wost he is þi sone

Ventre quem portasti;

He nul nout werne þe þi bone

Parvum quem lactasti.

So god ant so mild e is,

He bringet us alle into is blis

Superni;

He havet idut þe foule put

Inferni.

from The Last Battle, chapter 11, The pace quickens (C.S. Lewis)

Feeling terribly alone, Jill ran out about twenty feet, put her right leg back and her left leg forward, and set an arrow to her string. She wished her hands were not shaking so. 'That's a rotten shot!' she said as her first arrow sped towards the enemy and flew over their heads. But she had another on the string next moment; she knew that speed was what mattered.

from Gaudy Night, chapter 8 (Dorothy L. Sayers)

'Hell!' said a voice which set her heart beating by its unexpected familiarity, 'have I hurt you? Me all over - bargin' and bumpin' about like a bumble-bee in a bottle. Clumsy lout! I say, do say I haven't hurt you. Because, if I have, I'll run straight across and drown myself in Mercury.'

He extended the arm that was not supporting Harriet in a vague gesture towards the pond.

'Not in the least, thank you,' said Harriet, recovering herself.

'Thank God for that. This is my unlucky day. I've just had a most unpleasant interview with the Junior Censor. Was there anything breakable in the parcels? Oh, look! your bag's opened itself wide and all the little oojahs have gone down the steps. Please don't move. You stand there, thinkin' up things to call me, and I'll pick 'em all up one by one on my knees sayin' "meā culpā" to every one of 'em.'

He suited the action to the words.

'I'm afraid it hasn't improved the meringues.' He looked up apologetically. 'But if you'll say you forgive me, we'll go and get some new ones from the kitchen - the real kind - you know - speciality of the House, and all that.'

'Please don't bother,' said Harriet.

It wasn't he, of course. This was a lad of twenty-one or two at the most, with a mop of wavy hair tumbling over his forehead and a handsome, petulant face, full of charm, though ominously weak about the curved lips and upward-slanting brows. But the colour of the hair was right - the pale yellow of ripe barley; and the light drawling voice, with its clipped syllables and ready babble of speech; and the quick, sidelong smile; and above all, the beautiful, sensitive hands that were gathering the 'oojahs' deftly up into their native bag.

'You haven't called me any names yet,' said the young man.

'I believe I could almost put a name to you,' said Harriet. 'Isn't it - are you any relation of Peter Wimsey's?'

Anonymous quatrain of uncertain origin

In Heaven there'll be no algebra,
No learning dates or names,
But only playing golden harps
And reading Henry James.

from The French Lieutenant's Woman (John Fowles)

He had thought by his brief gesture and assurance to take the first step towards putting out the fire the doctor had told him he had lit; but when one is oneself the fuel, firefighting is a hopeless task.

-

He was invited to use the Athenaeum, he had shaken hands with a senator, no less; and with the wrinkled claw of one even greater, if less hectoringly loquacious - old Nathaniel Lodge, who had heard the cannon on Bunker Hill from his nurse's room in Beacon Street. An even greater still, whom one might have not very interestedly chatted to if one had chanced to gain entry to the Lowell circle in Cambridge, and who was himself on the early threshold of a decision precisely the opposite in its motives and predispositions, a ship, as it were, straining at its moorings in a contrary current and arming for its sinuous and loxodromic voyage to the richer though silted harbour of Rye (but I must not ape the master), Charles did not meet.

-

Once, as he made his way to the Athenaeum across the Common, he saw a girl ahead of him on an oblique path. He strode across the grass, he was so sure. But she was not Sarah. And he had to stammer an apology. He went on his way shaken, so intense in those few moments had been his excitement. The next day he advertised in a Boston newspaper. Wherever he went after that he advertised.

from Little Grey Rabbit's Party (Alison Uttley)

Hare put his flute in its case and Squirrel and Grey Rabbit tidied away the crumbs from the feast. Then upstairs they all went to bed, yawning sleepily.

Little Grey Rabbit opened her attic window and held her blue beads up in the moonlight so that they shone like blue flames.

