Cookies (Arnold Lobel)

Toad baked some cookies.
“These cookies smell very good,”
said Toad.
He ate one.
“And they taste even better,” he said. 
Toad ran to Frog’s house. 
“Frog, Frog,” cried Toad, 
 “taste these cookies
that I have made.”

Frog ate one of the cookies.
“These are the best cookies
I have ever eaten!” said Frog.

Frog and Toad ate many cookies,
one after another. 
“You know, Toad,” said Frog,
with his mouth full,
“I think we should stop eating.
We will soon be sick.”

“You are right,” said Toad.
“Let us eat one last cookie,
and then we will stop.”
Frog and Toad ate
one last cookie.
There were many cookies
left in the bowl.
“Frog,” said Toad,
“let us eat one very last cookie,
and then we will stop.”
Frog and Toad
ate one very last cookie. 

“We must stop eating!” cried Toad
as he ate another.
“Yes,” said Frog, 
reaching for a cookie, 
“we need will power.”
“What is will power?” asked Toad.

“Will power is trying hard
not to do something 
that you really want to do,”
said Frog.
“You mean like trying hard not 
to eat all of these cookies?”
asked Toad.
“Right,” said Frog.

Frog put the cookies in a box.
“There,” he said.
“Now we will not eat
any more cookies.”
“But we can open the box,”
said Toad.
“That is true,” said Frog.

Frog tied some string
around the box.
“There,” he said.
“Now we will not eat
any more cookies.”
“But we can cut the string
and open the box,” said Toad.
“That is true,” said Frog.

Frog got a ladder.
He put the box up on a high shelf.
“There,” said Frog.
“Now we will not eat
any more cookies.”

“But we can climb the ladder
and take the box
down from the shelf
and cut the string
and open the box,”
said Toad.
“That is true,” said Frog.
Frog climbed the ladder
and took the box
down from the shelf.
He cut the string
and opened the box.

Frog took the box outside.
He shouted in a loud voice.
“HEY BIRDS,
HERE ARE COOKIES!” 
Birds came from everywhere.
They picked up all the cookies 
in their beaks and flew away.
“Now we have no more cookies to eat,”
said Toad sadly.
“Not even one.”

“Yes,” said Frog,
“but we have lots and lots 
of will power.”
“You may keep it all, Frog,”
said Toad. 
“I am going home now 
to bake a cake.”

from The Pursuit of Love (Nancy Mitford)

But Christian's politics did not bore her. As they walked back from his father's house
that evening he had taken her for a tour of the world. He showed her Fascism in Italy, Nazism in Germany, civil war in Spain, inadequate Socialism in France, tyranny in Africa, starvation in Asia,  reaction in America and Right-wing blight in England. Only the U.S.S.R., Norway and Mexico came in for a modicum of praise.

-

Feeling provincial, up in London for the day and determined to see a little life, I made Davey give me luncheon at the Ritz. This had a still further depressing effect on my spirits. My clothes, so nice and suitable for the George, so much admired by the other dons' wives ('My dear, where did you get that lovely tweed?') , were, I now realized, almost bizarre in their dowdiness; it was the floating panels of taffeta all over again. I thought of those dear little black children, three of them now, in their nursery at home, and of dear Alfred in his study, but just for the moment this thought was no consolation. I passionately longed to have a tiny fur hat, or a tiny ostrich hat, like the two ladies at the next table. I longed for a neat black dress, diamond clips and a dark mink coat, shoes like surgical boots, long crinkly black suède gloves, and smooth polished hair. When I tried to explain all this to Davey, he remarked absentmindedly: 

'Oh, but it doesn’t matter a bit for you, Fanny, and, after all, how can you have time for les petits soins de la personne with so many other, more important things to think of.'

I suppose he thought this would cheer me up.

from The Family From One End Street, chapter I, The Christenings (Eve Garnett)

Twin boys came next, and Mr. Ruggles, who had called at the Vicarage to ask for kind assistance in clothing his sons, only one having been expected, spent the Sunday after their arrival in church.  This was partly in order to be out of the way of the fuss at home which the twins' arrival had caused, and partly as a kind of compliment to the Vicar's wife who had been so obliging in the matter of extra baby clothes.  For Mr. Ruggles was not an ardent church goer, and it had crossed his mind on the Vicarage door-step that his last attendance had been the Harvest Festival held several months previously.

Although he knelt, stood, and sat down with the congregation, Mr. Ruggles found it hard to keep his attention on the service, for his mind was busy with many things.  At the present moment the Twins filled most of it, but one corner, his gardening corner, was very much occupied with the progress of his spring vegetables and how it was that Mr. Hook at No. 2 One End Street was so much farther on with his leeks and carrots.  Then there was the problem of whether one or two more hens could be squeezed into the soap-box.  If the family was going to increase at the present rate, thought Mr. Ruggles, the more he could produce in the food line at home the better.  And then, always, of course, there was the Question of the Pig.  Here Jo gave himself up to a few moments happy dreaming ... Surely, in that corner between the hen-box and the little tool-shed, there was room enough for a small sty; he could take in a bit of the flower border and Rosie could have her clothes line a few inches shorter - come to that, he might even pull down the tool-shed altogether and keep his tools in the kitchen, though no doubt Rosie would object.  Anyway, with twins in the house, it was high time the Pig Question was really considered seriously.   There was a fleeting vision of the Sanitary Inspector, but it was of the briefest, and as the congregation sat down for the Second Lesson, hens, vegetables, and twins once more filled Mr. Ruggles' mind.

'Now the names of the twelve apostles are these,' read the Vicar.

Jo pricked up his ears.  Names.  There was another problem.  Rosie had been very quiet about names this time.  He'd said nothing himself, but he was sure she'd something up her sleeve - he believed she'd never quite forgiven him over that Carnation business and Kate.  It looked as if he ought to let her have some say in the matter this time, but, really, he drew the line at fancy and flowery names for boys,  and they would be fancy or flowery if Rosie had a hand in it he was sure.

'Simon who is called Peter and Andrew his brother,' read the Vicar, 'James the son of Zebedee and John his brother, Philip and Bartholomew, Thomas and Matthew ...'

'Seem to go in pairs-like,' said Jo to himself.  It seemed encouraging.  'Better pick two of these and get it over,' he thought, but the Vicar was reading on, and the next thing Jo caught was about a workman being worthy of his meat and that, too, he felt, was singularly appropriate and hoped his Sunday dinner would be a good one!  Then, as if an idea had suddenly struck him, he seized a prayer book from the ledge in front of him, and, after wetting his finger and rustling many pages found the place he wanted, he pulled a stub of pencil from his pocket, held it poised over the list of the apostles, shut his eyes and brought it down 'plop!'  James and John.  Jo breathed a sigh of relief - he'd been very afraid of Philip and Bartholomew - especially Bartholomew.  'That decides it,' he muttered, and Mrs. Chips, the grocer's wife, sitting resplendent in sapphire blue velvet in the farthest corner of the pew so that no one by any possible chance should think they were friends (so great is the gulf between grocery and scavenging), turned a stern and reproving eye on him.  But Mr. Ruggles was oblivious; a problem was solved, and his mind made up for him - a labour-saving device he much appreciated.  The Twins' names were settled, and he would slip round to the vestry immediately after the service and arrange for the christening.

The King's Breakfast (A.A. Milne)

The King asked
The Queen, and
The Queen asked
The Dairymaid:
'Could we have some butter for
The Royal slice of bread?'
The Queen asked
The Dairymaid,
The Dairymaid
Said, 'Certainly,
I'll go and tell the cow
Now
Before she goes to bed.'

