from Little House on the Prairie, chapter 2, Crossing the Creek (Laura Ingalls Wilder)

'This creek's pretty high,' Pa said.  'But I guess we can make it all right.  You can see this is a ford, by the old wheel ruts.  What do you say, Caroline?'

'Whatever you say, Charles,' Ma answered.

Pet and Patty lifted their wet noses.  They pricked their ears forward, looking at the creek; then they pricked them backward to hear what Pa would say.  They sighed and laid their soft noses together to whisper to each other.  A little way upstream, Jack was lapping the water with his red tongue.

'I'll tie down the wagon-cover,' Pa said.  He climbed down from the seat, unrolled the canvas sides and tied them firmly to the wagon-box.  Then he pulled the rope at the back, so that the canvas puckered together in the middle, leaving only a tiny round hole, too small to see through.

Mary huddled down on the bed.  She did not like fords; she was afraid of the rushing water.  But Laura was excited; she liked the splashing.  Pa climbed to the seat, saying, 'They may have to swim, out there in the middle.  But we'll make it all right, Caroline.'

Laura thought of Jack and said, 'I wish Jack could ride in the wagon, Pa.'

Pa did not answer.  He gathered the reins tightly in his hands.  Ma said, 'Jack can swim, Laura.  He will be all right.'

The wagon went forward softly in mud.  Water began to splash against the wheels.  The splashing grew louder.  The wagon shook as the noisy water struck at it.  Then all at once the wagon lifted and balanced and swayed.  It was a lovely feeling.

The noise stopped, and Ma said, sharply, 'Lie down, girls!'

Quick as a flash, Mary and Laura dropped flat on the bed.  When Ma spoke like that, they did as they were told.  Ma's arm pulled a smothering blanket over them, heads and all.

'Be still, just as you are.  Don't move!' she said.

Mary did not move; she was trembling and still.  But Laura could not help wriggling a little bit.  She did so want to see what was happening.  She could feel the wagon swaying and turning; the splashing was noisy again, and again it died away.  Then Pa's voice frightened Laura.  It said, 'Take them, Caroline!'

The wagon lurched; there was a sudden heavy splash beside it.  Laura sat straight up and clawed the blanket from her head.

Pa was gone.  Ma sat alone, holding tight to the reins with both hands.  Mary hid her face in the blanket again, but Laura rose up farther.  She couldn't see the creek bank.  She couldn't see anything in front of the wagon but water rushing at it.  And in the water, three heads; Pet's head and Patty's head and Pa's small, wet head.  Pa's fist in the water was holding tight to Pet's bridle.

Laura could faintly hear Pa's voice through the rushing of the water.  It sounded calm and cheerful, but she couldn't hear what he said.  He was talking to the horses.  Ma's face was white and scared.

'Lie down, Laura,' Ma said.

Laura lay down.  She felt cold and sick.  Her eyes were shut tight, but she could still see the terrible water and Pa's brown beard drowning in it.

For a long, long time the wagon swayed and swung, and Mary cried without making a sound, and Laura's stomach felt sicker and sicker.  Then the front wheels struck and grated, and Pa shouted.  The whole wagon jerked and jolted and tipped backward, but the wheels were turning on the ground.  Laura was up again, holding to the seat; she saw Pet's and Patty's scrambling wet backs climbing a steep bank, and Pa running beside them, shouting, 'Hi, Patty!  Hi, Pet!  Get up!  Get up!  Whoopsy-daisy!  Good girls!'

At the top of the bank they stood still, panting and dripping.  And the wagon stood still, safely out of that creek.

from The Watsons (Jane Austen)

With much concern they took their seats - Lord Osborne near Emma, and the convenient Mr. Musgrave in high spirits at his own importance, on the other side of the fireplace with Elizabeth. He was at no loss for words; - but when Lord Osborne had hoped that Emma had not caught cold at the ball, he had nothing more to say for some time, and could only gratify his eye by occasional glances at his fair neighbour. 

Emma was not inclined to give herself much trouble for his entertainment - and after hard labour of mind, he produced the remark of its being a very fine day, and followed it up with the question of, 'Have you been walking this morning?'

'No, my lord.  We thought it too dirty.'

