from 'Boys' Weeklies' (George Orwell)

The working classes only enter into the Gem and Magnet as comics or semi-villains (race-course touts etc.). As for class-friction, trade unionism, strikes, slumps, unemployment, Fascism and civil war - not a mention. Somewhere or other in the thirty years' issue of the two papers you might perhaps find the word ‘Socialism’, but you would have to look a long time for it. If the Russian Revolution is anywhere referred to, it will be indirectly, in the word ‘Bolshy’ (meaning a person of violent disagreeable habits). Hitler and the Nazis are just beginning to make their appearance, in the sort of reference I quoted above. The war-crisis of September 1938 made just enough impression to produce a story in which Mr Vernon-Smith, the Bounder's millionaire father, cashed in on the general panic by buying up country houses in order to sell them to ‘crisis scuttlers’. But that is probably as near to noticing the European situation as the Gem and Magnet will come, until the war actually starts. That does not mean that these papers are unpatriotic - quite the contrary! Throughout the Great War the Gem and Magnet were perhaps the most consistently and cheerfully patriotic papers in England. Almost every week the boys caught a spy or pushed a conchy into the army, and during the rationing period ‘EAT LESS BREAD’ was printed in large type on every page. But their patriotism has nothing whatever to do with power politics or ‘ideological’ warfare. It is more akin to family loyalty, and actually it gives one a valuable clue to the attitude of ordinary people, especially the huge untouched block of the middle class and the better-off working class. These people are patriotic to the middle of their bones, but they do not feel that what happens in foreign countries is any of their business. When England is in danger they rally to its defence as a matter of course, but in between times they are not interested. After all, England is always in the right and England always wins, so why worry? It is an attitude that has been shaken during the past twenty years, but not so deeply as is sometimes supposed. Failure to understand it is one of the reasons why left-wing political parties are seldom able to produce an acceptable foreign policy.

Dover Beach (Matthew Arnold)

The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in. 

Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea. 

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world. 

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

The Children's Song from Puck of Pook's Hill (Rudyard Kipling)

Land of our birth, we pledge to thee
Our love and toil in the years to be;
When we are grown and take our place
As men and women with our race.

Father in Heaven Who lovest all,
Oh, help thy children when they call;
That they may build from age to age
An undefiled heritage.

Teach us to bear the yoke in youth,
With steadfastness and careful truth;
That, in our time, Thy Grace may give
The Truth whereby the Nations live.

Teach us to rule ourselves alway,
Controlled and cleanly night and day;
That we may bring, if need arise,
No maimed or worthless sacrifice.

Teach us to look in all our ends,
On Thee for Judge, and not our friends;
That we, with Thee, may walk uncowed
By fear or favour of the crowd.

Teach us the Strength that cannot seek,
By deed or thought, to hurt the weak,
That, under Thee, we may possess
Man's strength to comfort man's distress.

Teach us Delight in simple things,
And Mirth that has no bitter springs;
Forgiveness free of evil done,
And Love to all men 'neath the sun!

Land of our Birth, our faith, our pride,
For whose dear sake our fathers died;
O Motherland, we pledge to thee
Head, heart and hand through the years to be!

Grace (Robert Herrick)

What God gives, and what we take,
'Tis a gift for Christ His sake:
Be the meale of Beanes and Pease,
God be thank'd for those, and these:
Have we flesh, or have we fish,
All are Fragments from His dish.
He His Church save, and the King,
And our Peace here, like a Spring,
Make it ever flourishing.

O filii et filiae (Jean Tisserand et al., trans. J.M. Neale and compilers of Hymns Ancient and Modern)

Alleluia, Alleluia, Alleluia.

O filii et filiae,
Rex caelestis, Rex gloriae
morte surrexit hodie.

Alleluia.

Ex mane prima Sabbati
ad ostium monumenti
accesserunt discipuli.

Alleluia.

Et Maria Magdalene,
et Iacobi, et Salome
venerunt corpus ungere.

Alleluia.

In albis sedens angelus
praedixit mulieribus:
In Galilaea est Dominus.

Alleluia.

Et Ioannes apostolus
cucurrit Petro citius,
monumento venit prius.

Alleluia.