‘Although I did lose my dear thimble, it was a most beautiful party,’ she whispered.

from the production diaries for Sense and Sensibility (Emma Thompson)

Jane reminds us that God is in his heaven, the monarch on his throne and the pelvis firmly beneath the ribcage. Apparently rock and roll liberated the pelvis and it hasn't been the same since.

Hugh Grant arrives tomorrow but I've nicked the prettiest room. Very low ceiling, so can't do Reebok stepping without knocking myself out.

Roast beef and a square of chocolate for lunch. Very yang.

Ang's taken to requesting what he calls 'smirks.' 'Endearing smirk, please' - which I find pretty tricky. 'Try rigorous smirk' - even trickier.

It's Hugh's close-up. After several takes, Ang said to Hugh, 'Now do it like a bad actor.' Hugh: 'That was the one I just did.'

Very bolshie 'period' sheep with horns and perms and too much wool. If they fall over, they can't get up. Someone has to help them. Can't be right. Ang wants sheep in every exterior shot and dogs in every interior shot. I've suggested we have sheep in some of the interiors as well.

Ang, after a particularly trying time with our flock (very quiet): 'No more sheeps. Never again sheeps.'

The party on Saturday was wild. Everyone fell on the opportunity to let go and was drunk before having drunk anything. Alan nearly killed me, whirling me about the place. Everyone was under the table by midnight except Greg, who was on the ceiling.

Good work today, though. Willoughby's entrance through the mist on a white horse. We all swoon. Ang laughed at us. 'This scene is ridiculous,' he said. 'It's a girl thing,' Lindsay and I replied. Really wet, though, that rain.

Gemma is magic. She looks so innocent and pure and then she opens her mouth and says something rude. She's got the dirtiest laught I've ever heard.

Gemma, after two hours' waiting: 'Oh, God, it's like childbirth. You go on and on and on and on and still nothing happens.'

Kate makes a bracelet. We're in our nighties, our plaits down our backs. Ang settles down for a snooze. The weather does worry him. Only one day left at this location. Hypnotic, Kate's hands knotting the threads.

We try to find an extra line for Margaret as she picks up Willoughby's gear in the rain. Lindsay suggests, 'I'll get the stuff,' which makes me laugh immoderately. I counter with Willoughby saying, 'Pray get the stuff.' 'It's in the book!' we keep screaming.

I appear to have accumulated more things. How does this happen? I haven't shopped. Think my bath oils have bred.

Kate did her breakdown scene wonderfully well. In nearly all the weepy scenes I've tried to get one good joke. Less indulgent.

Noon. Finish scene with Alan.
Me: 'Oh! I've just ovulated.'
Alan (long pause): 'Thank you for that.'

Calendae Maiae (George Buchanan, trans. Philip Ford)

salvete sacris deliciis sacrae
Maiae Calendae, laetitiae et mero
ludisque dicatae iocisque
et teneris Charitum choreis.

salve voluptas et nitidum decus
anni recurrens perpetua vice
et flos renascentis iuventae
in senium properantis aevi.

cum blanda veris temperies novo
illuxit orbi, primaque saecula
fulsere flaventi metallo
sponte sua sine lege iusta,

talis per omnes continuus tenor
annos tepenti rura Favonio
mulcebat et nullis feraces
seminibus recreabat agros.

talis beatis incubat insulis
felicis aurae perpetuus tepor
et nesciis campis senectae
difficilis querulique morbi.

talis silentum per tacitum nemus
levi susurrat murmure spiritus,
Lethenque iuxta obliviosam
funereas agitat cupressos.

forsan supremis cum Deus ignibus
piabit orbem, laetaque saecula
mundo reducet, talis aura
aethereos animos fovebit.

salve fugacis gloria saeculi,
salve secunda digna dies nota,
salve vetustae vitae imago
et specimen venientis aevi.