The Dairymaid
She curtsied,
And went and told
The Alderney:
'Don't forget the butter for
The Royal slice of bread.'
The Alderney
Said sleepily:
'You'd better tell
His Majesty
That many people nowadays
Like marmalade
Instead.'

The Dairymaid
Said 'Fancy!'
And went to
Her Majesty.
She curtsied to the Queen, and
She turned a little red:
'Excuse me,
Your Majesty,
For taking of
The liberty,
But marmalade is tasty, if
It's very
Thickly
Spread.'

The Queen said
'Oh!'
And went to
His Majesty:
'Talking of the butter for
The Royal slice of bread,
Many people
Think that
Marmalade
Is nicer.
Would you like to try a little
Marmalade
Instead?'

The King said,
'Bother!'
And then he said,
'Oh, deary me!'
The King sobbed, 'Oh, deary me!'
And went back to bed.
'Nobody,'
He whimpered,
'Could call me
A fussy man;
I only want
A little bit
Of butter for
My bread!'

The Queen said,
'There, there!'
And went to
The Dairymaid.
The Dairymaid
Said,
'There, there!'
And went to the shed.
The cow said,
'There, there!
I didn't really
Mean it;
Here's milk for his porringer,
And butter for his bread.'

The Queen took
The butter
And brought it to
His Majesty;
The King said,
'Butter, eh?'
And bounced out of bed.
'Nobody,' he said,
As he kissed her
Tenderly,
'Nobody,' he said,
As he slid down
The banisters,
'Nobody,
My darling,
Could call me
A fussy man -
BUT
I do like a little bit of butter to my bread!'

Bright College Days (Tom Lehrer)

Bright college days, oh carefree days that fly, 
To thee we sing with our glasses raised on high.
Let's drink a toast as each of us recalls
Ivy-covered professors in ivy-covered halls.

Turn on the spigot,
Pour the beer and swig it,
And gaudeamus igit-uh-tur!

Here's to parties we tossed,
To the games that we lost
(We shall claim that we won them some day),

To the girls young and sweet,
To the spacious back seat
Of our roommate's beat up Chevrolet,

To the beer and benzedrine,
To the way that the dean
Tried so hard to be pals with us all,

To excuses we fibbed,
To the papers we cribbed
From the genius who lived down the hall,

To the tables down at Morey's
(Wherever that may be) -
Let us drink a toast to all we love the best.
We will sleep through all the lectures
And cheat on the exams,
And we'll pass, and be forgotten with the rest.

Oh,
Soon we'll be out amid the cold world's strife,
Soon we'll be sliding down the razor blade of life ...

But as we go our sordid sep'rate ways,
We shall ne'er forget thee, thou golden college days.

Hearts full of youth!
Hearts full of truth!
Six parts gin to one part vermouth!

from My Ántonia, book III, Lena Lingard, chapter II

I propped my book open and stared listlessly at the page of the 'Georgics' where to-morrow's lesson began. It opened with the melancholy reflection that, in the lives of mortals, the best days are the first to flee. 'Optima dies . . . prima fugit.' I turned back to the beginning of the third book, which we had read in class that morning. 'Primus ego in patriam mecum . . . deducam Musas'; 'for I shall be the first, if I live, to bring the Muse into my country.' Cleric had explained to us that 'patria' here meant, not a nation or even a province, but the little rural neighbourhood on the Mincio where the poet was born. This was not a boast, but a hope, at once bold and devoutly humble, that he might bring the Muse (but lately come to Italy from her cloudy Grecian mountains), not to the capital, the palatia Romana, but to his own little 'country'; to his father's fields, 'sloping down to the river and to the old beech trees with broken tops.'

Cleric said he thought Virgil, when he was dying at Brindisi, must have remembered that passage. After he had faced the bitter fact that he was to leave the 'Aeneid' unfinished, and had decreed that the great canvas, crowded with figures of gods and men, should be burned rather than survive him unperfected, then his mind must have gone back to the perfect utterance of the 'Georgics,' where the pen was fitted to the matter as the plough is to the furrow; and he must have said to himself, with the thankfulness of a good man, 'I was the first to bring the Muse into my country.'

We left the classroom quietly, conscious that we had been brushed by the wing of a great feeling, though perhaps I alone knew Cleric intimately enough to guess what that feeling was.  In the evening, as I sat staring at my book, the fervour of his voice stirred through the quantities on the page before  me. I was wondering whether that particular rocky strip of New England coast about which he had so often told me was Cleric's patria.  Before I had got far with my reading, I was disturbed by a knock. I hurried to the door and when I opened it saw a woman standing in the dark hall.

from The Sea, The Sea, History, chapter 3 (Iris Murdoch)

'We are such inward secret creatures, that inwardness is the most amazing thing about us, even more amazing than our reason.  But we cannot just walk into the cavern and look around.  Most of what we think we know about our minds is pseudo-knowledge.  We are all such shocking poseurs, so good at inflating the importance of what we think we value.  The heroes at Troy fought for a phantom Helen, according to Stesichorus.   Vain wars for phantom goods.  I hope you will allow yourself plenty of reflections on human vanity.  People lie so, even we old men do.  Though in a way, if there is art enough it doesn't matter, since there is another kind of truth in the art.  Proust is our authority on French aristocrats.  Who cares what they were really like?  What does it mean even?'

'I should say it meant something simple and obvious, but then I am no philosopher!  And I should say that it mattered too.  It matters to the historian, it even mattters to the critic.'  Nor did I care for 'we old men'.  Speak for yourself, cousin.

'Does it signify what really happened to Lawrence at Déraa?  If even a dog's tooth is truly worshipped it glows with light.  The venerated object is endowed with power, that is the simple sense of the ontological proof.  And if there is art enough a lie can enlighten us as well as the truth.  What is the truth anyway, that truth?  As we know ourselves we are fake objects, fakes, bundles of illusions.  Can you determine exactly what you felt or thought or did?  We have to pretend in law courts that such things can be done, but that is just a matter of convenience.  Well, well, it doesn't signify.  I must come and see your seaside house and your birds.  Are there gannets?'

from The Young Visiters, chapter 9, A Proposale (Daisy Ashford)

Next morning while imbibing his morning tea beneath his pink silken quilt Bernard decided he must marry Ethel with no more delay. I love the girl he said to himself and she must be mine but I somehow feel I can not propose in London it would not be seemly in the city of London. We must go for a day in the country and when surrounded by the gay twittering of the birds and the smell of the cows I will lay my suit at her feet and he waved his arm wildly at the gay thought. Then he sprang from bed and gave a rat tat at Ethels door.
Are you up my dear he called.

Well not quite said Ethel hastilly jumping from her downy nest.

Be quick cried Bernard I have a plan to spend a day near Windsor Castle and we will take our lunch and spend a happy day.

Oh Hurrah shouted Ethel I shall soon be ready as I had my bath last night so wont wash very much now.

No dont said Bernard and added in a rarther fervent tone through the chink of the door you are fresher than the rose my dear no soap could make you fairer.

Then he dashed off very embarrased to dress. Ethel blushed and felt a bit excited as she heard the words and she put on a new white muslin dress in a fit of high spirits. She looked very beautifull with some red roses in her hat and the dainty red ruge in her cheeks looked quite the thing. Bernard heaved a sigh and his eyes flashed as he beheld her and Ethel thorght to herself what a fine type of manhood he reprisented with his nice thin legs in pale broun trousers and well fitting spats and a red rose in his button hole and rarther a sporting cap which gave him a great air with its quaint check and little flaps to pull down if necesarry. Off they started the envy of all the waiters.