'You should wear half-boots.' - After another pause, 'Nothing sets off a neat ankle more than a half-boot; nankin galoshed with black looks very well. - Do not you like half-boots?'

'Yes - but unless they are so stout as to injure their beauty, they are not fit for country walking.'

'Ladies should ride in dirty weather. - Do you ride?'

'No my lord.'

'I wonder every lady does not. - A woman never looks better than on horseback. -'

'But every woman may not have the inclination, or the means.'

'If they knew how much it became them, they would all have the inclination, and I fancy Miss Watson - when once they had the inclination, the means would soon follow.'

'Your lordship thinks we always have our own way. - That is a point on which ladies and gentlemen have long disagreed. - But without pretending to decide it, I may say that there are some circumstances which even women cannot control. Female economy will do a great deal my Lord, but it cannot turn a small income into a large one.'

In Memoriam A.H.H. CVI (Alfred, Lord Tennyson)

Ring out, wild bells, to the wild sky,
  The flying cloud, the frosty light:
  The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
  Ring, happy bells, across the snow:
  The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind
  For those that here we see no more;
  Ring out the feud of rich and poor,
Ring in redress to all mankind.

Ring out a slowly dying cause,
  And ancient forms of party strife;
  Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care, the sin,
  The faithless coldness of the times;
  Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.

Ring out false pride in place and blood,
  The civic slander and the spite;
  Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease;
  Ring out the narrowing lust of gold;
  Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
  The larger heart, the kindlier hand;
  Ring out the darkness of the land,
Ring in the Christ that is to be.

The comming of good luck (Robert Herrick)

So Good-luck came, and on my roofe did light,
Like noyse-lesse Snow; or as the dew of night:
Not all at once, but gently, as the trees
Are, by the Sun-beams, tickel'd by degrees.

from Zuleika Dobson, chapter 12 (Max Beerbohm)

Clearly it was vain to seek distraction in my old College. I floated out into the untenanted meadows. Over them was the usual coverlet of white vapour, trailed from the Isis right up to Merton Wall. The scent of these meadows' moisture is the scent of Oxford. Even in hottest noon, one feels that the sun has not dried them. Always there is moisture drifting across them, drifting into the Colleges. It, one suspects, must have had much to do with the evocation of what is called the Oxford spirit—that gentlest spirit, so lingering and searching, so dear to them who as youths were brought into ken of it, so exasperating to them who were not. Yes, certainly, it is this mild, miasmal air, not less than the grey beauty and gravity of the buildings, that has helped Oxford to produce, and foster eternally, her peculiar race of artist-scholars, scholar-artists. The undergraduate, in his brief periods of residence, is too buoyant to be mastered by the spirit of the place. He does but salute it, and catch the manner. It is on him who stays to spend his maturity here that the spirit will in its fulness gradually descend. The buildings and their traditions keep astir in his mind whatsoever is gracious; the climate, enfolding and enfeebling him, lulling him, keeps him careless of the sharp, harsh, exigent realities of the outer world. Careless? Not utterly. These realities may be seen by him. He may study them, be amused or touched by them. But they cannot fire him. Oxford is too damp for that. The 'movements' made there have been no more than protests against the mobility of others. They have been without the dynamic quality implied in their name. They have been no more than the sighs of men gazing at what other men had left behind them; faint, impossible appeals to the god of retrogression, uttered for their own sake and ritual, rather than with any intent that they should be heard. Oxford, that lotus-land, saps the will-power, the power of action. But, in doing so, it clarifies the mind, makes larger the vision, gives, above all, that playful and caressing suavity of manner which comes of a conviction that nothing matters, except ideas, and that not even ideas are worth dying for, inasmuch as the ghosts of them slain seem worthy of yet more piously elaborate homage than can be given to them in their heyday. If the Colleges could be transferred to the dry and bracing top of some hill, doubtless they would be more evidently useful to the nation. But let us be glad there is no engineer or enchanter to compass that task. Egomet, I would liefer have the rest of England subside into the sea than have Oxford set on a salubrious level. For there is nothing in England to be matched with what lurks in the vapours of these meadows, and in the shadows of these spires - that mysterious, inenubilable spirit, spirit of Oxford. Oxford! The very sight of the word printed, or sound of it spoken, is fraught for me with most actual magic.