Discipulis astantibus,
in medio stetit Christus,
dicens: Pax vobis omnibus.

Alleluia.

Ut intellexit Didymus
quia surrexerat Iesus,
remansit fere dubius.

Alleluia.

Vide Thoma, vide latus,
vide pedes, vide manus,
noli esse incredulus.

Alleluia.

Quando Thomas vidit Christum,
pedes, manus, latus suum,
dixit: Tu es Deus meus.

Alleluia.

Beati qui non viderunt
et firmiter crediderunt;
vitam aeternam habebunt.

Alleluia.

In hoc festo sanctissimo
sit laus et iubilatio:
benedicamus Domino.

Alleluia.

Ex quibus nos humillimas
devotas atque debitas
Deo dicamus gratias.

Alleluia.

Alleluia!  Alleluia!  Alleluia!

O sons and daughters, let us sing!
The King of Heaven, the glorious King,
O'er death to-day rose triumphing.
Alleluia!

That Easter morn, at break of day,
The faithful women went their way
To seek the tomb where Jesus lay.
Alleluia!

An angel clad in white they see,
Who sat, and spake unto the three,
'Your Lord doth go to Galilee.'
Alleluia!

That night the apostles met in fear;
Amidst them came their Lord most dear,
And said, 'My peace be on all here.'
Alleluia!

When Thomas first the tidings heard,
How they had seen the risen Lord,
He doubted the disciples' word.
Alleluia!

'My piercèd side, O Thomas, see;
My hands, my feet I show to thee;
Not faithless, but believing be.'
Alleluia!

No longer Thomas then denied;
He saw the feet, the hands, the side;
'Thou art my Lord and God,' he cried.
Alleluia!

How blest are they who have not seen,
And yet whose faith hath constant been!
For they eternal life shall win.
Alleluia!

On this most holy day of days,
To God your hearts and voices raise
In laud and jubilee and praise.
Alleluia!

As the Team's Head-Brass (Edward Thomas)

As the team's head-brass flashed out on the turn
The lovers disappeared into the wood.
I sat among the boughs of the fallen elm
That strewed the angle of the fallow, and
Watched the plough narrowing a yellow square
Of charlock. Every time the horses turned
Instead of treading me down, the ploughman leaned
Upon the handles to say or ask a word,
About the weather, next about the war.
Scraping the share he faced towards the wood,
And screwed along the furrow till the brass flashed
Once more.
                The blizzard felled the elm whose crest
I sat in, by a woodpecker's round hole,
The ploughman said. 'When will they take it away? '
'When the war's over.' So the talk began –
One minute and an interval of ten,
A minute more and the same interval.
'Have you been out? ' 'No.' 'And don't want to, perhaps? '
'If I could only come back again, I should.
I could spare an arm, I shouldn't want to lose
A leg. If I should lose my head, why, so,
I should want nothing more ... Have many gone
From here? ' 'Yes.' 'Many lost? ' 'Yes, a good few.
Only two teams work on the farm this year.
One of my mates is dead. The second day
In France they killed him. It was back in March,
The very night of the blizzard, too. Now if
He had stayed here we should have moved the tree.'
'And I should not have sat here. Everything
Would have been different. For it would have been
Another world.' 'Ay, and a better, though
If we could see all all might seem good.' Then
The lovers came out of the wood again:
The horses started and for the last time
I watched the clods crumble and topple over
After the ploughshare and the stumbling team.

from The Analytical Language of John Wilkins (Jorge Luis Borges)

These ambiguities, redundancies and deficiencies recall those which Dr Franz Kuhn attributes to a certain Chinese encyclopaedia entitled The Celestial Emporium of Benevolent Knowledge. In its remote pages it is written that the animals can be divided into:

(a) belonging to the emperor,

(b) embalmed,

(c) tame,

(d) sucking pigs,

(e) sirens,

(f) fabulous,

(g) stray dogs,

(h) included in the present classification,

(i) that tremble as if they were mad,

(j) innumerable,

(k) drawn with a very fine camel hair brush,

(l) et cetera,

(m) having just broken the water pitcher,

(n) that from a long way off look like flies.