They arrived at Windsor very hot from the jorney and Bernard at once hired a boat to row his beloved up the river. Ethel could not row but she much enjoyed seeing the tough sunburnt arms of Bernard tugging at the oars as she lay among the rich cushons of the dainty boat. She had a rarther lazy nature but Bernard did not know of this. However he soon got dog tired and sugested lunch by the mossy bank.

Oh yes said Ethel quickly opening the sparkling champaigne.

Dont spill any cried Bernard as he carved some chicken.

They eat and drank deeply of the charming viands ending up with merangs and choclates.

Let us now bask under the spreading trees said Bernard in a passiunate tone.

Oh yes lets said Ethel and she opened her dainty parasole and sank down upon the long green grass. She closed her eyes but she was far from asleep. Bernard sat beside her in profound silence gazing at her pink face and long wavy eye lashes. He puffed at his pipe for some moments while the larks gaily caroled in the blue sky. Then he edged a trifle closer to Ethels form.

Ethel he murmured in a trembly voice.

Oh what is it said Ethel hastily sitting up.

Words fail me ejaculated Bernard horsly my passion for you is intense he added fervently. It has grown day and night since I first beheld you.

Oh said Ethel in supprise I am not prepared for this and she lent back against the trunk of the tree.

Bernard placed one arm tightly round her. When will you marry me Ethel he uttered you must be my wife it has come to that I love you so intensly that if you say no I shall perforce dash my body to the brink of yon muddy river he panted wildly.

Oh dont do that implored Ethel breathing rarther hard.

Then say you love me he cried.

Oh Bernard she sighed fervently I certinly love you madly you are to me like a Heathen god she cried looking at his manly form and handsome flashing face I will indeed marry you.

How soon gasped Bernard gazing at her intensly.

As soon as possible said Ethel gently closing her eyes.

My Darling whispered Bernard and he seiezed her in his arms we will be marrid next week.

Oh Bernard muttered Ethel this is so sudden.

No no cried Bernard and taking the bull by both horns he kissed her violently on her dainty face. My bride to be he murmered several times.

Ethel trembled with joy as she heard the mistick words.

Oh Bernard she said little did I ever dream of such as this and she suddenly fainted into his out stretched arms.

Oh I say gasped Bernard and laying the dainty burden on the grass he dashed to the waters edge and got a cup full of the fragrant river to pour on his true loves pallid brow.

She soon came to and looked up with a sickly smile Take me back to the Gaierty hotel she whispered faintly.

With plesure my darling said Bernard I will just pack up our viands ere I unloose the boat.

Ethel felt better after a few drops of champagne and began to tidy her hair while Bernard packed the remains of the food. Then arm in arm they tottered to the boat.

I trust you have not got an illness my darling murmured Bernard as he helped her in.

Oh no I am very strong said Ethel I fainted from joy she added to explain matters.

Oh I see said Bernard handing her a cushon well some people do he added kindly and so saying they rowed down the dark stream now flowing silently beneath a golden moon. All was silent as the lovers glided home with joy in their hearts and radiunce on their faces only the sound of the mystearious water lapping against the frail vessel broke the monotony of the night.

So I will end my chapter.

from Clover, chapter VII, Making Acquaintance (Susan Coolidge)

The sun was very hot; but there was a delicious breeze, and the dryness and elasticity of the air made the heat easy to bear.

The way lay across and down the southern slope of the plateau on which the town was built. Then they came to splendid fields of grain and 'afalfa, - a cereal quite new to them, with broad, very green leaves. The roadside was gay with flowers, - gillias and mountain balm; high pink and purple spikes, like foxgloves, which they were told were pentstemons; painters' brush, whose green tips seemed dipped in liquid vermilion, and masses of the splendid wild poppies. They crossed a foaming little river; and a sharp turn brought them into a narrower and wilder road, which ran straight toward the mountain side. This was overhung by trees, whose shade was grateful after the hot sun.

Narrower and narrower grew the road, more and more sharp the turns. They were at the entrance of a deep defile, up which the road wound and wound, following the links of the river, which they crossed and recrossed repeatedly. Such a wonderful and perfect little river, with water clear as air and cold as ice, flowing over a bed of smooth granite, here slipping noiselessly down long slopes of rock like thin films of glass, there deepening into pools of translucent blue-green like aqua-marine or beryl, again plunging down in mimic waterfalls, a sheet of iridescent foam. The sound of its rush and its ripple was like a laugh. Never was such happy water, Clover thought, as it curved and bent and swayed this way and that on its downward course as if moved by some merry, capricious instinct, like a child dancing as it goes. Regiments or great ferns grew along its banks, and immense thickets of wild roses of all shades, from deep Jacqueminot red to pale blush-white. Here and there rose a lonely spike of yucca, and in the little ravines to right and left grew in the crevices of the rocks clumps of superb straw-colored columbines four feet high.

Looking up, Clover saw above the tree-tops strange pinnacles and spires and obelisks which seemed air-hung, of purple-red and orange-tawny and pale pinkish gray and terra cotta, in which the sunshine and the cloud-shadows broke in a multiplicity of wonderful half-tints. Above them was the dazzling blue of the Colorado sky. She drew a long, long breath.

'So this is a canyon,' she said. 'How glad I am that I have lived to see one.'

from The Human Not-Quite-Human (Dorothy L. Sayers)

Perhaps it is no wonder that the women were first at the Cradle and last at the Cross. They had never known a man like this Man - there never has been such another. A prophet and teacher who never nagged at them, never flattered or coaxed or patronised; who never made arch jokes about them, never treated them either as 'The women, God help us!' or 'The ladies, God bless them!'; who rebuked without querulousness and praised without condescension; who took their questions and arguments seriously; who never mapped out their sphere for them, never urged them to be feminine or jeered at them for being female; who had no axe to grind and no uneasy male dignity to defend; who took them as he found them and was completely unself-conscious. There is no act, no sermon, no parable in the whole Gospel that borrows its pungency from female perversity; nobody could possibly guess from the words and deeds of Jesus that there was anything 'funny' about woman's nature.

from Confusion (Elizabeth Jane Howard)

She had thought that a weight would be lifted once she had got into the train with the visit behind her, but the pall of boredom and irritation was quenched now only by guilt, as she thought of all the ways in which she might have given her mother more pleasure, been kinder, nicer, more patient.  Why was it that, in spite of all these years during which she felt that she had grown from being a spoiled and selfish girl into a thoroughly grown-up wife and mother and reponsible member of a large family, she had only to be with her mother for a few minutes to revert to her earlier, disagreeable self?  It was her behaviour, after all, that made her mother so timid and conciliatory, made her, in fact, everything that she, Zoë, found most exasperating.

from 'On the art of conversation' (Michel de Montaigne)

Meanwhile nothing in stupidity irritates me more than its being much more pleased with itself than any reasonableness could reasonably be.  It is a disaster that wisdom forbids you to be satisfied with yourself and always sends you away dissatisfied and fearful, whereas stubbornness and foolhardiness fill their hosts with joy and assurance.  It is the least clever of men who look down on others over their shoulders, always returning from the fray full of glory and joyfulness.  And as often as not their haughty language and their happy faces win them victory in the eyes of the bystanders who are generally feeble in judging and incapable of discerning real superiority.  The surest proof of animal-stupidity is ardent obstinacy of opinion.  Is there anything more certain, decided, disdainful, contemplative, grave and serious, than a donkey?

God's Grandeur (Gerard Manley Hopkins)

The world is charged with the grandeur of God.
  It will flame out, like shining from shook foil;
  It gathers to a greatness, like the ooze of oil
Crushed. Why do men then now not reck his rod?
Generations have trod, have trod, have trod;
  And all is seared with trade; bleared, smeared with toil;
  And wears man's smudge and shares man's smell: the soil
Is bare now, nor can foot feel, being shod.

