from Boy, Goodbye School (Roald Dahl)

After that we spent months at the Head Office in London learning how the great company functioned from the inside.  I was still living in Bexley, Kent, with my mother and three sisters, and every morning, six days a week, Saturdays included, I would dress neatly in a sombre grey suit, have breakfast at seven forty-five and then, with a brown trilby on my head and a furled umbrella in my hand, I would board the eight-fifteen train to London together with a swarm of equally sombre-suited businessmen.  I found it very easy to fall into their pattern.  We were all very serious and dignified gents taking the train to our offices in the City of London where each of us, so we thought, was engaged in high finance and other enormously important matters.  Most of my companions wore hard bowler hats, and a few like me wore soft trilbys, but not one of us on that train in the year of 1934 went bareheaded.  It wasn't done.  And none of us, even on the sunniest days, went without his furled umbrella.  The umbrella was our badge of office.  We felt naked without it.  Also it was a sign of respectability.  Road-menders and plumbers never went to work with umbrellas.  Businessmen did.

I enjoyed it, I really did.  I began to realize how simple life could be if one had a regular routine to follow with fixed hours and a fixed salary and very little original thinking to do.  The life of a writer is absolute hell compared with the life of a businessman.  The writer has to force himself to work.  He has to make his own hours and if he doesn't go to his desk at all there is nobody to scold him.  If he is a writer of fiction he lives in a world of fear.  Each day demands new ideas and he can never be sure whether he is going to come up with them or not.  Two hours of writing fiction leaves this particular writer absolutely drained.  For those two hours he has been miles away, he has been somewhere else, in a different place with totally different people, and the effort of swimming back into normal surroundings is very great.  It is almost a shock.  The writer walks out of his workroom in a daze.  He wants a drink.  He needs it.  It happens to be a fact that nearly every writer of fiction in the world drinks more whisky than is good for him.  He does it to give himself faith, hope and courage.  A person is a fool to become a writer.  His only compensation is absolute freedom.  He has no master except his own soul, and that, I am sure, is why he does it.

from The Watsons (Jane Austen)

With much concern they took their seats - Lord Osborne near Emma, and the convenient Mr. Musgrave in high spirits at his own importance, on the other side of the fireplace with Elizabeth. He was at no loss for words; - but when Lord Osborne had hoped that Emma had not caught cold at the ball, he had nothing more to say for some time, and could only gratify his eye by occasional glances at his fair neighbour. 

Emma was not inclined to give herself much trouble for his entertainment - and after hard labour of mind, he produced the remark of its being a very fine day, and followed it up with the question of, 'Have you been walking this morning?'

'No, my lord.  We thought it too dirty.'

'You should wear half-boots.' - After another pause, 'Nothing sets off a neat ankle more than a half-boot; nankin galoshed with black looks very well. - Do not you like half-boots?'

'Yes - but unless they are so stout as to injure their beauty, they are not fit for country walking.'

'Ladies should ride in dirty weather. - Do you ride?'

'No my lord.'

'I wonder every lady does not. - A woman never looks better than on horseback. -'

'But every woman may not have the inclination, or the means.'

'If they knew how much it became them, they would all have the inclination, and I fancy Miss Watson - when once they had the inclination, the means would soon follow.'

'Your lordship thinks we always have our own way. - That is a point on which ladies and gentlemen have long disagreed. - But without pretending to decide it, I may say that there are some circumstances which even women cannot control. Female economy will do a great deal my Lord, but it cannot turn a small income into a large one.'

from My Family and Other Animals, The Return (Gerald Durrell)

Our mountain of possessions was arranged in the Customs shed, and Mother stood by it jangling an enormous bunch of keys. Outside in the brilliant white sunlight the rest of the family talked with Theodore and Kralefsky, who had come to see us off. The Customs officer made his appearance and wilted slightly at the sight of our mound of baggage, crowned with a cage from which the Magenpies peered malevolently. Mother smiled nervously and shook her keys, looking as guilty as a diamond smuggler. The Customs man surveyed Mother and the luggage, tightened his belt, and frowned. 

'Theese your?' he inquired, making quite sure.

