Showing posts with label men. Show all posts
Showing posts with label men. Show all posts

24 December 2024

The Charge of the Light Brigade (Alfred, Lord Tennyson)

I

Half a league, half a league,
Half a league onward,
All in the valley of Death
  Rode the six hundred.
“Forward, the Light Brigade!
Charge for the guns!” he said.
Into the valley of Death
  Rode the six hundred.

II

“Forward, the Light Brigade!”
Was there a man dismayed?
Not though the soldier knew
  Someone had blundered.
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do and die.
Into the valley of Death
  Rode the six hundred.

III

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
  Volleyed and thundered;
Stormed at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of hell
  Rode the six hundred.

IV

Flashed all their sabres bare,
Flashed as they turned in air
Sabring the gunners there,
Charging an army, while
  All the world wondered.
Plunged in the battery-smoke
Right through the line they broke;
Cossack and Russian
Reeled from the sabre stroke
Shattered and sundered.
Then they rode back, but not
  Not the six hundred.

V

Cannon to right of them,
Cannon to left of them,
Cannon behind them
  Volleyed and thundered;
Stormed at with shot and shell,
While horse and hero fell.
They that had fought so well
Came through the jaws of Death,
Back from the mouth of hell,
All that was left of them,
  Left of six hundred.

VI

When can their glory fade?
O the wild charge they made!
  All the world wondered.
Honour the charge they made!
Honour the Light Brigade,
  Noble six hundred!

27 October 2021

from Boy, Goodbye School (Roald Dahl)

After that we spent months at the Head Office in London learning how the great company functioned from the inside.  I was still living in Bexley, Kent, with my mother and three sisters, and every morning, six days a week, Saturdays included, I would dress neatly in a sombre grey suit, have breakfast at seven forty-five and then, with a brown trilby on my head and a furled umbrella in my hand, I would board the eight-fifteen train to London together with a swarm of equally sombre-suited businessmen.  I found it very easy to fall into their pattern.  We were all very serious and dignified gents taking the train to our offices in the City of London where each of us, so we thought, was engaged in high finance and other enormously important matters.  Most of my companions wore hard bowler hats, and a few like me wore soft trilbys, but not one of us on that train in the year of 1934 went bareheaded.  It wasn't done.  And none of us, even on the sunniest days, went without his furled umbrella.  The umbrella was our badge of office.  We felt naked without it.  Also it was a sign of respectability.  Road-menders and plumbers never went to work with umbrellas.  Businessmen did.

I enjoyed it, I really did.  I began to realize how simple life could be if one had a regular routine to follow with fixed hours and a fixed salary and very little original thinking to do.  The life of a writer is absolute hell compared with the life of a businessman.  The writer has to force himself to work.  He has to make his own hours and if he doesn't go to his desk at all there is nobody to scold him.  If he is a writer of fiction he lives in a world of fear.  Each day demands new ideas and he can never be sure whether he is going to come up with them or not.  Two hours of writing fiction leaves this particular writer absolutely drained.  For those two hours he has been miles away, he has been somewhere else, in a different place with totally different people, and the effort of swimming back into normal surroundings is very great.  It is almost a shock.  The writer walks out of his workroom in a daze.  He wants a drink.  He needs it.  It happens to be a fact that nearly every writer of fiction in the world drinks more whisky than is good for him.  He does it to give himself faith, hope and courage.  A person is a fool to become a writer.  His only compensation is absolute freedom.  He has no master except his own soul, and that, I am sure, is why he does it.

18 June 2021

from The Watsons (Jane Austen)

With much concern they took their seats - Lord Osborne near Emma, and the convenient Mr. Musgrave in high spirits at his own importance, on the other side of the fireplace with Elizabeth. He was at no loss for words; - but when Lord Osborne had hoped that Emma had not caught cold at the ball, he had nothing more to say for some time, and could only gratify his eye by occasional glances at his fair neighbour. 

Emma was not inclined to give herself much trouble for his entertainment - and after hard labour of mind, he produced the remark of its being a very fine day, and followed it up with the question of, 'Have you been walking this morning?'

'No, my lord.  We thought it too dirty.'

'You should wear half-boots.' - After another pause, 'Nothing sets off a neat ankle more than a half-boot; nankin galoshed with black looks very well. - Do not you like half-boots?'

'Yes - but unless they are so stout as to injure their beauty, they are not fit for country walking.'