Thoughts in a Garden (Andrew Marvell)

How vainly men themselves amaze
To win the palm, the oak, or bays,
And their incessant labours see
Crown’d from some single herb or tree,
Whose short and narrow-vergéd shade
Does prudently their toils upbraid;
While all the flowers and trees do close
To weave the garlands of Repose.

Fair Quiet, have I found thee here,
And Innocence thy sister dear?
Mistaken long, I sought you then
In busy companies of men:
Your sacred plants, if here below,
Only among the plants will grow:
Society is all but rude
To this delicious solitude.

No white nor red was ever seen
So amorous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress’ name:
Little, alas, they know or heed
How far these beauties her exceed!
Fair trees! where’er your barks I wound,
No name shall but your own be found.

When we have run our passion’s heat
Love hither makes his best retreat:
The gods, who mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so
Only that she might laurel grow:
And Pan did after Syrinx speed,
Not as a nymph, but for a reed.

What wondrous life is this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons as I pass,
Ensnared with flowers, I fall on grass.

Meanwhile the mind from pleasure less
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find;
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that’s made
To a green thought in a green shade.

Here at the fountain’s sliding foot,
Or at some fruit-tree’s mossy root,
Casting the body’s vest aside
My soul into the boughs does glide;
There, like a bird, it sits and sings,
Then whets and claps its silver wings,
And, till prepared for longer flight,
Waves in its plumes the various light.

Such was that happy Garden-state,
While man there walk’d without a mate:
After a place so pure and sweet,
What other help could yet be meet!
But ’twas beyond a mortal’s share
To wander solitary there:
Two paradises are in one,
To live in Paradise alone.

How well the skilful gardener drew
Of flowers and herbs this dial new!
Where, from above, the milder sun
Does through a fragrant zodiac run:
And, as it works, th’ industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon’d, but with herbs and flowers!

In Memoriam A.H.H. LXXXIII (Alfred, Lord Tennyson)

Dip down upon the northern shore,
  O sweet new-year delaying long;
  Thou dost expectant nature wrong;
Delaying long, delay no more.

What stays thee from the clouded noons,
   Thy sweetness from its proper place?
   Can trouble live with April days,
Or sadness in the summer moons?

Bring orchis, bring the foxglove spire,
   The little speedwell's darling blue,
   Deep tulips dash'd with fiery dew,
Laburnums, dropping-wells of fire.

O thou, new-year, delaying long,
   Delayest the sorrow in my blood,
   That longs to burst a frozen bud
And flood a fresher throat with song.

The Trees (Philip Larkin)

The trees are coming into leaf
Like something almost being said;
The recent buds relax and spread,
Their greenness is a kind of grief. 

Is it that they are born again
And we grow old? No, they die too.
Their yearly trick of looking new
Is written down in rings of grain. 

Yet still the unresting castles thresh
In fullgrown thickness every May.
Last year is dead, they seem to say,
Begin afresh, afresh, afresh.

from Crampton Hodnet, chapter 11, Love in the British Museum (Barbara Pym)

'What can we do?' she said, dealing rather inefficiently with the tea.  'There isn't anything we can do.'  She was feeling more normal now, although still a little dazed, as if she had just woken out of a dream.

'But ...' Francis went on stirring his tea, into which he had forgotten to put sugar.  'We love each other.  I love you and you love me too, don't you?'

'Yes,' said Barbara doubtfully.  'I do, only ...'  How could she explain to him what her love was like?  That although it was a love stronger than death, it wasn't the kind of love one did anything about?  On the contrary, doing nothing about it was one of its chief characteristics, because if one did anything it would be different - it might even disappear altogether.

'Aren't you sure then?' he asked.

'Oh, yes ...' she said uncertainly.  She dug her fork into a cake and it broke into little pieces.  She chased the hard bits unhappily round her plate.

The comming of good luck (Robert Herrick)

So Good-luck came, and on my roofe did light,
Like noyse-lesse Snow; or as the dew of night:
Not all at once, but gently, as the trees
Are, by the Sun-beams, tickel'd by degrees.