Hail, May Day, sacred to sacred delights, dedicated to joy and wine, games, jesting, and the delicate dances of the Graces. Hail pleasure, and bright glory of the year returning in an eternal cycle, and bloom of reviving youth, hastening towards time’s old age. When spring’s pleasant warmth shone upon a new world, and the first generations gleamed with golden metal, naturally righteous without any laws, an uninterrupted course like this through all the years caressed the countryside with a warm West Wind, and renewed the fertile fields without seeds. Such is the endless warmth from delightful breezes which lies over the Isles of the Blessed, and over the fields which know not crabbed old age or complaining disease. Such a breath murmurs in a gentle whisper through the quiet grove of the Silent ones, and stirs the deathly cypress trees beside Lethe, river of forgetfulness. Perhaps when God purifies the world in the final conflagration and brings back happy ages to the universe, such a breeze will refresh the heavenly spirits. Hail, glory of a fleeting age, hail, day worthy of a favourable mark, hail, picture of a former life, and token of an age to come.

Thyrsis (Matthew Arnold)

How changed is here each spot man makes or fills!
In the two Hinkseys nothing keeps the same;
The village street its haunted mansion lacks,
And from the sign is gone Sibylla's name,
And from the roofs the twisted chimney-stacks -
Are ye too changed, ye hills?
See, 'tis no foot of unfamiliar men
To-night from Oxford up your pathway strays!
Here came I often, often, in old days -
Thyrsis and I; we still had Thyrsis then.

Runs it not here, the track by Childsworth Farm,
Past the high wood, to where the elm-tree crowns
The hill behind whose ridge the sunset flames?
The signal-elm, that looks on Ilsley Downs,
The Vale, the three lone weirs, the youthful Thames? -
This winter-eve is warm,
Humid the air! leafless, yet soft as spring,
The tender purple spray on copse and briers!
And that sweet city with her dreaming spires,
She needs not June for beauty's heightening,

Lovely all times she lies, lovely to-night! -
Only, methinks, some loss of habit's power
Befalls me wandering through this upland dim.
Once passed I blindfold here, at any hour;
Now seldom come I, since I came with him.
That single elm-tree bright
Against the west - I miss it! is it gone?
We prized it dearly; while it stood, we said,
Our friend, the Gipsy-Scholar, was not dead;
While the tree lived, he in these fields lived on.

Too rare, too rare, grow now my visits here,
But once I knew each field, each flower, each stick;
And with the country-folk acquaintance made
By barn in threshing-time, by new-built rick.
Here, too, our shepherd-pipes we first assayed.
Ah me! this many a year
My pipe is lost, my shepherd's holiday!
Needs must I lose them, needs with heavy heart
Into the world and wave of men depart;
But Thyrsis of his own will went away.

It irked him to be here, he could not rest.
He loved each simple joy the country yields,
He loved his mates; but yet he could not keep,
For that a shadow loured on the fields,
Here with the shepherds and the silly sheep.
Some life of men unblest
He knew, which made him droop, and fill'd his head.
He went; his piping took a troubled sound
Of storms that rage outside our happy ground;
He could not wait their passing, he is dead.

So, some tempestuous morn in early June,
When the year's primal burst of bloom is o'er,
Before the roses and the longest day -
When garden-walks and all the grassy floor
With blossoms red and white of fallen May
And chestnut-flowers are strewn -
So have I heard the cuckoo's parting cry,
From the wet field, through the vext garden-trees,
Come with the volleying rain and tossing breeze:
The bloom is gone, and with the bloom go I!

Too quick despairer, wherefore wilt thou go?
Soon will the high Midsummer pomps come on,
Soon will the musk carnations break and swell,
Soon shall we have gold-dusted snapdragon,
Sweet-William with his homely cottage-smell,
And stocks in fragrant blow;
Roses that down the alleys shine afar,
And open, jasmine-muffled lattices,
And groups under the dreaming garden-trees,
And the full moon, and the white evening-star.

He hearkens not! light comer, he is flown!
What matters it? next year he will return,
And we shall have him in the sweet spring-days,
With whitening hedges, and uncrumpling fern,
And blue-bells trembling by the forest-ways,
And scent of hay new-mown.
But Thyrsis never more we swains shall see;
See him come back, and cut a smoother reed,
And blow a strain the world at last shall heed -
For Time, not Corydon, hath conquered thee!