'Ladies should ride in dirty weather. - Do you ride?'

'No my lord.'

'I wonder every lady does not. - A woman never looks better than on horseback. -'

'But every woman may not have the inclination, or the means.'

'If they knew how much it became them, they would all have the inclination, and I fancy Miss Watson - when once they had the inclination, the means would soon follow.'

'Your lordship thinks we always have our own way. - That is a point on which ladies and gentlemen have long disagreed. - But without pretending to decide it, I may say that there are some circumstances which even women cannot control. Female economy will do a great deal my Lord, but it cannot turn a small income into a large one.'

09 September 2019

from Three Men in a Boat, chapter II (Jerome K. Jerome)

Harris said: 

'How about when it rained?'

You can never rouse Harris. There is no poetry about Harris—no wild yearning for the unattainable. Harris never 'weeps, he knows not why.' If Harris’s eyes fill with tears, you can bet it is because Harris has been eating raw onions, or has put too much Worcester over his chop.

24 December 2017

The King's Breakfast (A.A. Milne)

The King asked
The Queen, and
The Queen asked
The Dairymaid:
'Could we have some butter for
The Royal slice of bread?'
The Queen asked
The Dairymaid,
The Dairymaid
Said, 'Certainly,
I'll go and tell the cow
Now
Before she goes to bed.'

The Dairymaid
She curtsied,
And went and told
The Alderney:
'Don't forget the butter for
The Royal slice of bread.'
The Alderney
Said sleepily:
'You'd better tell
His Majesty
That many people nowadays
Like marmalade
Instead.'

The Dairymaid
Said 'Fancy!'
And went to
Her Majesty.
She curtsied to the Queen, and
She turned a little red:
'Excuse me,
Your Majesty,
For taking of
The liberty,
But marmalade is tasty, if
It's very
Thickly
Spread.'

The Queen said
'Oh!'
And went to
His Majesty:
'Talking of the butter for
The Royal slice of bread,
Many people
Think that
Marmalade
Is nicer.
Would you like to try a little
Marmalade
Instead?'

The King said,
'Bother!'
And then he said,
'Oh, deary me!'
The King sobbed, 'Oh, deary me!'
And went back to bed.
'Nobody,'
He whimpered,
'Could call me
A fussy man;
I only want
A little bit
Of butter for
My bread!'

The Queen said,
'There, there!'
And went to
The Dairymaid.
The Dairymaid
Said,
'There, there!'
And went to the shed.
The cow said,
'There, there!
I didn't really
Mean it;
Here's milk for his porringer,
And butter for his bread.'

The Queen took
The butter
And brought it to
His Majesty;
The King said,
'Butter, eh?'
And bounced out of bed.
'Nobody,' he said,
As he kissed her
Tenderly,
'Nobody,' he said,
As he slid down
The banisters,
'Nobody,
My darling,
Could call me
A fussy man -
BUT
I do like a little bit of butter to my bread!'

02 August 2015

Vitaï Lampada (Henry Newbolt)

There's a breathless hush in the Close to-night -
Ten to make and the match to win -
A bumping pitch and a blinding light,
An hour to play and the last man in.
And it's not for the sake of a ribboned coat,
Or the selfish hope of a season's fame,
But his Captain's hand on his shoulder smote,
'Play up! play up! and play the game!'

The sand of the desert is sodden red, -
Red with the wreck of a square that broke; -
The Gatling's jammed and the colonel dead,
And the regiment blind with dust and smoke.
The river of death has brimmed his banks,
And England's far, and Honour a name,
But the voice of schoolboy rallies the ranks,
'Play up! play up! and play the game!'

This is the word that year by year
While in her place the School is set
Every one of her sons must hear,
And none that hears it dare forget.
This they all with a joyful mind
Bear through life like a torch in flame,
And falling fling to the host behind -
'Play up! play up! and play the game!'

10 July 2012

from The Pickwick Papers (Charles Dickens)

There was the widow before him, bouncing bodily here and there, with unwonted vigour; and Mr. Tracy Tupman hopping about, with a face expressive of the most intense solemnity, dancing (as a good many people do) as if a quadrille were not a thing to be laughed at, but a severe trial to the feelings, which it requires inflexible resolution to encounter.