Corpus Christi (Evelyn Underhill)

Come, dear Heart!
The fields are white to harvest: come and see
As in a glass the timeless mystery
Of love, whereby we feed
On God, our bread indeed.
Torn by the sickles, see him share the smart
Of travailing Creation: maimed, despised,
Yet by his lovers the more dearly prized
Because for us he lays his beauty down -
Last toll paid by Perfection for our loss!
Trace on these fields his everlasting Cross,
And o’er the stricken sheaves the Immortal Victim’s crown.

From far horizons came a Voice that said,
‘Lo! from the hand of Death take thou thy daily bread.’
Then I, awakening, saw
A splendour burning in the heart of things:
The flame of living love which lights the law
Of mystic death that works the mystic birth.
I knew the patient passion of the Earth,
Maternal, everlasting, whence there springs
The Bread of Angels and the life of man.

Now in each blade
I, blind no longer, see
The glory of God’s growth: know it to be
An earnest of the Immemorial Plan.
Yea, I have understood
How all things are one great oblation made:
He on our altars, we on the world’s rood.
Even as this corn,
Earth-born,
We are snatched from the sod;
Reaped, ground to grist,
Crushed and tormented in the Mills of God,
And offered at Life’s hands, a living Eucharist.

from Dombey and Son, chapter XX, Mr. Dombey goes upon a Journey (Charles Dickens)

He found no pleasure or relief in the journey. Tortured by these thoughts he carried monotony with him, through the rushing landscape, and hurried headlong, not through a rich and varied country, but a wilderness of blighted plans and gnawing jealousies. The very speed at which the train was whirled along, mocked the swift course of the young life that had been borne away so steadily and so inexorably to its foredoomed end. The power that forced itself upon its iron way - its own - defiant of all paths and roads, piercing through the heart of every obstacle, and dragging living creatures of all classes, ages, and degrees behind it, was a type of the triumphant monster, Death.

Away, with a shriek, and a roar, and a rattle, from the town, burrowing among the dwellings of men and making the streets hum, flashing out into the meadows for a moment, mining in through the damp earth, booming on in darkness and heavy air, bursting out again into the sunny day so bright and wide; away, with a shriek, and a roar, and a rattle, through the fields, through the woods, through the corn, through the hay, through the chalk, through the mould, through the clay, through the rock, among objects close at hand and almost in the grasp, ever flying from the traveller, and a deceitful distance ever moving slowly within him: like as in the track of the remorseless monster, Death!

Through the hollow, on the height, by the heath, by the orchard, by the park, by the garden, over the canal, across the river, where the sheep are feeding, where the mill is going, where the barge is floating, where the dead are lying, where the factory is smoking, where the stream is running, where the village clusters, where the great cathedral rises, where the bleak moor lies, and the wild breeze smooths or ruffles it at its inconstant will; away, with a shriek, and a roar, and a rattle, and no trace to leave behind but dust and vapour: like as in the track of the remorseless monster, Death!

Breasting the wind and light, the shower and sunshine, away, and still away, it rolls and roars, fierce and rapid, smooth and certain, and great works and massive bridges crossing up above, fall like a beam of shadow an inch broad, upon the eye, and then are lost. Away, and still away, onward and onward ever: glimpses of cottage-homes, of houses, mansions, rich estates, of husbandry and handicraft, of people, of old roads and paths that look deserted, small, and insignificant as they are left behind: and so they do, and what else is there but such glimpses, in the track of the indomitable monster, Death!

Away, with a shriek, and a roar, and a rattle, plunging down into the earth again, and working on in such a storm of energy and perseverance, that amidst the darkness and whirlwind the motion seems reversed, and to tend furiously backward, until a ray of light upon the wet wall shows its surface flying past like a fierce stream. Away once more into the day, and through the day, with a shrill yell of exultation, roaring, rattling, tearing on, spurning everything with its dark breath, sometimes pausing for a minute where a crowd of faces are, that in a minute more are not; sometimes lapping water greedily, and before the spout at which it drinks has ceased to drip upon the ground, shrieking, roaring, rattling through the purple distance!