And for all this, nature is never spent;
  There lives the dearest freshness deep down things;
And though the last lights off the black West went
  Oh, morning, at the brown brink eastward, springs -
Because the Holy Ghost over the bent
  World broods with warm breast and with ah! bright wings.

In Memoriam A.H.H. CVI (Alfred, Lord Tennyson)

Ring out, wild bells, to the wild sky,
  The flying cloud, the frosty light:
  The year is dying in the night;
Ring out, wild bells, and let him die.

Ring out the old, ring in the new,
  Ring, happy bells, across the snow:
  The year is going, let him go;
Ring out the false, ring in the true.

Ring out the grief that saps the mind
  For those that here we see no more;
  Ring out the feud of rich and poor,
Ring in redress to all mankind.

Ring out a slowly dying cause,
  And ancient forms of party strife;
  Ring in the nobler modes of life,
With sweeter manners, purer laws.

Ring out the want, the care, the sin,
  The faithless coldness of the times;
  Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.

Ring out false pride in place and blood,
  The civic slander and the spite;
  Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease;
  Ring out the narrowing lust of gold;
  Ring out the thousand wars of old,
Ring in the thousand years of peace.

Ring in the valiant man and free,
  The larger heart, the kindlier hand;
  Ring out the darkness of the land,
Ring in the Christ that is to be.

from De Amicitia, sections 87-8 (Cicero)

quin etiam si quis asperitate ea est et immanitate naturae, congressus ut hominum fugiat atque oderit, qualem fuisse Athenis Timonem nescio quem accepimus, tamen is pati non possit, ut non anquirat aliquem, apud quem evomat virus acerbitatis suae. atque hoc maxime iudicaretur, si quid tale possit contingere, ut aliquis nos deus ex hac hominum frequentia tolleret et in solitudine uspiam collocaret atque ibi suppeditans omnium rerum quas natura desiderat, abundantiam et copiam, hominis omnino aspiciendi potestatem eriperet - quis tam esset ferreus qui eam vitam ferre posset cuique non auferret fructum voluptatum omnium solitudo? verum ergo illud est, quod a Tarentino Archyta, ut opinor, dici solitum nostros senes commemorare audivi ab aliis senibus auditum: si quis in caelum ascendisset naturamque mundi et pulchritudinem siderum perspexisset, insuavem illam admirationem ei fore, quae iucundissima fuisset, si aliquem cui narraret habuisset. sic natura solitarium nihil amat semperque ad aliquod tamquam adminiculum adnititur, quod in amicissimo quoque dulcissimum est.

No, even if anyone were of a nature so harsh and monstrous as to shun and loathe human society - such, for example, as we hear that a certain Timon of Athens once was - yet even such a person could not avoid seeking out someone in whose direction he might pour out the venom of his embittered soul. And this might best be judged if something like this could happen: suppose that a god were to remove us from this human world and put us in some solitary place, and, while providing us there in abundance and plenty with all the material things our nature desires, were to take from us altogether the ability to see any other person - who would be so iron-hearted as to be able to endure that sort of a life? And who is there from whom solitude would not take away the enjoyment of every pleasure? It is certainly true, therefore, what Archytas of Tarentum (I think it was) famously said, something which I have heard repeated by our old men who in their turn heard it from their elders. I mean when he said, 'If someone were to  ascend  into heaven and gaze upon the whole workings of the universe and the beauty of the stars, the marvellous sight would give him no joy if he had to keep it to himself.  And yet, if only there had been someone to describe the spectacle to, it would have filled him with delight.'  Nature therefore, abhors solitude, and always strives for some sort of support; and the best support is a really dear friend.

from High Rising (Angela Thirkell)

When the party got to Low Rising, they found George Knox at work in the garden.  George, whose dramatic sense was not one of the least factors in the success of his biographies, liked to dress his part, and at the moment was actively featuring Popular Writer Enjoys Hard Work in Garden of his Sixteenth-Century Manor House.  He had perhaps a little overdone the idea, being dressed in bright brown plus-fours, a gigantic pair of what looked like decayed football boots, a very dirty and worn high-necked sweater, and a tweed shooting coast with its buttons and pockets flapping.  Large as George Knox was at any time, this wilful collection of odd clothes made him loom incredibly.  From his seven-league boots the eye travelled upwards to the vast width of his plus-fours, to the huge girth of thick jacket over thick sweater, only to find, with a start of surprise, that his large face, with its knobbly forehead and domed and rather bald scalp, completely dwarfed the rest of him.  He had decided to devote that afternoon to heavy digging, and was excavating, unscientifically and laboriously, a piece of the kitchen garden.  The sky was coldly pink in the west where the winter sun was setting behind mists, George Knox's bare-branched trees made a delicate pattern against the sunset flush, George Knox's smoke from the chimneys of his Lovely Sixteenth-Century Manor House was going straight up into the air, a light or two shone golden in George Knox's windows, his feet were clogged with damp earth, his hands were very dirty, and a robin was watching him dig.

'It couldn't have been better arranged, George,' said Laura as she approached.  'Perfect setting for author, down to the robin.  I shall have to write a book about the lovely vendeuse who marries the strong, noble son of the soil, and use you as a model.'

On hearing this, the robin flew away.

George Knox stuck his spade into the earth, straightened up painfully, in the manner of one who has been devoted to life-long toil in the agricultural line, and mopped his brow with a large red handkerchief with white spots.

'That's the worst of the country,' he remarked.  'Lady authors coming round unasked, frightening away one's little feathered friends.  Who frightened Cock Robin?  I, said the Laura, with my feminine aura.  Laura, dear, I cannot offer you my hand as it is all earth, but you are as welcome as ever.'

'This is Mr Knox, Amy,' said Laura, exhibiting George to her friends with some pride.  'And this, George, if you will stop rubbing mould into your eyes with that preposterous handkerchief, is Mrs Birkett, whose husband keeps Dotheboys Hall and breaks Tony's spirit.'

'If I am to take your statement as one and indivisible, Laura, it is a lie, because no power on earth, nor indeed any demons under the sea, could ever dissever Tony from his profound self-satisfaction.  But if I may separate your sentence into its component parts, I am more than willing to believe that this is Mrs Birkett, whose acquaintance I am honoured and delighted to make, and who, or whom, I look forward to shaking hands with when I have cleaned up a bit.'

'I'm so glad you get mixed about that "who", George.  It is the death of me.  That, and commas, are the bane of my life.  The only way one can really express what one wants to say is by underlining every other word four times, like Queen Victoria, and that appears to be bad taste now.  What are you digging, George?'

'Earth?'

'Yes, but I mean what?  Potatoes, or bulbs, or asparagus beds?' asked Laura, who cared little about gardening and knew less.

George Knox looked guiltily round.

'The gardener has gone over to Stoke Dry to fetch a parcel from the station, so I thought I would dig for exercise while his back was turned.  He doesn't like me in his garden when he is here.  I dug up a lot of things that smelled like onions.  Come into the house and we'll find Sibyl.'

'Probably it was onions,' said Laura, as they went into the sitting-room, 'or else leeks.  You can send me some on St David's Day, and I'll wear them in my bonnet.'

'Are you Welsh, then?' asked Amy Birkett.

'Oh, no, but its's nice to wear things on the right day.  Only the right day - yes, Tony, take Sylvia and go and find Sibyl, only keep Sylvia on the lead in case Sibyl's dogs jump at her.'