'Yes, yes, all mine,' twittered Mother, playing a rapid solo on her keys. 'Did you want me to open anything?'

The Customs man considered, pursing his lips thoughtfully.

'Hoff yew any noo clooes?' he asked.

'I’m sorry?' said Mother.

'Hoff yew any noo clooes?'

Mother cast a desperate glance round for Spiro.

'I’m so sorry. I didn’t quite catch ...'

'Hoff yew any noo clooes ... any noo clooes?'

Mother smiled with desperate charm.

'I’m sorry I can’t quite ...'

The Customs man fixed her with an angry eye.

'Madame,' he said ominously, leaning over the counter, 'do yew spik English?'

'Oh, yes,' exclaimed Mother, delighted at having understood him, 'yes, a little.'

She was saved from the wrath of the man by the timely arrival of Spiro. He lumbered in, sweating profusely, soothed Mother, calmed the Customs man, explained that we had not had any new clothes for years, and had the luggage shifted outside on to the quay almost before anyone could draw breath. Then he borrowed the Customs man’s piece of chalk and marked all the baggage himself, so there would be no further confusion.

from The Pursuit of Love (Nancy Mitford)

But Christian's politics did not bore her. As they walked back from his father's house
that evening he had taken her for a tour of the world. He showed her Fascism in Italy, Nazism in Germany, civil war in Spain, inadequate Socialism in France, tyranny in Africa, starvation in Asia,  reaction in America and Right-wing blight in England. Only the U.S.S.R., Norway and Mexico came in for a modicum of praise.

-

Feeling provincial, up in London for the day and determined to see a little life, I made Davey give me luncheon at the Ritz. This had a still further depressing effect on my spirits. My clothes, so nice and suitable for the George, so much admired by the other dons' wives ('My dear, where did you get that lovely tweed?') , were, I now realized, almost bizarre in their dowdiness; it was the floating panels of taffeta all over again. I thought of those dear little black children, three of them now, in their nursery at home, and of dear Alfred in his study, but just for the moment this thought was no consolation. I passionately longed to have a tiny fur hat, or a tiny ostrich hat, like the two ladies at the next table. I longed for a neat black dress, diamond clips and a dark mink coat, shoes like surgical boots, long crinkly black suède gloves, and smooth polished hair. When I tried to explain all this to Davey, he remarked absentmindedly: 

'Oh, but it doesn’t matter a bit for you, Fanny, and, after all, how can you have time for les petits soins de la personne with so many other, more important things to think of.'

I suppose he thought this would cheer me up.

from The Tale of Mrs Tiggy-Winkle (Beatrix Potter)

Once upon a time there was a little girl called Lucie, who lived at a farm called Little-town. She was a good little girl - only she was always losing her pocket-handkerchiefs!

One day little Lucie came into the farm-yard crying - oh, she did cry so! 'I've lost my pocket-handkin! Three handkins and a pinny! Have you seen them, Tabby Kitten?'

The Kitten went on washing her white paws; so Lucie asked a speckled hen -

'Sally Henny-penny, have you found three pocket-handkins?'

But the speckled hen ran into a barn, clucking -

'I go barefoot, barefoot, barefoot!'

And then Lucie asked Cock Robin sitting on a twig.

Cock Robin looked sideways at Lucie with his bright black eye, and he flew over a stile and away.

Lucie climbed upon the stile and looked up at the hill behind Little-town - a hill that goes up - up - into the clouds as though it had no top!

And a great way up the hill-side she thought she saw some white things spread upon the grass.

Lucie scrambled up the hill as fast as her stout legs would carry her; she ran along a steep path-way - up and up - until Little-town was right away down below - she could have dropped a pebble down the chimney!

from Linnets and Valerians, chapter 2, Where they went (Elizabeth Goudge)

'Betsy never takes cold,' she reassured him. 'Timothy does, but I'll make him keep his combinations on.'

'Combinations of what?' asked the elderly gentleman.

'Just combinations,' said Nan. 'What we wear next to our skins.'

'Ah,' said the elderly gentleman. 'Combinations. I must behold them at some future and more suitable occasion, for the extension of knowledge has always been of prime importance to me. Good night.'