-

There are very few moments in a man's existence when he experiences so much ludicrous distress, or meets with so little charitable commiseration, as when he is in pursuit of his own hat.  A vast deal of coolness, and a peculiar degree of judgment, are requisite in catching a hat.  A man must not be precipitate, or he runs over it; he must not rush into the opposite extreme, or he loses it altogether.  The best way is to keep gently up with the object of pursuit, to be wary and cautious, to watch your opportunity well, get gradually before it, then make a rapid dive, seize it by the crown, and stick it firmly on your head; smiling pleasantly all the time, as if you thought it as good a joke as anybody else.  There was a fine gentle wind, and Mr. Pickwick's hat rolled sportively before it.  The wind puffed, and Mr. Pickwick puffed, and the hat rolled over and over as merrily as a lively porpoise in a strong tide: and on it might have rolled, far beyond Mr. Pickwick's reach, had not its course been providentially stopped, just as that gentleman was on the point of resigning it to its fate.

-

Mr. Pickwick, with his hands in his pockets and his hat cocked completely over his left eye, was leaning against the dresser, shaking his head from side to side, and producing a constant succession of the blandest and most benevolent smiles without being moved thereunto by any discernible cause or pretence whatsoever; old Mr. Wardle, with a highly-inflamed countenance, was grasping the hand of a strange gentleman muttering protestations of eternal friendship; Mr. Winkle, supporting himself by the eight-day clock, was feebly invoking destruction upon the head of any member of the family who should suggest the propriety of his retiring for the night; and Mr. Snodgrass had sunk into a chair, with an expression of the most abject and hopeless misery that the human mind can imagine, portrayed in every lineament of his expressive face. 

'Is anything the matter?' inquired the three ladies.

'Nothing the matter,' replied Mr. Pickwick. 'We - we're - all right. - I say, Wardle, we're all right, ain't we?'

'I should think so,' replied the jolly host. - 'My dears, here's my friend Mr. Jingle - Mr. Pickwick's friend, Mr. Jingle, come 'pon - little visit.'

'Is anything the matter with Mr. Snodgrass, Sir?' inquired Emily, with great anxiety.

'Nothing the matter, ma'am,' replied the stranger. 'Cricket dinner - glorious party - capital songs - old port - claret - good - very good - wine, ma'am - wine.'

'It wasn't the wine,' murmured Mr. Snodgrass, in a broken voice. 'It was the salmon.' (Somehow or other, it never is the wine, in these cases.)

-

'Who is Slumkey?' whispered Mr. Tupman.

'I don't know,' replied Mr. Pickwick, in the same tone. 'Hush. Don't ask any questions. It's always best on these occasions to do what the mob do.'

'But suppose there are two mobs?' suggested Mr. Snodgrass.

'Shout with the largest,' replied Mr. Pickwick.

Volumes could not have said more.

-

'Mr. Pickwick, I presume?'

'The same.'

'Allow me, Sir, the honour of grasping your hand. Permit me, Sir, to shake it,' said the grave man.

'Certainly,' said Mr. Pickwick. The stranger shook the extended hand, and then continued.

'We have heard of your fame, Sir. The noise of your antiquarian discussion has reached the ears of Mrs. Leo Hunter - my wife, Sir; I am Mr. Leo Hunter' - the stranger paused, as if he expected that Mr. Pickwick would be overcome by the disclosure; but seeing that he remained perfectly calm, proceeded.

'My wife, Sir - Mrs. Leo Hunter - is proud to number among her acquaintance all those who have rendered themselves celebrated by their works and talents. Permit me, Sir, to place in a conspicuous part of the list the name of Mr. Pickwick, and his brother-members of the club that derives its name from him.'

'I shall be extremely happy to make the acquaintance of such a lady, Sir,' replied Mr. Pickwick.

'You shall make it, Sir,' said the grave man. 'To-morrow morning, Sir, we give a public breakfast - a fête champetre - to a great number of those who have rendered themselves celebrated by their works and talents. Permit Mrs. Leo Hunter, Sir, to have the gratification of seeing you at the Den.'

'With great pleasure,' replied Mr. Pickwick.

'Mrs. Leo Hunter has many of these breakfasts, Sir,' resumed the new acquaintance - '"feasts of reason," Sir, "and flows of soul," as somebody who wrote a sonnet to Mrs. Leo Hunter on her breakfasts, feelingly and originally observed.'

'Was he celebrated for his works and talents?' inquired Mr. Pickwick.