'Oh, Mother, Sibyl's dogs wouldn't jump at Sylvia.  Dogs always know a friendly dog, Mother.  They are marvellous.  It's a kind of instinct.  Mrs Birkett, did you know about instinct?  Mr Ferris told us about it in maths, one day.'

'But why in maths, Tony?  Is instinct a kind of algebra?'

'No, no, but Mr Ferris is very sensible and tells us all sorts of things in the maths period.  His father used to be a doctor in the country, and when the sheep were all buried in snow in the winter, the dogs had an instinct to find them and they leaped on their backs and licked the snow off them.'

'But where does Mr Ferris's father come in?' asked George Knox, slightly bewildered.

'He doesn't come in, sir, it was the dogs,' said Tony pityingly.  'They have a marvellous instinct -'

His mother gently pushed him and Sylvia out of the room, and returned to her seat, remarking placidly:

'As I was saying,  and I am going to say it, because it is too interesting to lose, the right day and the right flower never seem to come together.  One can't possibly expect roses to be out on St George's Day, at least not if St George's Day comes on the twenty-third of April.  Unless, of course, in Shakespeare's time April was much later on account of Old Style, or people had hothouses, which we never hear of.'

'Where does Shakespeare come in?' asked Amy, as bewildered by the introduction of the bard as George had previously been by Mr Ferris's father.

'Well, Shakespeare's birthday was St George's Day, so it all somehow goes together.  And as for St Patrick's Day, shamrock may be in season then, I don't know, not in Ulster, I suppose, but anyway in the Irish Free State, but one can't tell, because what they sell in the streets looks like compressed mustard and cress.  Luckily one doesn't have to wear thistles for St Andrew, and as for St David -'

But here George Knox, who had been simmering with a desire to talk for some time past, took the floor, drowing Laura's gentle voice entirely.

'St David, dear Mrs Birkett,' he began, 'had no nonsense about him, and knew that a leek was about all his countrymen were fit for.  I do not offend you, I trust, in saying this.  I would quarrel with no one for being Welsh, as I, thank God, am French and Irish by descent, and am far removed from petty racial feelings, but for a nation who are, or who is - damn those pronouns, Laura - time-serving, sycophantic, art nouveau, horticultural and despicable enough to try to change the leek to a daffodil, words fail me to express my contempt.  You were alluding just now to Shakespeare's birthday, my dear Laura.  What would Shakespeare have thought if Burbage had proposed to substitute a daffodil for a leek in Henry the Fifth?  Where, Mrs Birkett, would be Fluellen and Pistol?  The whole point of that scene would be lost - lost, I say,' he repeated, glaring affectionately at Sibyl who came in with Tony.  'As well might you have substituted the leek for the daffodil in the Winter's Tale.  Imagine Shakespeare writing that leeks come before the swallow comes - except, of course, when you are eating them - or take the winds of March; for though doubtless they may by the calendar, though on that point I profess no special knowledge, poetically it is impossible.  No, dear ladies, the Welsh are utterly and eternally damned for this denial, worse than whoever's it was in Dante, of their national emblem.'

--

Saturday morning dawned fair and bright.  The sun shone, the cuckoo bellowed from a copse hard by, other birds less easy to recognise made suitable bird noises.  In the little wood primroses grew in vulgar profusion, a drift of blue mist showed that bluebells were on the way, glades were still white with wind-flowers.  All the trees that come out early were brilliant green, while those that come out later were, not unnaturally, still brown, thus forming an agreeable contrast.  A stream bordered with kingcups made a gentle bubbling noise like sausages in a frying-pan.  Nature, in fact, was as it; and when she chooses, Nature can do it.

from 'Boys' Weeklies' (George Orwell)

The working classes only enter into the Gem and Magnet as comics or semi-villains (race-course touts etc.). As for class-friction, trade unionism, strikes, slumps, unemployment, Fascism and civil war - not a mention. Somewhere or other in the thirty years' issue of the two papers you might perhaps find the word ‘Socialism’, but you would have to look a long time for it. If the Russian Revolution is anywhere referred to, it will be indirectly, in the word ‘Bolshy’ (meaning a person of violent disagreeable habits). Hitler and the Nazis are just beginning to make their appearance, in the sort of reference I quoted above. The war-crisis of September 1938 made just enough impression to produce a story in which Mr Vernon-Smith, the Bounder's millionaire father, cashed in on the general panic by buying up country houses in order to sell them to ‘crisis scuttlers’. But that is probably as near to noticing the European situation as the Gem and Magnet will come, until the war actually starts. That does not mean that these papers are unpatriotic - quite the contrary! Throughout the Great War the Gem and Magnet were perhaps the most consistently and cheerfully patriotic papers in England. Almost every week the boys caught a spy or pushed a conchy into the army, and during the rationing period ‘EAT LESS BREAD’ was printed in large type on every page. But their patriotism has nothing whatever to do with power politics or ‘ideological’ warfare. It is more akin to family loyalty, and actually it gives one a valuable clue to the attitude of ordinary people, especially the huge untouched block of the middle class and the better-off working class. These people are patriotic to the middle of their bones, but they do not feel that what happens in foreign countries is any of their business. When England is in danger they rally to its defence as a matter of course, but in between times they are not interested. After all, England is always in the right and England always wins, so why worry? It is an attitude that has been shaken during the past twenty years, but not so deeply as is sometimes supposed. Failure to understand it is one of the reasons why left-wing political parties are seldom able to produce an acceptable foreign policy.

Dover Beach (Matthew Arnold)

The sea is calm tonight.
The tide is full, the moon lies fair
Upon the straits; on the French coast the light
Gleams and is gone; the cliffs of England stand,
Glimmering and vast, out in the tranquil bay.
Come to the window, sweet is the night-air!
Only, from the long line of spray
Where the sea meets the moon-blanched land,
Listen! you hear the grating roar
Of pebbles which the waves draw back, and fling,
At their return, up the high strand,
Begin, and cease, and then again begin,
With tremulous cadence slow, and bring
The eternal note of sadness in. 

Sophocles long ago
Heard it on the Ægean, and it brought
Into his mind the turbid ebb and flow
Of human misery; we
Find also in the sound a thought,
Hearing it by this distant northern sea. 

The Sea of Faith
Was once, too, at the full, and round earth’s shore
Lay like the folds of a bright girdle furled.
But now I only hear
Its melancholy, long, withdrawing roar,
Retreating, to the breath
Of the night-wind, down the vast edges drear
And naked shingles of the world. 

Ah, love, let us be true
To one another! for the world, which seems
To lie before us like a land of dreams,
So various, so beautiful, so new,
Hath really neither joy, nor love, nor light,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight,
Where ignorant armies clash by night.

The Children's Song from Puck of Pook's Hill (Rudyard Kipling)

Land of our birth, we pledge to thee
Our love and toil in the years to be;
When we are grown and take our place
As men and women with our race.

Father in Heaven Who lovest all,
Oh, help thy children when they call;
That they may build from age to age
An undefiled heritage.

Teach us to bear the yoke in youth,
With steadfastness and careful truth;
That, in our time, Thy Grace may give
The Truth whereby the Nations live.

Teach us to rule ourselves alway,
Controlled and cleanly night and day;
That we may bring, if need arise,
No maimed or worthless sacrifice.

Teach us to look in all our ends,
On Thee for Judge, and not our friends;
That we, with Thee, may walk uncowed
By fear or favour of the crowd.

Teach us the Strength that cannot seek,
By deed or thought, to hurt the weak,
That, under Thee, we may possess
Man's strength to comfort man's distress.

Teach us Delight in simple things,
And Mirth that has no bitter springs;
Forgiveness free of evil done,
And Love to all men 'neath the sun!