Alack, for Corydon no rival now! -
But when Sicilian shepherds lost a mate,
Some good survivor with his flute would go,
Piping a ditty sad for Bion's fate;
And cross the unpermitted ferry's flow,
And relax Pluto's brow,
And make leap up with joy the beauteous head
Of Proserpine, among whose crowned hair
Are flowers first opened on Sicilian air,
And flute his friend, like Orpheus, from the dead.

O easy access to the hearer's grace
When Dorian shepherds sang to Proserpine!
For she herself had trod Sicilian fields,
She knew the Dorian water's gush divine,
She knew each lily white which Enna yields
Each rose with blushing face;
She loved the Dorian pipe, the Dorian strain.
But ah, of our poor Thames she never heard!
Her foot the Cumner cowslips never stirr'd;
And we should tease her with our plaint in vain!

Well! wind-dispersed and vain the words will be,
Yet, Thyrsis, let me give my grief its hour
In the old haunt, and find our tree-topp'd hill!
Who, if not I, for questing here hath power?
I know the wood which hides the daffodil,
I know the Fyfield tree,
I know what white, what purple fritillaries
The grassy harvest of the river-fields,
Above by Ensham, down by Sandford, yields,
And what sedged brooks are Thames's tributaries;

I know these slopes; who knows them if not I? -
But many a tingle on the loved hillside,
With thorns once studded, old, white-blossom'd trees,
Where thick the cowslips grew, and far descried
High towered the spikes of purple orchises,
Hath since our day put by
The coronals of that forgotten time;
Down each green bank hath gone the ploughboy's team,
And only in the hidden brookside gleam
Primroses, orphans of the flowery prime.

Where is the girl, who by the boatman's door,
Above the locks, above the boating throng,
Unmoored our skiff when through the Wytham flats,
Red loosestrife and blond meadow-sweet among
And darting swallows and light water-gnats,
We tracked the shy Thames shore?
Where are the mowers, who, as the tiny swell
Of our boat passing heaved the river-grass,
Stood with suspended scythe to see us pass? -
They all are gone, and thou art gone as well!

Yes, thou art gone! and round me too the night
In ever-nearing circle weaves her shade.
I see her veil draw soft across the day,
I feel her slowly chilling breath invade
The cheek grown thin, the brown hair sprent with grey;
I feel her finger light
Laid pausefully upon life's headlong train; -
The foot less prompt to meet the morning dew,
The heart less bounding at emotion new,
And hope, once crush'd, less quick to spring again.

And long the way appears, which seem'd so short
To the less practised eye of sanguine youth;
And high the mountain-tops, in cloudy air,
The mountain-tops where is the throne of Truth,
Tops in life's morning-sun so bright and bare!
Unbreachable the fort
Of the long-batter'd world uplifts its wall;
And strange and vain the earthly turmoil grows,
And near and real the charm of thy repose,
And night as welcome as a friend would fall.

But hush! the upland hath a sudden loss
Of quiet! - Look, adown the dusk hill-side,
A troop of Oxford hunters going home,
As in old days, jovial and talking, ride!
From hunting with the Berkshire hounds they come.
Quick! let me fly, and cross
Into yon farther field! - 'Tis done; and see,
Backed by the sunset, which doth glorify
The orange and pale violet evening-sky,
Bare on its lonely ridge, the Tree! the Tree!

I take the omen! Eve lets down her veil,
The white fog creeps from bush to bush about,
The west unflushes, the high stars grow bright,
And in the scatter'd farms the lights come out.
I cannot reach the signal-tree to-night,
Yet, happy omen, hail!
Hear it from thy broad lucent Arno-vale
(For there thine earth forgetting eyelids keep
The morningless and unawakening sleep
Under the flowery oleanders pale),

Hear it, O Thyrsis, still our tree is there! -
Ah, vain! These English fields, this upland dim,
These brambles pale with mist engarlanded,
That lone, sky-pointing tree, are not for him;
To a boon southern country he is fled,
And now in happier air,
Wandering with the great Mother's train divine
(And purer or more subtle soul than thee,
I trow, the mighty Mother doth not see)
Within a folding of the Apennine,

Thou hearest the immortal chants of old! -
Putting his sickle to the perilous grain
In the hot cornfield of the Phrygian king,
For thee the Lityerses-song again
Young Daphnis with his silver voice doth sing;
Sings his Sicilian fold,
His sheep, his hapless love, his blinded eyes -
And how a call celestial round him rang,
And heavenward from the fountain-brink he sprang,
And all the marvel of the golden skies.