'He was, Sir,' replied the grave man, 'all Mrs. Leo Hunter's acquaintance are; it is her ambition, Sir, to have no other acquaintance.'

'It is a very noble ambition,' said Mr. Pickwick.

'When I inform Mrs. Leo Hunter, that that remark fell from your lips, Sir, she will indeed be proud,' said the grave man. 'You have a gentleman in your train, who has produced some beautiful little poems, I think, Sir.'

'My friend Mr. Snodgrass has a great taste for poetry,' replied Mr. Pickwick.

'So has Mrs. Leo Hunter, Sir. She dotes on poetry, Sir. She adores it; I may say that her whole soul and mind are wound up, and entwined with it. She has produced some delightful pieces, herself, Sir. You may have met with her "Ode to an expiring Frog," Dir.'

'I don't think I have,' said Mr. Pickwick.

'You astonish me, Sir,' said Mr. Leo Hunter. 'It created an immense sensation. It was signed with an "L" and eight stars, and appeared originally in a Lady's Magazine. It commenced



'Can I view thee panting, lying
On thy stomach, without sighing;
Can I unmoved see thee dying
On a log
Expiring frog!'


'Beautiful!' said Mr. Pickwick.

'Fine,' said Mr. Leo Hunter; 'so simple.'

'Very,' said Mr. Pickwick.

'The next verse is still more touching. Shall I repeat it?'

'If you please,' said Mr. Pickwick.

'It runs thus,' said the grave man, still more gravely.


'Say, have fiends in shape of boys,
With wild halloo, and brutal noise,
Hunted thee from marshy joys,
With a dog,
Expiring frog!'

'Finely expressed,' said Mr. Pickwick.

'All point, Sir,' said Mr. Leo Hunter; 'but you shall hear Mrs. Leo Hunter repeat it. She can do justice to it, Sir. She will repeat it, in character, Sir, to-morrow morning.'

'In character!'

'As Minerva. But I forgot - it's a fancy-dress dejeune.'

'Dear me,' said Mr. Pickwick, glancing at his own figure - 'I can't possibly' -

 -

The jovial party broke up next morning. Breakings-up are capital things in our school-days, but in after life they are painful enough. Death, self-interest, and fortune's changes, are every day breaking up many a happy group, and scattering them far and wide; and the boys and girls never come back again. We do not mean to say that it was exactly the case in this particular instance; all we wish to inform the reader is, that the different members of the party dispersed to their several homes ...

-

Now, although the warden's room was a very uncomfortable one, being, in every point of decoration and convenience, several hundred degrees inferior to the common infirmary of a county jail, it had at present the merit of being wholly deserted save by Mr. Pickwick himself. So, he sat down at the foot of his little iron bedstead, and began to wonder how much a year the warder made out of the dirty room. Having satisfied himself, by mathematical calculation, that the apartment was about equal in annual value to the freehold of a small street in the suburbs of London, he took to wondering what possible temptation could have induced a dingy-looking fly that was crawling over his pantaloons, to come into a close prison, when he had the choice of so many airy situations - a course of meditation which led him to the irresistible conclusion that the insect was insane. After settling this point, he began to be conscious that he was getting sleepy; whereupon he took his nightcap out of the pocket in which he had had the precaution to stow it in the morning, and, leisurely undressing himself, got into bed and fell asleep.

-

'I takes my determination on principle, Sir,' remarked Sam, 'and you takes yours on the same ground; wich puts me in mind o' the man as killed his-self on principle, wich o' course you've heerd on, Sir.' Mr. Weller paused when he arrived at this point, and cast a comical look at his master out of the corners of his eyes.


'There is no "of course" in the case, Sam,' said Mr. Pickwick, gradually breaking into a smile, in spite of the uneasiness which Sam's obstinacy had given him. 'The fame of the gentleman in question, never reached my ears.'


'No, Sir!' exclaimed Mr. Weller. 'You astonish me, Sir; he wos a clerk in a gov'ment office, sir.'


'Was he?' said Mr. Pickwick.