Louder and louder yet, it shrieks and cries as it comes tearing on resistless to the goal: and now its way, still like the way of Death, is strewn with ashes thickly. Everything around is blackened. There are dark pools of water, muddy lanes, and miserable habitations far below. There are jagged walls and falling houses close at hand, and through the battered roofs and broken windows, wretched rooms are seen, where want and fever hide themselves in many wretched shapes, while smoke and crowded gables, and distorted chimneys, and deformity of brick and mortar penning up deformity of mind and body, choke the murky distance. As Mr Dombey looks out of his carriage window, it is never in his thoughts that the monster who has brought him there has let the light of day in on these things: not made or caused them. It was the journey's fitting end, and might have been the end of everything; it was so ruinous and dreary.

So, pursuing the one course of thought, he had the one relentless monster still before him. All things looked black, and cold, and deadly upon him, and he on them. He found a likeness to his misfortune everywhere. There was a remorseless triumph going on about him, and it galled and stung him in his pride and jealousy, whatever form it took: though most of all when it divided with him the love and memory of his lost boy.

from The Lord of the Rings, book 6, chapter 6, Many Partings (J.R.R. Tolkien)

'Well, Mr Frodo, we've been far and seen a deal, and yet I don't think we've found a better place than this.  There's something of everything here, if you understand me: the Shire and the Golden Wood and Gondor and kings' houses and inns and meadows and mountains all mixed. [...]'

'Yes, something of everything, Sam, except the Sea,' Frodo had answered, and he repeated it now to himself: 'Except the Sea.'

from Zuleika Dobson, chapter 12 (Max Beerbohm)

Clearly it was vain to seek distraction in my old College. I floated out into the untenanted meadows. Over them was the usual coverlet of white vapour, trailed from the Isis right up to Merton Wall. The scent of these meadows' moisture is the scent of Oxford. Even in hottest noon, one feels that the sun has not dried them. Always there is moisture drifting across them, drifting into the Colleges. It, one suspects, must have had much to do with the evocation of what is called the Oxford spirit—that gentlest spirit, so lingering and searching, so dear to them who as youths were brought into ken of it, so exasperating to them who were not. Yes, certainly, it is this mild, miasmal air, not less than the grey beauty and gravity of the buildings, that has helped Oxford to produce, and foster eternally, her peculiar race of artist-scholars, scholar-artists. The undergraduate, in his brief periods of residence, is too buoyant to be mastered by the spirit of the place. He does but salute it, and catch the manner. It is on him who stays to spend his maturity here that the spirit will in its fulness gradually descend. The buildings and their traditions keep astir in his mind whatsoever is gracious; the climate, enfolding and enfeebling him, lulling him, keeps him careless of the sharp, harsh, exigent realities of the outer world. Careless? Not utterly. These realities may be seen by him. He may study them, be amused or touched by them. But they cannot fire him. Oxford is too damp for that. The 'movements' made there have been no more than protests against the mobility of others. They have been without the dynamic quality implied in their name. They have been no more than the sighs of men gazing at what other men had left behind them; faint, impossible appeals to the god of retrogression, uttered for their own sake and ritual, rather than with any intent that they should be heard. Oxford, that lotus-land, saps the will-power, the power of action. But, in doing so, it clarifies the mind, makes larger the vision, gives, above all, that playful and caressing suavity of manner which comes of a conviction that nothing matters, except ideas, and that not even ideas are worth dying for, inasmuch as the ghosts of them slain seem worthy of yet more piously elaborate homage than can be given to them in their heyday. If the Colleges could be transferred to the dry and bracing top of some hill, doubtless they would be more evidently useful to the nation. But let us be glad there is no engineer or enchanter to compass that task. Egomet, I would liefer have the rest of England subside into the sea than have Oxford set on a salubrious level. For there is nothing in England to be matched with what lurks in the vapours of these meadows, and in the shadows of these spires - that mysterious, inenubilable spirit, spirit of Oxford. Oxford! The very sight of the word printed, or sound of it spoken, is fraught for me with most actual magic.

from The Tale of Mrs Tiggy-Winkle (Beatrix Potter)

Once upon a time there was a little girl called Lucie, who lived at a farm called Little-town. She was a good little girl - only she was always losing her pocket-handkerchiefs!

One day little Lucie came into the farm-yard crying - oh, she did cry so! 'I've lost my pocket-handkin! Three handkins and a pinny! Have you seen them, Tabby Kitten?'

The Kitten went on washing her white paws; so Lucie asked a speckled hen -

'Sally Henny-penny, have you found three pocket-handkins?'

