from Maskerade (Terry Pratchett)

'Well, basically there are two sorts of opera,' said Nanny, who also had the true witch's ability to be confidently expert on the basis of no experience whatsoever. 'There's your heavy opera, where basically people sing foreign and it goes like "Oh oh oh, I am dyin', oh, I am dyin', oh, oh, oh, that's what I am doin'", and there's your light opera, where they sing in foreign and it basically goes "Beer! Beer! Beer! Beer! I like to drink lots of beer!", although sometimes they drink champagne instead. That's basically all of opera, reely.'

from Moving Pictures (Terry Pratchett)

'And you can nearly hear voices,' she added.

'You can't nearly hear voices,' said Victor, in the hope that his own rational mind would believe him. 'You either hear them or you don't. Listen, we're both just tired. That's all it is. We've been working hard and, er, not getting much sleep, so it's understandable that we think we're nearly hearing and seeing things.'

'Oh, so you're nearly seeing things, are you?' said Ginger triumphantly. 'And don't you go around using that calm and reasonable tone of voice on me,' she added. 'I hate it when people go around being calm and reasonable at me.'

from The Professor, chapter XXIII (Charlotte Brontë)

Now, reader, during the last two pages I have been giving you honey fresh from flowers, but you must not live entirely on food so luscious; taste then a little gall - just a drop, by way of change.

At a somewhat late hour I returned to my lodgings: having temporarily forgotten that man had any such coarse cares as those of eating and drinking, I went to bed fasting. I had been excited and in action all day, and had tasted no food since eight that morning; besides, for a fortnight past, I had known no rest either of body or mind; the last few hours had been a sweet delirium, it would not subside now, and till long after midnight, broke with troubled ecstacy the rest I so much needed. At last I dozed, but not for long; it was yet quite dark when I awoke, and my waking was like that of Job when a spirit passed before his face, and like him, "The hair of my flesh stood up." I might continue the parallel, for in truth, though I saw nothing yet "A thing was secretly brought unto me, and mine ear received a little thereof; there was silence, and I heard a voice," saying:

"In the midst of Life, we are in Death."

That sound, and the sensation of chill anguish accompanying it, many would have regarded as supernatural; but I recognized it at once as the effect of reaction. Man is ever clogged with his Mortality, and it was my mortal nature which now faltered and plained; my nerves, which jarred and gave a false sound, because the soul, of late rushing headlong to an aim, had overstrained the body's comparative weakness. A horror of great darkness fell upon me; I felt my chamber invaded by one I had known formerly, but had thought for ever departed: I was temporarily a prey to Hypochondria. She had been my acquaintance, nay, my guest, once before in boyhood; I had entertained her at bed and board for a year; for that space of time I had her to myself in secret; she lay with me, she ate with me, she walked out with me, showing me nooks in woods, hollows in hills, where we could sit together, and where she could drop her drear veil over me, and so hide sky and sun, grass and green tree; taking me entirely to her death-cold bosom, and holding me with arms of bone. What tales she would tell me at such hours! What songs she would recite in my ears! How she would discourse to me of her own Country - The Grave - and again and again promise to conduct me there ere long; and, drawing me to the very brink of a black, sullen river, show me, on the other side, shores unequal with mound, monument, and tablet, standing up in a glimmer more hoary than moonlight. "Necropolis!" she would whisper, pointing to the pale piles, and add, "It contains a mansion, prepared for you."

But my boyhood was lonely, parentless; uncheered by brother or sister; and there was no marvel that, just as I rose to youth, a sorceress, finding me lost in vague mental wanderings, with many affections and few objects, glowing aspirations and gloomy prospects, strong desires and slender hopes, should lift up her illusive lamp to me in the distance, and lure me to her vaulted home of horrors. No wonder her spells then had power; but now, when my course was widening, my prospect brightening; when my affections had found a rest; when my desires, folding wings, weary with long flight, had just alighted on the very lap of Fruition, and nestled there warm, content, under the caress of a soft hand - why did Hypochondria accost me now?

I repulsed her, as one would a dreaded and ghastly concubine coming to embitter a husband's heart toward his young bride; in vain; she kept her sway over me for that night and the next day, and eight succeeding days. Afterwards my spirits began slowly to recover their tone; my appetite returned, and in a fortnight I was well. I had gone about as usual all the time, and had said nothing to anybody of what I felt, but I was glad when the evil spirit departed from me, and I could again seek Frances and sit at her side freed from the dreadful tyranny of my demon.

Binsey Poplars, felled 1879 (Gerard Manley Hopkins)

My aspens dear, whose airy cages quelled,
Quelled or quenched in leaves the leaping sun,
All felled, felled, are all felled;
Of a fresh and following folded rank
Not spared, not one
That dandled a sandalled
Shadow that swam or sank
On meadow and river and wind-wandering weed-winding bank.

O if we but knew what we do
When we delve or hew -
Hack and rack the growing green!
Since country is so tender
To touch, her being só slender,
That, like this sleek and seeing ball
But a prick will make no eye at all,

Where we, even where we mean
To mend her we end her,
When we hew or delve:
After-comers cannot guess the beauty been.
Ten or twelve, only ten or twelve
Strokes of havoc únselve
The sweet especial scene,
Rural scene, a rural scene,
Sweet especial rural scene.