'Yes, he wos, Sir,' rejoined Mr. Weller; 'and a wery pleasant gen'l'm'n too - one o' the precise and tidy sort, as puts their feet in little India-rubber fire-buckets wen it's wet weather, and never has no other bosom friends but hare-skins; he saved up his money on principle, wore a clean shirt ev'ry day on principle; never spoke to none of his relations on principle, 'fear they shou'd want to borrow money of him; and wos altogether, in fact, an uncommon agreeable character. He had his hair cut on principle vunce a fortnight, and contracted for his clothes on the economic principle - three suits a year, and send back the old uns. Being a wery reg'lar gen'l'm'n, he din'd ev'ry day at the same place, where it was one-and-nine to cut off the joint, and a wery good one-and-nine's worth he used to cut, as the landlord often said, with the tears a-tricklin' down his face, let alone the way he used to poke the fire in the vinter time, which wos a dead loss o' four-pence ha'penny a day, to say nothin' at all o' the aggrawation o' seein' him do it. So uncommon grand with it too! "Post arter the next gen'l'm'n," he sings out ev'ry day ven he comes in. "See arter the Times, Thomas; let me look at the Mornin' Herald, when it's out o' hand; don't forget to bespeak the Chronicle; and just bring the 'Tizer, vill you:" and then he'd set vith his eyes fixed on the clock, and rush out, just a quarter of a minit 'fore the time to waylay the boy as wos a-comin' in with the evenin' paper, which he'd read with sich intense interest and persewerance as worked the other customers up to the wery confines o' desperation and insanity, 'specially one i-rascible old gen'l'm'n as the vaiter wos always obliged to keep a sharp eye on, at sich times, fear he should be tempted to commit some rash act with the carving-knife. Vell, Sir, here he'd stop, occupyin' the best place for three hours, and never takin' nothin' arter his dinner, but sleep, and then he'd go away to a coffee-house a few streets off, and have a small pot o' coffee and four crumpets, arter wich he'd walk home to Kensington and go to bed. One night he wos took very ill; sends for a doctor; doctor comes in a green fly, with a kind o' Robinson Crusoe set o' steps, as he could let down wen he got out, and pull up arter him wen he got in, to perwent the necessity o' the coachman's gettin' down, and thereby undeceivin' the public by lettin' 'em see that it wos only a livery coat as he'd got on, and not the trousers to match. "Wot's the matter?" says the doctor. "Wery ill," says the patient. "Wot have you been a-eatin' on?" says the doctor. "Roast weal," says the patient. "Wot's the last thing you dewoured?" says the doctor. "Crumpets," says the patient. "That's it!" says the doctor. "I'll send you a box of pills directly, and don't you never take no more of 'em," he says. "No more o' wot?" says the patient - "pills?" "No; crumpets," says the doctor. "Wy?" says the patient, starting up in bed; "I've eat four crumpets, ev'ry night for fifteen year, on principle." "Well, then, you'd better leave 'em off, on principle," says the doctor. "Crumpets is not wholesome, Sir," says the doctor, wery fierce. "But they're so cheap," says the patient, comin' down a little, "and so wery fillin' at the price." "They'd be dear to you, at any price; dear if you wos paid to eat 'em," says the doctor. "Four crumpets a night," he says, "vill do your business in six months!" The patient looks him full in the face, and turns it over in his mind for a long time, and at last he says, "Are you sure o' that 'ere, Sir?" "I'll stake my professional reputation on it," says the doctor. "How many crumpets, at a sittin', do you think 'ud kill me off at once?" says the patient. "I don't know," says the doctor. "Do you think half-a-crown's wurth 'ud do it?" says the patient. "I think it might," says the doctor. "Three shillins' wurth 'ud be sure to do it, I s'pose?" says the patient. "Certainly," says the doctor. "Wery good," says the patient; "good-night." Next mornin' he gets up, has a fire lit, orders in three shillins' wurth o' crumpets, toasts 'em all, eats 'em all, and blows his brains out.'


'What did he do that for?' inquired Mr. Pickwick abruptly; for he was considerably startled by this tragical termination of the narrative.


'Wot did he do it for, Sir?' reiterated Sam. 'Wy, in support of his great principle that crumpets wos wholesome, and to show that he wouldn't be put out of his way for nobody!'


-


Let us leave our old friend in one of those moments of unmixed happiness, of which, if we seek them, there are ever some, to cheer our transitory existence here. There are dark shadows on the earth, but its lights are stronger in the contrast. Some men, like bats or owls, have better eyes for the darkness than for the light. We, who have no such optical powers, are better pleased to take our last parting look at the visionary companions of many solitary hours, when the brief sunshine of the world is blazing full upon them.