Land of our Birth, our faith, our pride,
For whose dear sake our fathers died;
O Motherland, we pledge to thee
Head, heart and hand through the years to be!

Grace (Robert Herrick)

What God gives, and what we take,
'Tis a gift for Christ His sake:
Be the meale of Beanes and Pease,
God be thank'd for those, and these:
Have we flesh, or have we fish,
All are Fragments from His dish.
He His Church save, and the King,
And our Peace here, like a Spring,
Make it ever flourishing.

O filii et filiae (Jean Tisserand et al., trans. J.M. Neale and compilers of Hymns Ancient and Modern)

Alleluia, Alleluia, Alleluia.

O filii et filiae,
Rex caelestis, Rex gloriae
morte surrexit hodie.

Alleluia.

Ex mane prima Sabbati
ad ostium monumenti
accesserunt discipuli.

Alleluia.

Et Maria Magdalene,
et Iacobi, et Salome
venerunt corpus ungere.

Alleluia.

In albis sedens angelus
praedixit mulieribus:
In Galilaea est Dominus.

Alleluia.

Et Ioannes apostolus
cucurrit Petro citius,
monumento venit prius.

Alleluia.

Discipulis astantibus,
in medio stetit Christus,
dicens: Pax vobis omnibus.

Alleluia.

Ut intellexit Didymus
quia surrexerat Iesus,
remansit fere dubius.

Alleluia.

Vide Thoma, vide latus,
vide pedes, vide manus,
noli esse incredulus.

Alleluia.

Quando Thomas vidit Christum,
pedes, manus, latus suum,
dixit: Tu es Deus meus.

Alleluia.

Beati qui non viderunt
et firmiter crediderunt;
vitam aeternam habebunt.

Alleluia.

In hoc festo sanctissimo
sit laus et iubilatio:
benedicamus Domino.

Alleluia.

Ex quibus nos humillimas
devotas atque debitas
Deo dicamus gratias.

Alleluia.

Alleluia!  Alleluia!  Alleluia!

O sons and daughters, let us sing!
The King of Heaven, the glorious King,
O'er death to-day rose triumphing.
Alleluia!

That Easter morn, at break of day,
The faithful women went their way
To seek the tomb where Jesus lay.
Alleluia!

An angel clad in white they see,
Who sat, and spake unto the three,
'Your Lord doth go to Galilee.'
Alleluia!

That night the apostles met in fear;
Amidst them came their Lord most dear,
And said, 'My peace be on all here.'
Alleluia!

When Thomas first the tidings heard,
How they had seen the risen Lord,
He doubted the disciples' word.
Alleluia!

'My piercèd side, O Thomas, see;
My hands, my feet I show to thee;
Not faithless, but believing be.'
Alleluia!

No longer Thomas then denied;
He saw the feet, the hands, the side;
'Thou art my Lord and God,' he cried.
Alleluia!

How blest are they who have not seen,
And yet whose faith hath constant been!
For they eternal life shall win.
Alleluia!

On this most holy day of days,
To God your hearts and voices raise
In laud and jubilee and praise.
Alleluia!

As the Team's Head-Brass (Edward Thomas)

As the team's head-brass flashed out on the turn
The lovers disappeared into the wood.
I sat among the boughs of the fallen elm
That strewed the angle of the fallow, and
Watched the plough narrowing a yellow square
Of charlock. Every time the horses turned
Instead of treading me down, the ploughman leaned
Upon the handles to say or ask a word,
About the weather, next about the war.
Scraping the share he faced towards the wood,
And screwed along the furrow till the brass flashed
Once more.
                The blizzard felled the elm whose crest
I sat in, by a woodpecker's round hole,
The ploughman said. 'When will they take it away? '
'When the war's over.' So the talk began –
One minute and an interval of ten,
A minute more and the same interval.
'Have you been out? ' 'No.' 'And don't want to, perhaps? '
'If I could only come back again, I should.
I could spare an arm, I shouldn't want to lose
A leg. If I should lose my head, why, so,
I should want nothing more ... Have many gone
From here? ' 'Yes.' 'Many lost? ' 'Yes, a good few.
Only two teams work on the farm this year.
One of my mates is dead. The second day
In France they killed him. It was back in March,
The very night of the blizzard, too. Now if
He had stayed here we should have moved the tree.'
'And I should not have sat here. Everything
Would have been different. For it would have been
Another world.' 'Ay, and a better, though
If we could see all all might seem good.' Then
The lovers came out of the wood again:
The horses started and for the last time
I watched the clods crumble and topple over
After the ploughshare and the stumbling team.

from The Analytical Language of John Wilkins (Jorge Luis Borges)

These ambiguities, redundancies and deficiencies recall those which Dr Franz Kuhn attributes to a certain Chinese encyclopaedia entitled The Celestial Emporium of Benevolent Knowledge. In its remote pages it is written that the animals can be divided into:

(a) belonging to the emperor,

(b) embalmed,

(c) tame,

(d) sucking pigs,

(e) sirens,

(f) fabulous,

(g) stray dogs,

(h) included in the present classification,

(i) that tremble as if they were mad,

(j) innumerable,

(k) drawn with a very fine camel hair brush,

(l) et cetera,

(m) having just broken the water pitcher,

(n) that from a long way off look like flies.

Thoughts in a Garden (Andrew Marvell)

How vainly men themselves amaze
To win the palm, the oak, or bays,
And their incessant labours see
Crown’d from some single herb or tree,
Whose short and narrow-vergéd shade
Does prudently their toils upbraid;
While all the flowers and trees do close
To weave the garlands of Repose.

Fair Quiet, have I found thee here,
And Innocence thy sister dear?
Mistaken long, I sought you then
In busy companies of men:
Your sacred plants, if here below,
Only among the plants will grow:
Society is all but rude
To this delicious solitude.

No white nor red was ever seen
So amorous as this lovely green.
Fond lovers, cruel as their flame,
Cut in these trees their mistress’ name:
Little, alas, they know or heed
How far these beauties her exceed!
Fair trees! where’er your barks I wound,
No name shall but your own be found.

When we have run our passion’s heat
Love hither makes his best retreat:
The gods, who mortal beauty chase,
Still in a tree did end their race:
Apollo hunted Daphne so
Only that she might laurel grow:
And Pan did after Syrinx speed,
Not as a nymph, but for a reed.

What wondrous life is this I lead!
Ripe apples drop about my head;
The luscious clusters of the vine
Upon my mouth do crush their wine;
The nectarine and curious peach
Into my hands themselves do reach;
Stumbling on melons as I pass,
Ensnared with flowers, I fall on grass.

Meanwhile the mind from pleasure less
Withdraws into its happiness;
The mind, that ocean where each kind
Does straight its own resemblance find;
Yet it creates, transcending these,
Far other worlds, and other seas;
Annihilating all that’s made
To a green thought in a green shade.

Here at the fountain’s sliding foot,
Or at some fruit-tree’s mossy root,
Casting the body’s vest aside
My soul into the boughs does glide;
There, like a bird, it sits and sings,
Then whets and claps its silver wings,
And, till prepared for longer flight,
Waves in its plumes the various light.

Such was that happy Garden-state,
While man there walk’d without a mate:
After a place so pure and sweet,
What other help could yet be meet!
But ’twas beyond a mortal’s share
To wander solitary there:
Two paradises are in one,
To live in Paradise alone.

How well the skilful gardener drew
Of flowers and herbs this dial new!
Where, from above, the milder sun
Does through a fragrant zodiac run:
And, as it works, th’ industrious bee
Computes its time as well as we.
How could such sweet and wholesome hours
Be reckon’d, but with herbs and flowers!