There thou art gone, and me thou leavest here
Sole in these fields! yet will I not despair.
Despair I will not, while I yet descry
'Neath the mild canopy of English air
That lonely tree against the western sky.
Still, still these slopes, 'tis clear,
Our Gipsy-Scholar haunts, outliving thee!
Fields where soft sheep from cages pull the hay,
Woods with anemonies in flower till May,
Know him a wanderer still; then why not me?

A fugitive and gracious light he seeks,
Shy to illumine; and I seek it too.
This does not come with houses or with gold,
With place, with honour, and a flattering crew;
'Tis not in the world's market bought and sold -
But the smooth-slipping weeks
Drop by, and leave its seeker still untired;
Out of the heed of mortals he is gone,
He wends unfollowed, he must house alone;
Yet on he fares, by his own heart inspired.

Thou too, O Thyrsis, on like quest wast bound;
Thou wanderedst with me for a little hour!
Men gave thee nothing; but this happy quest,
If men esteem'd thee feeble, gave thee power,
If men procured thee trouble, gave thee rest.
And this rude Cumner ground,
Its fir-topped Hurst, its farms, its quiet fields,
Here cams't thou in thy jocund youthful time,
Here was thine height of strength, thy golden prime!
And still the haunt beloved a virtue yields.

What though the music of thy rustic flute
Kept not for long its happy, country tone;
Lost it too soon, and learnt a stormy note
Of men contention-tost, of men who groan,
Which tasked thy pipe too sore, and tired thy throat -
It failed, and thou wage mute!
Yet hadst thou always visions of our light,
And long with men of care thou couldst not stay,
And soon thy foot resumed its wandering way,
Left human haunt, and on alone till night.

Too rare, too rare, grow now my visits here!
'Mid city-noise, not, as with thee of yore,
Thyrsis! in reach of sheep-bells is my home.
Then through the great town's harsh, heart-wearying roar,
Let in thy voice a whisper often come,
To chase fatigue and fear:
Why faintest thou! I wander'd till I died.
Roam on! The light we sought is shining still.
Dost thou ask proof? Our tree yet crowns the hill,
Our Scholar travels yet the loved hill-side.

Adlestrop (Edward Thomas)

Yes. I remember Adlestrop —
The name, because one afternoon
Of heat the express-train drew up there
Unwontedly. It was late June.

The steam hissed. Someone cleared his throat.
No one left and no one came
On the bare platform. What I saw
Was Adlestrop — only the name

And willows, willow-herb, and grass,
And meadowsweet, and haycocks dry,
No whit less still and lonely fair
Than the high cloudlets in the sky.

And for that minute a blackbird sang
Close by, and round him, mistier,
Farther and farther, all the birds
Of Oxfordshire and Gloucestershire.

'If truth in hearts that perish' (A.E. Housman)

If truth in hearts that perish
Could move the powers on high,
I think the love I bear you
Should make you not to die.

Sure, sure, if stedfast meaning,
If single thought could save,
The world might end to-morrow,
You should not see the grave.

This long and sure-set liking,
This boundless will to please,
— Oh, you should live for ever
If there were help in these.

But now, since all is idle,
To this lost heart be kind,
Ere to a town you journey
Where friends are ill to find.

from Good Wives, chapter 1, Gossip (Louisa M. Alcott)

'Do you know I like this room best of all in my baby-house,' added Meg, a minute after, as they went upstairs, and she looked into her well-stored linen closet.