14 March 2012

from Sohrab and Rustum (Matthew Arnold)

As, in the country, on a morn in June,
When the dew glistens on the pearled ears,
A shiver runs through the deep corn for joy -
So, when they heard what Peran-Wisa said,
A thrill through all the Tartar squadrons ran
Of pride and hope for Sohrab, whom they loved.

But as a troop of pedlars, from Cabool,
Cross underneath the Indian Caucasus,
That vast sky-neighbouring mountain of milk snow;
Crossing so high, that, as they mount, they pass
Long flocks of travelling birds dead on the snow,
Choked by the air, and scarce can they themselves
Slake their parch'd throats with sugar'd mulberries -
In single file they move, and stop their breath,
For fear they should dislodge the o'erhanging snows -
So the pale Persians held their breath with fear.

21 January 2012

from Daniel Deronda, chapter 17 (George Eliot)

Rowing in his dark-blue shirt and skull-cap, his curls closely clipped, his mouth beset with abundant soft waves of beard, he bore only disguised traces of the seraphic boy 'trailing clouds of glory.' Still, even one who had never seen him since his boyhood might have looked at him with slow recognition, due perhaps to the peculiarity of the gaze which Gwendolen chose to call 'dreadful,' though it had really a very mild sort of scrutiny. The voice, sometimes audible in subdued snatches of song, had turned out merely a high barytone; indeed, only to look at his lithe, powerful frame and the firm gravity of his face would have been enough for an experienced guess that he had no rare and ravishing tenor such as nature reluctantly makes at some sacrifice. Look at his hands: they are not small and dimpled, with tapering fingers that seem to have only a deprecating touch: they are long, flexible, firmly-grasping hands, such as Titian has painted in a picture where he wanted to show the combination of refinement with force. And there is something of a likeness, too, between the faces belonging to the hands - in both the uniform pale-brown skin, the perpendicular brow, the calmly penetrating eyes. Not seraphic any longer: thoroughly terrestrial and manly; but still of a kind to raise belief in a human dignity which can afford to recognize poor relations.

16 December 2010

from Linnets and Valerians, chapter 2, Where they went (Elizabeth Goudge)

'Betsy never takes cold,' she reassured him. 'Timothy does, but I'll make him keep his combinations on.'

'Combinations of what?' asked the elderly gentleman.

'Just combinations,' said Nan. 'What we wear next to our skins.'

'Ah,' said the elderly gentleman. 'Combinations. I must behold them at some future and more suitable occasion, for the extension of knowledge has always been of prime importance to me. Good night.'

13 April 2010

from The Duchess of Bloomsbury Street (Helene Hanff)

We went outside and saw the playing fields where all those wars were supposedly won. Boys were playing cricket, a few strolled by swinging tennis rackets. On Saturdays the boys are allowed to wear ordinary sports clothes but we saw several in the Eton uniform: black tail coat, white shirt, striped trousers. PB says they don't wear the top hat any more except on state occasions. (Those top hats kept the boys out of trouble. If an Eton boy tried to sneak into an off-limits pub or movie, the manager could spot that top hat from anywhere in the house and throw him out.)

The faces of the boys are unbelievably clean and chiseled and beautiful. And the tail coats - which must have looked outlandish in the 1940's and 50's - look marvelously appropriate with the long hair the boys wear now. What with the cameo faces, the long hair brushed to a gleam and the perfectly cut tails, they looked like improbable Edwardian princes.

07 January 2010

List of Illustrations from The Great Book of True Stories (London 1936)