In Memoriam A.H.H. LXXXIII (Alfred, Lord Tennyson)

Dip down upon the northern shore,
  O sweet new-year delaying long;
  Thou dost expectant nature wrong;
Delaying long, delay no more.

What stays thee from the clouded noons,
   Thy sweetness from its proper place?
   Can trouble live with April days,
Or sadness in the summer moons?

Bring orchis, bring the foxglove spire,
   The little speedwell's darling blue,
   Deep tulips dash'd with fiery dew,
Laburnums, dropping-wells of fire.

O thou, new-year, delaying long,
   Delayest the sorrow in my blood,
   That longs to burst a frozen bud
And flood a fresher throat with song.

The Trees (Philip Larkin)

The trees are coming into leaf
Like something almost being said;
The recent buds relax and spread,
Their greenness is a kind of grief. 

Is it that they are born again
And we grow old? No, they die too.
Their yearly trick of looking new
Is written down in rings of grain. 

Yet still the unresting castles thresh
In fullgrown thickness every May.
Last year is dead, they seem to say,
Begin afresh, afresh, afresh.

from Crampton Hodnet, chapter 11, Love in the British Museum (Barbara Pym)

'What can we do?' she said, dealing rather inefficiently with the tea.  'There isn't anything we can do.'  She was feeling more normal now, although still a little dazed, as if she had just woken out of a dream.

'But ...' Francis went on stirring his tea, into which he had forgotten to put sugar.  'We love each other.  I love you and you love me too, don't you?'

'Yes,' said Barbara doubtfully.  'I do, only ...'  How could she explain to him what her love was like?  That although it was a love stronger than death, it wasn't the kind of love one did anything about?  On the contrary, doing nothing about it was one of its chief characteristics, because if one did anything it would be different - it might even disappear altogether.

'Aren't you sure then?' he asked.

'Oh, yes ...' she said uncertainly.  She dug her fork into a cake and it broke into little pieces.  She chased the hard bits unhappily round her plate.

The comming of good luck (Robert Herrick)

So Good-luck came, and on my roofe did light,
Like noyse-lesse Snow; or as the dew of night:
Not all at once, but gently, as the trees
Are, by the Sun-beams, tickel'd by degrees.

Corpus Christi (Evelyn Underhill)

Come, dear Heart!
The fields are white to harvest: come and see
As in a glass the timeless mystery
Of love, whereby we feed
On God, our bread indeed.
Torn by the sickles, see him share the smart
Of travailing Creation: maimed, despised,
Yet by his lovers the more dearly prized
Because for us he lays his beauty down -
Last toll paid by Perfection for our loss!
Trace on these fields his everlasting Cross,
And o’er the stricken sheaves the Immortal Victim’s crown.

From far horizons came a Voice that said,
‘Lo! from the hand of Death take thou thy daily bread.’
Then I, awakening, saw
A splendour burning in the heart of things:
The flame of living love which lights the law
Of mystic death that works the mystic birth.
I knew the patient passion of the Earth,
Maternal, everlasting, whence there springs
The Bread of Angels and the life of man.

Now in each blade
I, blind no longer, see
The glory of God’s growth: know it to be
An earnest of the Immemorial Plan.
Yea, I have understood
How all things are one great oblation made:
He on our altars, we on the world’s rood.
Even as this corn,
Earth-born,
We are snatched from the sod;
Reaped, ground to grist,
Crushed and tormented in the Mills of God,
And offered at Life’s hands, a living Eucharist.

from Dombey and Son, chapter XX, Mr. Dombey goes upon a Journey (Charles Dickens)

He found no pleasure or relief in the journey. Tortured by these thoughts he carried monotony with him, through the rushing landscape, and hurried headlong, not through a rich and varied country, but a wilderness of blighted plans and gnawing jealousies. The very speed at which the train was whirled along, mocked the swift course of the young life that had been borne away so steadily and so inexorably to its foredoomed end. The power that forced itself upon its iron way - its own - defiant of all paths and roads, piercing through the heart of every obstacle, and dragging living creatures of all classes, ages, and degrees behind it, was a type of the triumphant monster, Death.

Away, with a shriek, and a roar, and a rattle, from the town, burrowing among the dwellings of men and making the streets hum, flashing out into the meadows for a moment, mining in through the damp earth, booming on in darkness and heavy air, bursting out again into the sunny day so bright and wide; away, with a shriek, and a roar, and a rattle, through the fields, through the woods, through the corn, through the hay, through the chalk, through the mould, through the clay, through the rock, among objects close at hand and almost in the grasp, ever flying from the traveller, and a deceitful distance ever moving slowly within him: like as in the track of the remorseless monster, Death!

Through the hollow, on the height, by the heath, by the orchard, by the park, by the garden, over the canal, across the river, where the sheep are feeding, where the mill is going, where the barge is floating, where the dead are lying, where the factory is smoking, where the stream is running, where the village clusters, where the great cathedral rises, where the bleak moor lies, and the wild breeze smooths or ruffles it at its inconstant will; away, with a shriek, and a roar, and a rattle, and no trace to leave behind but dust and vapour: like as in the track of the remorseless monster, Death!

Breasting the wind and light, the shower and sunshine, away, and still away, it rolls and roars, fierce and rapid, smooth and certain, and great works and massive bridges crossing up above, fall like a beam of shadow an inch broad, upon the eye, and then are lost. Away, and still away, onward and onward ever: glimpses of cottage-homes, of houses, mansions, rich estates, of husbandry and handicraft, of people, of old roads and paths that look deserted, small, and insignificant as they are left behind: and so they do, and what else is there but such glimpses, in the track of the indomitable monster, Death!

Away, with a shriek, and a roar, and a rattle, plunging down into the earth again, and working on in such a storm of energy and perseverance, that amidst the darkness and whirlwind the motion seems reversed, and to tend furiously backward, until a ray of light upon the wet wall shows its surface flying past like a fierce stream. Away once more into the day, and through the day, with a shrill yell of exultation, roaring, rattling, tearing on, spurning everything with its dark breath, sometimes pausing for a minute where a crowd of faces are, that in a minute more are not; sometimes lapping water greedily, and before the spout at which it drinks has ceased to drip upon the ground, shrieking, roaring, rattling through the purple distance!

Louder and louder yet, it shrieks and cries as it comes tearing on resistless to the goal: and now its way, still like the way of Death, is strewn with ashes thickly. Everything around is blackened. There are dark pools of water, muddy lanes, and miserable habitations far below. There are jagged walls and falling houses close at hand, and through the battered roofs and broken windows, wretched rooms are seen, where want and fever hide themselves in many wretched shapes, while smoke and crowded gables, and distorted chimneys, and deformity of brick and mortar penning up deformity of mind and body, choke the murky distance. As Mr Dombey looks out of his carriage window, it is never in his thoughts that the monster who has brought him there has let the light of day in on these things: not made or caused them. It was the journey's fitting end, and might have been the end of everything; it was so ruinous and dreary.

So, pursuing the one course of thought, he had the one relentless monster still before him. All things looked black, and cold, and deadly upon him, and he on them. He found a likeness to his misfortune everywhere. There was a remorseless triumph going on about him, and it galled and stung him in his pride and jealousy, whatever form it took: though most of all when it divided with him the love and memory of his lost boy.

from The Lord of the Rings, book 6, chapter 6, Many Partings (J.R.R. Tolkien)

'Well, Mr Frodo, we've been far and seen a deal, and yet I don't think we've found a better place than this.  There's something of everything here, if you understand me: the Shire and the Golden Wood and Gondor and kings' houses and inns and meadows and mountains all mixed. [...]'