But the speckled hen ran into a barn, clucking -

'I go barefoot, barefoot, barefoot!'

And then Lucie asked Cock Robin sitting on a twig.

Cock Robin looked sideways at Lucie with his bright black eye, and he flew over a stile and away.

Lucie climbed upon the stile and looked up at the hill behind Little-town - a hill that goes up - up - into the clouds as though it had no top!

And a great way up the hill-side she thought she saw some white things spread upon the grass.

Lucie scrambled up the hill as fast as her stout legs would carry her; she ran along a steep path-way - up and up - until Little-town was right away down below - she could have dropped a pebble down the chimney!

Fielder (Zaffar Kunial)

If I had to put my finger on where this started,
I’d trace a circle round the one moment I came to, or the one
that placed me, a fielder - just past the field, over the rope,
having chased a lost cause, leathered for six ...
when, bumbling about, obscured in the bushes,
I completely stopped looking for the ball -
perhaps irresponsibly - slowed by bracken, caught by light
that slipped the dark cordon of rhododendron hands,
a world hidden from the batsmen, the umpires and my team,
like the thing itself: that small, seamed planet, shined
on one half, having reached its stop, out of the sphere of sight.
And when I reflect, here, from this undiscovered city,
well north of those boyish ambitions - for the county,
maybe later, the country - I know something of that minute
holds something of me, there, beyond the boundary,
in that edgeland of central England. A shady fingernail
of forest. The pitch it points at, or past, a stopped clock.
Still, in the middle, the keeper’s gloves
clap at the evening. Still, a train clicks
on far-off tracks. And the stars are still to surface.
The whole field, meanwhile, waiting for me,
some astronaut, or lost explorer, to emerge with a wave
that brings the ball - like time itself - to hand. A world restored.
But what I’d come to find, in that late hour
was out of mind, and, the thing is, I didn’t care
and this is what’s throwing me now.

Vitaï Lampada (Henry Newbolt)

There's a breathless hush in the Close to-night -
Ten to make and the match to win -
A bumping pitch and a blinding light,
An hour to play and the last man in.
And it's not for the sake of a ribboned coat,
Or the selfish hope of a season's fame,
But his Captain's hand on his shoulder smote,
'Play up! play up! and play the game!'

The sand of the desert is sodden red, -
Red with the wreck of a square that broke; -
The Gatling's jammed and the colonel dead,
And the regiment blind with dust and smoke.
The river of death has brimmed his banks,
And England's far, and Honour a name,
But the voice of schoolboy rallies the ranks,
'Play up! play up! and play the game!'

This is the word that year by year
While in her place the School is set
Every one of her sons must hear,
And none that hears it dare forget.
This they all with a joyful mind
Bear through life like a torch in flame,
And falling fling to the host behind -
'Play up! play up! and play the game!'

'O may I join the choir invisible' (George Eliot)

longum illud tempus, quum non ero, magis me movet, quam hoc exiguum - Cicero, Ad Att. xii. 18 

O may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
Of miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men’s minds
To vaster issues.

   So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.
So we inherit that sweet purity
For which we struggled, failed and agonized
With widening retrospect that bred despair.
Rebellious flesh that would not be subdued,
A vicious parent shaming still its child,
Poor, anxious penitence is quick dissolved;
Its discords, quenched by meeting harmonies,
Die in the large and charitable air;
And all our rarer, better, truer self,
That sobbed religiously in yearning song,
That watched to ease the burden of the world,
Laboriously tracing what must be,
And what may yet be better - saw within
A worthier image for the sanctuary
And shaped it forth before the multitude,
Divinely human, raising worship so
To higher reverence more mixed with love -
That better self shall live till human Time
Shall fold its eyelids, and the human sky
Be gathered like a scroll within the tomb
Unread forever.

   This is life to come,
Which martyred men have made more glorious
For us who strive to follow.

   May I reach
That purest heaven - be to other souls
The cup of strength in some great agony,
Enkindle generous ardor, feed pure love,
Beget the smiles that have no cruelty,
Be the sweet presence of a good diffused,
And in diffusion ever more intense!
So shall I join the choir invisible
Whose music is the gladness of the world.