IN BOUNDED THE LIONS by Dudley Cowes Frontispiece

AFTER AN INTIMATE MINUTE WITH HIM I GOT THE DAGGER by H. G. Fairbairn 23

ON THE FILTHY FLOOR OF THE CAVE SAT HALF A DOZEN ENORMOUS RATS by Clark Fay 41

THERE HE STOOD SILENT AND SOLITARY by Norman Keen 73

THE BARREL MOVED OVER THEM, PRESENTING ITS BLACK THREATFUL MOUTH by R. Cleaver 101

MY FATHER WAS SWINGING CRAZILY IN MID-AIR by E. B. Thurstan 133

I SAW THE STREET SPLIT OPEN by J. Nicolle 207

I HEARD THE WILD CRIES AND SAW THEIR DARK GLEAMING BODIES by Jack Faulkes 245

THE SIAMESE WAS IN THE TOILS OF A QUICKSAND by T. Grainger Jeffrey 289

HE WAS FIVE YARDS AWAY by S. Tresilian 313

THE ABLE SEAMAN MADE A FLYING LEAP by Norman Hepple 331

HE STAGGERED OUT OF THE KNEE-DEEP SAND WITH HIS FIND by Edward Osmond 369

WE JAMMED ON OUR BRAKES IN HORROR by Clive Uptton 387

HE GLARED AT ME WITH BLOODSHOT EYES by Alfred Sindall 493

THE PRESSURE OF THE GUN WAS NOTICEABLY STRONGER by J. Greenup 539

IT IS EASY TO IMAGINE HOW UNPLEASANT THE TUNNEL WAS by Norman Howard 565

HER HAND CLUTCHED AT MINE by Cyril Holloway 661

from Winter Holiday, chapter XI, Cragfast Sheep (Arthur Ransome)

He remembered then that, after the sheep was lowered, one of the others would have to go all the way back and down into the gully to untie it before they could let him have the rope for the return journey. All that time he would have to sit on the ledge there, with his back against the face of the rock, and wait, and wait, and not look down at his feet. Well, those buzzards were still there.

And then, suddenly, he was startled by a shout from Roger, out of sight above him.

'Here come the dogs!'

And away to the left, far below him, he saw the sledge party coming up the gully, and knew that they had seen him.

John would be there to undo the sheep. It was too late now to try again, but he did wish he had been able to manage a rather more seamanlike knot.

from The Invention of Love, Act Two (Tom Stoppard)

Housman (watching the runners) What do I want?

Chamberlain Nothing which you'd call indecent, though I don't see what's wrong with it myself. You want to be brothers-in-arms, to have him to yourself ... to be shipwrecked together, (to) perform valiant deeds to earn his admiration, to save him from certain death, to die for him - to die in his arms, like a Spartan, kissed once on the lips ... or just run his errands in the meanwhile. You want him to know what cannot be spoken, and to make the perfect reply, in the same language. (Pause. Still without inflection) He's going to win it. (Finally he warms into excitement as the race passes in front of them.) By God, he is! Come on, Jackson! Up the Patent Office! ... He's won it!

17 September 2009

2 Kings 4.8-10 (NRSV)

One day Elisha was passing through Shunem, where a wealthy woman lived, who urged him to have a meal. So whenever he passed that way, he would stop there for a meal. She said to her husband, 'Look, I am sure that this man who regularly passes our way is a holy man of God. Let us make a small roof chamber with walls, and put there for him a bed, a table, a chair, and a lamp, so that he can stay there whenever he comes to us.'

30 August 2009

from 'Are Women Human?' (Dorothy L. Sayers)

Let me give one simple illustration of the difference between the right and the wrong kind of feminism. Let us take this terrible business - so distressing to the minds of bishops - of the women who go about in trousers. We are asked: 'Why do you want to go about in trousers? They are extremely unbecoming to most of you. You only do it to copy the men.' To this we may very properly reply: 'It is true that they are unbecoming. Even on men they are remarkably unattractive. But, as you men have discovered for yourselves, they are comfortable, they do not get in the way of one's activities like skirts and they protect the wearer from draughts about the ankles. As a human being, I like comfort and dislike draughts. If the trousers do not attract you, so much the worse; for the moment I do not want to attract you. I want to enjoy myself as a human being, and why not? As for copying you, certainly you thought of trousers first and to that extent we must copy you. But we are not such abandoned copy-cats as to attach these useful garments to our bodies with braces. There we draw the line. These machines of leather and elastic are unnecessary and unsuited to the female form. They are, moreover, hideous beyond description. And as for indecency - of which you sometimes accuse the trousers - we at least can take our coats off without becoming the half-undressed, bedroom spectacle that a man presents in his shirt and braces.'

So that when we hear that women have once more laid hands upon something which was previously a man's sole privilege, I think we have to ask ourselves: is this trousers or is it braces? Is it something useful, convenient and suitable to a human being as such? Or is it merely something unnecessary to us, ugly, and adopted merely for the sake of collaring the other fellow's property? These jobs and professions, now. It is ridiculous to take on a man's job just in order to be able to say that 'a woman has done it - yah!' The only decent reason for tackling any job is that it is your job, and you want to do it.