'Yes, something of everything, Sam, except the Sea,' Frodo had answered, and he repeated it now to himself: 'Except the Sea.'

from Zuleika Dobson, chapter 12 (Max Beerbohm)

Clearly it was vain to seek distraction in my old College. I floated out into the untenanted meadows. Over them was the usual coverlet of white vapour, trailed from the Isis right up to Merton Wall. The scent of these meadows' moisture is the scent of Oxford. Even in hottest noon, one feels that the sun has not dried them. Always there is moisture drifting across them, drifting into the Colleges. It, one suspects, must have had much to do with the evocation of what is called the Oxford spirit—that gentlest spirit, so lingering and searching, so dear to them who as youths were brought into ken of it, so exasperating to them who were not. Yes, certainly, it is this mild, miasmal air, not less than the grey beauty and gravity of the buildings, that has helped Oxford to produce, and foster eternally, her peculiar race of artist-scholars, scholar-artists. The undergraduate, in his brief periods of residence, is too buoyant to be mastered by the spirit of the place. He does but salute it, and catch the manner. It is on him who stays to spend his maturity here that the spirit will in its fulness gradually descend. The buildings and their traditions keep astir in his mind whatsoever is gracious; the climate, enfolding and enfeebling him, lulling him, keeps him careless of the sharp, harsh, exigent realities of the outer world. Careless? Not utterly. These realities may be seen by him. He may study them, be amused or touched by them. But they cannot fire him. Oxford is too damp for that. The 'movements' made there have been no more than protests against the mobility of others. They have been without the dynamic quality implied in their name. They have been no more than the sighs of men gazing at what other men had left behind them; faint, impossible appeals to the god of retrogression, uttered for their own sake and ritual, rather than with any intent that they should be heard. Oxford, that lotus-land, saps the will-power, the power of action. But, in doing so, it clarifies the mind, makes larger the vision, gives, above all, that playful and caressing suavity of manner which comes of a conviction that nothing matters, except ideas, and that not even ideas are worth dying for, inasmuch as the ghosts of them slain seem worthy of yet more piously elaborate homage than can be given to them in their heyday. If the Colleges could be transferred to the dry and bracing top of some hill, doubtless they would be more evidently useful to the nation. But let us be glad there is no engineer or enchanter to compass that task. Egomet, I would liefer have the rest of England subside into the sea than have Oxford set on a salubrious level. For there is nothing in England to be matched with what lurks in the vapours of these meadows, and in the shadows of these spires - that mysterious, inenubilable spirit, spirit of Oxford. Oxford! The very sight of the word printed, or sound of it spoken, is fraught for me with most actual magic.

from The Tale of Mrs Tiggy-Winkle (Beatrix Potter)

Once upon a time there was a little girl called Lucie, who lived at a farm called Little-town. She was a good little girl - only she was always losing her pocket-handkerchiefs!

One day little Lucie came into the farm-yard crying - oh, she did cry so! 'I've lost my pocket-handkin! Three handkins and a pinny! Have you seen them, Tabby Kitten?'

The Kitten went on washing her white paws; so Lucie asked a speckled hen -

'Sally Henny-penny, have you found three pocket-handkins?'

But the speckled hen ran into a barn, clucking -

'I go barefoot, barefoot, barefoot!'

And then Lucie asked Cock Robin sitting on a twig.

Cock Robin looked sideways at Lucie with his bright black eye, and he flew over a stile and away.

Lucie climbed upon the stile and looked up at the hill behind Little-town - a hill that goes up - up - into the clouds as though it had no top!

And a great way up the hill-side she thought she saw some white things spread upon the grass.

Lucie scrambled up the hill as fast as her stout legs would carry her; she ran along a steep path-way - up and up - until Little-town was right away down below - she could have dropped a pebble down the chimney!

Fielder (Zaffar Kunial)

If I had to put my finger on where this started,
I’d trace a circle round the one moment I came to, or the one
that placed me, a fielder - just past the field, over the rope,
having chased a lost cause, leathered for six ...
when, bumbling about, obscured in the bushes,
I completely stopped looking for the ball -
perhaps irresponsibly - slowed by bracken, caught by light
that slipped the dark cordon of rhododendron hands,
a world hidden from the batsmen, the umpires and my team,
like the thing itself: that small, seamed planet, shined
on one half, having reached its stop, out of the sphere of sight.
And when I reflect, here, from this undiscovered city,
well north of those boyish ambitions - for the county,
maybe later, the country - I know something of that minute
holds something of me, there, beyond the boundary,
in that edgeland of central England. A shady fingernail
of forest. The pitch it points at, or past, a stopped clock.
Still, in the middle, the keeper’s gloves
clap at the evening. Still, a train clicks
on far-off tracks. And the stars are still to surface.
The whole field, meanwhile, waiting for me,
some astronaut, or lost explorer, to emerge with a wave
that brings the ball - like time itself - to hand. A world restored.
But what I’d come to find, in that late hour
was out of mind, and, the thing is, I didn’t care
and this is what’s throwing me now.

Vitaï Lampada (Henry Newbolt)

There's a breathless hush in the Close to-night -
Ten to make and the match to win -
A bumping pitch and a blinding light,
An hour to play and the last man in.
And it's not for the sake of a ribboned coat,
Or the selfish hope of a season's fame,
But his Captain's hand on his shoulder smote,
'Play up! play up! and play the game!'

The sand of the desert is sodden red, -
Red with the wreck of a square that broke; -
The Gatling's jammed and the colonel dead,
And the regiment blind with dust and smoke.
The river of death has brimmed his banks,
And England's far, and Honour a name,
But the voice of schoolboy rallies the ranks,
'Play up! play up! and play the game!'

This is the word that year by year
While in her place the School is set
Every one of her sons must hear,
And none that hears it dare forget.
This they all with a joyful mind
Bear through life like a torch in flame,
And falling fling to the host behind -
'Play up! play up! and play the game!'

'O may I join the choir invisible' (George Eliot)

longum illud tempus, quum non ero, magis me movet, quam hoc exiguum - Cicero, Ad Att. xii. 18 

O may I join the choir invisible
Of those immortal dead who live again
In minds made better by their presence; live
In pulses stirred to generosity,
In deeds of daring rectitude, in scorn
Of miserable aims that end with self,
In thoughts sublime that pierce the night like stars,
And with their mild persistence urge men’s minds
To vaster issues.

   So to live is heaven:
To make undying music in the world,
Breathing a beauteous order that controls
With growing sway the growing life of man.
So we inherit that sweet purity
For which we struggled, failed and agonized
With widening retrospect that bred despair.
Rebellious flesh that would not be subdued,
A vicious parent shaming still its child,
Poor, anxious penitence is quick dissolved;
Its discords, quenched by meeting harmonies,
Die in the large and charitable air;
And all our rarer, better, truer self,
That sobbed religiously in yearning song,
That watched to ease the burden of the world,
Laboriously tracing what must be,
And what may yet be better - saw within
A worthier image for the sanctuary
And shaped it forth before the multitude,
Divinely human, raising worship so
To higher reverence more mixed with love -
That better self shall live till human Time
Shall fold its eyelids, and the human sky
Be gathered like a scroll within the tomb
Unread forever.

   This is life to come,
Which martyred men have made more glorious
For us who strive to follow.

   May I reach
That purest heaven - be to other souls
The cup of strength in some great agony,
Enkindle generous ardor, feed pure love,
Beget the smiles that have no cruelty,
Be the sweet presence of a good diffused,
And in diffusion ever more intense!
So shall I join the choir invisible
Whose music is the gladness of the world.