Beth was there, laying the snowy piles smoothly on the shelves, and exulting over the goodly array. All three laughed as Meg spoke; for that linen closet was a joke. You see, having said that if Meg married `that Brooke' she shouldn't have a cent of her money, Aunt March was rather in a quandary, when time had appeased her wrath and made her repent her vow. She never broke her word, and was much exercised in her mind how to get round it, and at last devised a plan whereby she could satisfy herself. Mrs Carrol, Florence's mamma, was ordered to buy, have made and marked a generous supply of house and table linen, and send it as her present. All of which was faithfully done, but the secret leaked out, and was greatly enjoyed by the family; for Aunt March tried to look utterly unconscious, and insisted that she could give nothing but the old-fashioned pearls, long promised to the first bride.

'That's a housewifely taste, which I am glad to see. I had a young friend who set up housekeeping with six sheets, but she had finger bowls for company, and that satisfied her,' said Mrs. March, patting the damask tablecloths with a truly feminine appreciation of their fineness.

'I haven't a single finger bowl, but this is a "set out" that will last me all my days, Hannah says;" and Meg looked quite contented, as well she might.

from The Duchess of Bloomsbury Street (Helene Hanff)

We went outside and saw the playing fields where all those wars were supposedly won. Boys were playing cricket, a few strolled by swinging tennis rackets. On Saturdays the boys are allowed to wear ordinary sports clothes but we saw several in the Eton uniform: black tail coat, white shirt, striped trousers. PB says they don't wear the top hat any more except on state occasions. (Those top hats kept the boys out of trouble. If an Eton boy tried to sneak into an off-limits pub or movie, the manager could spot that top hat from anywhere in the house and throw him out.)

The faces of the boys are unbelievably clean and chiseled and beautiful. And the tail coats - which must have looked outlandish in the 1940's and 50's - look marvelously appropriate with the long hair the boys wear now. What with the cameo faces, the long hair brushed to a gleam and the perfectly cut tails, they looked like improbable Edwardian princes.

from The Lord of the Rings, book 6, chapter 4, The Field of Cormallen (J.R.R. Tolkien)

'Noon?' said Sam, trying to calculate. 'Noon of what day?'

'The fourteenth of the New Year,' said Gandalf; 'or if you like, the eighth day of April in the Shire-reckoning. But in Gondor the New Year will always now begin upon the twenty-fifth of March when Sauron fell, and when you were brought out of the fire to the King.'

The Annunciation and Passion (John Donne)

Tamely, frail body, abstain to-day; to-day
My soul eats twice, Christ hither and away.
She sees Him man, so like God made in this,
That of them both a circle emblem is,
Whose first and last concur; this doubtful day
Of feast or fast, Christ came, and went away;
She sees Him nothing, twice at once, who's all;
She sees a cedar plant itself, and fall;
Her Maker put to making, and the head
Of life at once not yet alive, yet dead;
She sees at once the Virgin Mother stay
Reclused at home, public at Golgotha;
Sad and rejoiced she's seen at once, and seen
At almost fifty, and at scarce fifteen;
At once a son is promised her, and gone;
Gabriell gives Christ to her, He her to John;
Not fully a mother, she's in orbity;
At once receiver and the legacy.
All this, and all between, this day hath shown,
Th' abridgement of Christ's story, which makes one —
As in plain maps, the furthest west is east —
Of th' angel's Ave, and Consummatum est.
How well the Church, God's Court of Faculties,
Deals, in sometimes, and seldom joining these.
As by the self-fix'd Pole we never do
Direct our course, but the next star thereto,
Which shows where th'other is, and which we say —
Because it strays not far — doth never stray,
So God by His Church, nearest to him, we know,
And stand firm, if we by her motion go.
His Spirit, as His fiery pillar, doth
Lead, and His Church, as cloud; to one end both.
This Church by letting those days join, hath shown
Death and conception in mankind is one;
Or 'twas in Him the same humility,
That He would be a man, and leave to be;
Or as creation He hath made, as God,
With the last judgment but one period,
His imitating spouse would join in one
Manhood's extremes; He shall come, He is gone;
Or as though one blood drop, which thence did fall,
Accepted, would have served, He yet shed all,
So though the least of His pains, deeds, or words,
Would busy a life, she all this day affords.
This treasure then, in gross, my soul, uplay,
And in my life retail it every day.