19 June 2009

from Jane Eyre, chapter 23 (Charlotte Brontë)

'It is a long way to Ireland, Janet, and I am sorry to send my little friend on such weary travels: but if I can’t do better, how is it to be helped? Are you anything akin to me, do you think, Jane?'

I could risk no sort of answer by this time: my heart was still.

'Because,' he said, 'I sometimes have a queer feeling with regard to you — especially when you are near me, as now: it is as if I had a string somewhere under my left ribs, tightly and inextricably knotted to a similar string situated in the corresponding quarter of your little frame. And if that boisterous Channel, and two hundred miles or so of land come broad between us, I am afraid that cord of communion will be snapt; and then I’ve a nervous notion I should take to bleeding inwardly. As for you, - you’d forget me.'

'That I never should, sir: you know —' Impossible to proceed.

20 January 2009

from The Lord of the Rings, book 6, chapter 5, The Steward and the King (J.R.R. Tolkien)

Then Frodo came forward and took the crown from Faramir and bore it to Gandalf; and Aragorn knelt, and Gandalf set the White Crown upon his head, and said:

'Now come the days of the King, and may they be blessed while the thrones of the Valar endure!'

But when Aragorn arose all that beheld him gazed in silence, for it seemed to them that he was revealed to them now for the first time. Tall as the sea-kings of old, he stood above all that were near; ancient of days he seemed and yet in the flower of manhood; and wisdom sat upon his brow, and strength and healing were in his hands, and a light was about him. And then Faramir cried:

'Behold the King!'

And in that moment all the trumpets were blown, and the King Elessar went forth and came to the barrier, and Húrin of the Keys thrust it back; and amid the music of harp and of viol and of flute and the singing of clear voices the King passed through the flower-laden streets, and came to the Citadel, and entered in; and the banner of the Tree and the Stars was unfurled upon the topmost tower, and the reign of King Elessar began, of which many songs have told.

13 December 2008

from Jane and Prudence, chapter 16 (Barbara Pym)

'Have the Clevelands a young child?' the Canon asked his wife as they drove away.

'I believe their daughter is about eighteen. She is at Oxford, I think.'

'A strange thing that,' said the Canon, changing gear. 'One would have thought there was a child about the place. The soap in the wash-basin was modelled in the form of a rabbit, and there were other animals too, a bear and an elephant.'

'And you washed your hands with a soap rabbit?' asked his wife seriously.

'Certainly. There was no other soap. I wonder if Mrs Cleveland put them there; she seems rather an unusual woman.'

'Yes, there is something strange about her.'

'I think Cleveland is quite sound,' went on the Canon. 'None of this Modern Churchman's Union or any of that dangerous stuff ...' He hesitated, perhaps meditating on the soap animals and what they could signify.

Jane and Mrs Glaze were also talking about them. Jane had thanked her for bringing in the coffee and biscuits at such an opportune time and for providing the clean towel.

'Oh, madam,' said Mrs Glaze, 'but I couldn't find a new tablet of soap.'

'Wasn't there any in the cloakroom?'

'Only the animals, madam.'

'Well, I believe it's quite good soap. I expect the Canon would enjoy using them. Men are such children in many ways.' Though perhaps not all in the same way, Jane thought. He may have regarded them as some dangerous form of idolatry.

'I was hoping he might think they belonged to Miss Flora,' said Mrs Glaze.

'Yes, he might have thought that. After all she is still a child, really.' And yet even she was old enough to enjoy doing Milton with Lord Edgar Ravenswood and to fall in love with a young man called Paul who was reading Geography. Could children do these things?

Nicholas appeared just before lunch and Jane told him of her eventful morning. They had a good laugh about the soap animals.

'I wonder if he will tell the Bishop,' said Nicholas.

'It would be rather ominous if he kept it to himself,' said Jane; 'it would seem as if he considered it rather important, not a matter for joking.'

28 October 2008

from Going Solo, 'The Voyage Out' (Roald Dahl)

Dressing? Oh yes, indeed. We all dressed for dinner every single evening on board that ship. The male species of the Empire-builder, whether he is camping in the jungle or is at sea in a rowing-boat, always dresses for dinner, and by that I mean white shirt, black tie, dinner-jacket, black trousers and black patent-leather shoes, the full regalia, and to hell with the climate.